Spoiler: it turned out ok.
Actually, it depends on your metric. Technically, this is a work of freaking art. Style wise, it’s fun but plain—which goes with the Merchant & Mills aesthetic, if not so much mine. Fit wise, it’s ok but not spectacular. More on that in a sec.
It’s a pretty insanely simple pattern. Ok, I didn’t make the long sleeve version with the funky little inset. That’s a neat version but I didn’t think I’d actually like wearing it. This is what I struggle with with these class samples—balancing what I want in a wardrobe vs. what students need in a class. It is a nice pattern, though—there’s some subtle shaping at the side seam, and the amount of flare is just perfect for a crisp woven.
Anyway. The sizing is British, apparently. I’m in between a size 10 and a 12, but closer to the 10, so I went with that. However, the shoulders are a little binding so perhaps the 12 would’ve been better.
On looking at the pattern pieces, I made two of my usual adjustments: I squared the shoulder, and I raised under the arm. Possibly I should’ve just petited through the armscye, but the effect is pretty similar, except that I think raising the bust might’ve been a good idea too.
The square shoulder was definitely the right call. I think I could’ve raised the underarm a bit more, because my squaring of the shoulder involved raising the outer shoulder, which counteracted raising the under-arm somewhat. Usually I handle things a bit differently, by dropping the inner edge of the neckline when I’m tracing, or just grading to a smaller size in the neck—but I didn’t decide to do the changes until after the pattern pieces were traced. Anyway, it looks nice until I move.
My construction, on the other hand, is flipping flawless. Well, nearly. I went with a Hong Kong binding for almost all of the seams. Yum.
After some sampling I went with this dusty punk rayon binding left over from a version of McCall’s M6263 that I apparently never blogged. Oops. I think it looks really cute with my grey fabric. The other dress was pink and grey too, for that matter. Incidentally, the fabric is a Robert Kaufman Essex Linen “Homespun” blend and it’s yummy as hell. And it eased in the sleeve cap really nicely, which is great.
As you can see, I added pockets. There’s plenty of room in this style, and these days, with key cards and cellphones, I’m much happier if I have pockets. Oh, and when binding the hem, I stretched the hell out of the bias tape as I went, which caused it to gather the edge a bit, making it much easier to do a nice, deep hem on the curved edge. I did end up serging the armscye seams, as it was just better to reduce bulk and narrow the seam allowance there.
The whole Merchant and Mills philosophy is of the “slow down and make something carefully and well,” variety, which I respect even if I hate their arty envelope photos. And I really did enjoy this process, with exquisite materials and minimal fitting. It still took less than eight hours of sewing, so it’s not that long of a make. That includes hand stitching all the hems.
You can see how the smooth shoulder fit goes all to hell when I lift my arm even a little. Some of that is unique to my body but some is the draft, which has a fairly high, narrow sleeve cap—the kind that looks perfect while stationary. To make it again, I would remove .5 cm from my raised underarm, but then petite through the armscye 1cm. If I need to make it again, which I probably don’t. I think I’ve mentioned my overstuffed closet.
Here, have an artful flatlay:
I almost wanna make a little pink bow for the outside. Probably too twee, right? This pattern is all about class, right? But I really do love those seam bindings.
maybe I should just wear it inside out?