‘Tis the season for introspection and reflection and looking back on the year. Not really my forte, but I have a wee bit more time on my hands than previous year-ends, and maybe this will distract me enough to slow down my rampant Christmas chocolate binging.
A lot changed this year, and not much. We live in the same house (our first full year as homeowners. My husband has not left me over it. Yet.) with the same kids and the same cats. Tyo graduated high school and got her driver’s license and a job. Syo struggled through grade 9, had a summer of epic highs and lows, but dove into grade 10 with a determination and involvement that makes me feel like she’s figuring things out. Teenagers are wonderful but also exhausting.
Midway through the year, I lost my Fabricland job when my store was closed down, which was a big personal and financial adjustment. While I’ve enjoyed having more time to devote to my health and my family and mainly to just existing, financially it’s been tricky, and I desperately miss many of the people I worked with. I was incredibly lucky to have been able to ramp up my teaching at Periwinkle Quilting once my evenings were no longer full of Fabricland—it’s much more fun than just selling fabric, and I THINK it’s exactly what I want to do in terms of my sewing “career”—but there are pretty firm limits to how much they can fit me in to their schedule, so it will never be the kind of second income Fabricland was. Which is okay, too. It’s been really nice having some time to just… be. I’ve been trying to let myself enjoy it.
As for my sewing this year… it wasn’t exactly exploring brave new frontiers, but there were some highlights.
The obvious one is Tyo’s grad dress, which I’m inordinately proud of. Because it fit her so well, and had all the features she wanted (including removable overskirt and pockets), and also because I made my own lace for the short skirt.
With my sewing no longer dominated by Fabricland projects, I got to dip my toes into sewing more indie patterns. Some for fun, like the York Pinafore above, others for teaching purposes, like the Merchant and Mills Trapeze Dress.
I struggle a bit with the teaching samples. The patterns I choose to teach are not necessarily things I really want to wear—many patterns are picked for simplicity or popularity, and while I try to stick with things that can be made from fabrics available at Periwinkle, it’s still a quilting store and the range of fabrics I’m interested in is just, um, smaller. Especially since I’m not the biggest prints person.
I made the third in a trilogy of progressively larger little coats for my best friend’s daughter. Everything about it felt pretty epic, from the mysterious vintage pattern to the quilted lining. I had a lot of fun with that.

And I have to go off about my print-matching on my Hallowe’en dress, because it was epic.
Even if you can’t actually see it in this picture.
Just before Christmas, in between annoying present sewing, I indulged in some serious velvet, making a slip and stockings and a few other quick and luxurious pieces. Velvet is on trend this year and I’m all over that.
The biggest fail of the year was these gorgeous black linen cargo pants I made for my husband.
I failed to fit them properly (standard changes for my husband I should’ve known to make but didn’t) and then compounded that by hemming them too short. The construction was awesome. I could attempt some alterations, but most of my topstitching was done with a triple stitch, and I haven’t been able to face the hours and hours of unpicking any alterations will require.
Looking toward the future, I’ll be making a blazer for my uncle, hopefully in time for Robbie Burns Day. I’m thinking I should make myself something similarly tailored in parallel, so I feel more excited about the project, because right now I’m dreading it.
I’m also tempted to make a walking skirt, a long wrap-skirt of coating to keep my legs warmer than my winter coat does. Yes, I’m still thinking winter sewing. I’ve got at least three months to go, though it hasn’t been a hard winter here so far.
I’m in a bit of a transition with my style and sewing, I think. Body changing (even as I’m hoping to reverse some of that with some more time for exercise next year) and the twilight of my 30s, plus my work being less outward-facing (except for teaching) has me thinking differently about both what’s flattering and what I want to project. I’m not feeling the silly, girly retro dresses as much as I was, nor the “sexy secretary ” stuff. I kind of hate to even admit that, because I love those styles.
On the other hand, I know even long before sewing I would wax and wane in my over-dressing, going through periods of wearing eveningwear to work, and other periods that were strictly jeans-and-T-shirts. And that’s ok too.
So bring it on, 2019—we’ll see what you got!