Tag Archives: finished projects

Hallowe’en 2017 II: The Aviator

Tyo’s costume this year was both simpler and more frustrating than Syo’s. Simpler in that she had it picked out early, it required making a single piece, not three or four, and I bought a marked-down twill for it so no precious or sentimental fabric was sacrificed. Frustrating mainly because Tyo didn’t prioritize the making of it, so she kept making other plans and disappearing, and I was not prepared to sew it all for her, both because she’s old enough to do it herself and also hello, fitting. But mainly the first reason.

In case you’re wondering, she’s a Top Gun pilot. I believe she went with “Goose’s granddaughter”. She bought the patches, but was unenthused by the “girl Top Gun” costumes (one was a stretch Lycra flight suit, the other was a mini-dress version). She wanted coveralls, but that fit her.

The first tricky bit was the pattern. A dig through my Burda mag stash (thank you, Zena!) turned up a few jumpsuit possibilities, but nothing that would work in my heavy twill. (Maybe not the best fabric choice, but I’d already bought it at this point.)

Next best would be a combination of a high-waisted pants and a shirt pattern. I had made her Burda 6849 in plaid flannel a few years ago, which seemed perfect, and I found a pants pattern fairly quickly in my pattern database. Unfortunately, my intermittently-meticulous pattern organization failed me, and I couldn’t find either pattern. I think I maybe lent the pants pattern to a friend a couple of years ago. I have no idea where the Burda shirt has gone. Obviously some Quality Assurance* activities are in order.

(*My day job is at a government lab and QA is an obsession to the point where it’s alternately hilarious and ridiculous.)

Anyway. Obviously plan B was in order. A further search turned up Burda 3038, above, which had all the required style elements—except that it’s a young junior size range. It goes up to a 37” hip, which is close, but, um, the drafting was definitely for a preadolescent body.

I raised the back rise a bit over an inch, doubled the size of the back darts, and added a bit of width to the hips. I should’ve added a bit more to the hips, but all in all it worked out surprisingly well. I’m not saying they fit “well” for pants, but, well, they fit!

The rise would be great as pants, but was not quite as high as I was hoping for for coveralls. But since we were on a project-runway style deadline, we made it work.

Oh yeah, deadline. Because my darling, sociable seventeen-year-old couldn’t make herself stay home long enough to work on it until the day before Hallowe’en. Aside from tracing out the patterns, this was entirely cut out and assembled on Oct. 30 between 4:00 and 11 pm. Which is well past when I need to be in bed, by the way.

Since I couldn’t find the shirt pattern, we fell back to Kwik Sew 433. Tyo had made this before for an unblogged Terry Bogard cosplay, so it was traced out and I knew it would fit. I added about 2” in length to the body, to accommodate the whole “it’s a jumpsuit now” thing. I also added a small tuck on each side of the back to make the waistband fit. It was a very small tuck—I could easily have taken the width out at the side seams or something.

And, by some miracle, it all worked. I thought maybe I added too much length at the back, but then she sat down. Less in the front might have been possible, but I don’t think it’s a problem, really.

I tried to make Tyo do most of the work, but as the evening wore on and time grew short I wound up doing more of it. So she did the cutting out, and constructed the pants (including cargo pockets!) mostly on her own, but I did all the sewing for the top except the darts. Fortunately I noticed that the KS seam allowances for the jacket/top were only 1/4” BEFORE we sewed anything at 5/8”, which would’ve been both hilarious and painful. I did manage to insert the zipper inside out.

You may have noticed the cuffs at both sleeve and pants hems. This is because both are unfinished. And yet, sometimes that’s good enough. She can finish those for next year, when it gets reworked into a ghostbusters costume.

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Hallowe’en 2017: Interview with the Steampunker

I didn’t really mean to do intense Hallowe’en costuming this year—frankly I was more excited about decorating the house (which we ended up not even doing!)

But my kids had other ideas. Fortunately for me, they’re also old enough to contribute to the process pretty significantly.

We’ll start with Syo, because that’s who got her shit together and started sewing first. She wanted to be steampunk again. Wow, clicking that link was a flashback! Actually she wanted to be a vampire, but a classy one, with glue-in fangs. She even got the fangs, except that they don’t really work with braces. So, steampunk. But every choice she made it seemed like she really would’ve rather gone vampire. After some debate she settled on wearing my red Angel Underbust corset and making a coat, skirt, and blouse.

Repeat patterns help a lot for speeding up Hallowe’en sewing. For the coat, we settled on McCall’s M6800, which I made ages ago in camo denim and lace.

I won’t lie, making this coat hurt. Not because of construction or kid-wrangling issues, but because it used up not one, not two, but three fairly “precious” fabrics in stash. Most particularly a stretch denim with flocked velvet medallion pattern that I only got two mètres of, years ago, around when Cindy of Cation Designs made a pair of pants from similar fabric. I’ve been planning to copy her shamelessly ever since.

but now I won’t be. Since 2m is not enough fabric for this pattern, we had to continue stash diving to find something compatible. Settled on a nice, beefy bottom weight cotton stretch sateen. Not as precious as the flocked denim but still a nice basic I’d hoped to turn into something practical for ME. For lining, we used the last of my precious red Kasha, (what did I say about vampire wannabe-ism?) which would hopefully make the whole thing a little more Hallowe’en-friendly (Hallowe’en here is either on the cusp of winter or in full on winter so making costumes warm is a priority).

I’m telling myself it’s ok because she loves the resulting coat and will probably wear it for lots of other things, but mostly I’m only ok with it because we’re actually the same size these days other than height so all I need to do is make some detachable cuffs from the scraps and then I could wear it.

Syo did most of the cutting out and basically all of the sewing on the shell. I directed and sewed the lining and hems. And the main hem is the main thing that we probably should redo, because I hemmed the two layers together and I shouldn’t have, but we were on a tight time schedule. So it doesn’t hang as nicely as it should. I made the buttonholes but she selected and sewed on the buttons.

The skirt(s) and blouse were much simpler and quicker. I drafted the skirt as a high-low half-circle on some black stretch velvet. And by drafted I mean, took a measuring tape and some chalk and and drew lines right on the fabric. I made a bunch of ruffle with some still-kinda-precious-to-me stretch mesh, and added various gathered bits until it started to look ok. There’s an underskirt of red mesh made much the same way, too. It was harder to let Syo help with this part, since I was flying by the seat of my pants. But it also didn’t take too long.

The blouse was both last and least. The pattern is just a peasant blouse from the late 70s, not unlike the first pattern I ever sewed. 😂 the only alteration was to shorten the sleeves a bit, though I suspect she would’ve preferred a more plunging neckline. The fabric was a remnant of black rayon twill that, again, was way too nice for a Hallowe’en costume. At least it wasn’t expensive. But rayon twill might be my new favourite fabric.

Guys, I love this costume. Like I wish it were for me grade of love. None of the snapshots really do it justice—it deserves a proper photo shoot. Someday. 😂

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Cozy

Fall has been more or less glorious so far. We thanksgivinged. Our ridiculously big new dining room table got a workout. There was turkey, family, and good times aplenty. What there wasn’t was a lot of sewing time.

I was an idiot and took out a rather complicated project from work that may yet kill kill me. So in avoiding that (it’s almost done, I promise) I took out a different one that’s simple as pie: McCall’s 7622

Maybe not my best idea ever, but it was definitely the feeling of accomplishment I needed!

This is my second attempt at a tent style dress. The first one I wimped out and ended with a more-or-lesss fit and flare maxi. This time, after a year of absorbing the trend, my aging stylistic sense may have finally come around to it… anyway, I’m sticking with the tent. At least for now.

This is essentially a T-shirt pattern, which means it was mercifully quick to sew up. Version one is a cozy French terry in a marled grey, which I feel like is a color that screams “curling up in comfort.” I made the basic long sleeve version, as you can see.

To my surprise, the pattern includes pockets! I’m not convinced they’re the best idea since I think they’ll weigh down the swishy side seams, but I included them in this version because I knew I’d enjoy having them, and this is the version meant for cozy comfort, not style.

I made the size S, though my measurements are pretty much in the M range these days—it worked well but the sleeves are quite snug, so I would say it’s pretty much true to size. Also, there was no excess ease in the sleeve cap. It went in perfectly! I don’t think I’ve experienced that in a Big 4 knit pattern before. This almost makes up for the instructions to turn and hem the neckline. I bound mine after trimming off the seam allowance. .

Version 2 is in a very fun burnout velvet that doesn’t have quite enough stretch for the pattern. I let the sleeves out as much as I could, and I cut the neck band to the largest size (and then cut the neck hole larger to match.)

I went with the peep shoulder view because, fun. Although I confess I’m a little worried peep shoulder + tent silhouette are pretty trendy, in the sense that they’re probably both already passé. Screw it. It’s fun. And it’s not like I live in a fashion capital of the world.

I feel like it will be a very fun dress for the holidays.

Next up is Hallowe’en costumes. Though really what I feel like making are sweatshirts and cozy leggings. And that Vogue pattern. I just need to attach top and bottom halves and do buttonholes and other finishing details. I can do it.

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Summer sewing

The last thing I sewed before we moved was meant to fill the gaping hole in my wardrobe that is casual warm-weather gear. This is rather like attempting to deflect a hurricane with a small oscillating fan, but y’know. Sometimes you gotta try.

I made up a version of Burda 6794, which promised easy summer comfort. I’m not very good at casual these days—I don’t have much chance for it. I’m not even really sure what I like, which is unsettling.

Anyway. I made up a super-quick version out of the scraps from my grey Vogue 1312. To the best of my recollection, since this was about two months ago, I sewed up a straight size 38 (aside from a small swayback adjustment), and I was rather distressed with the results. It’s snug through the bust and just way too tight in the hips—and this is a garment that’s meant to be crisp and skimming. I’ve been wearing it, but only by not buttoning the bottom two buttons.

To be fair to Burda, this may have more to do with a certain drift in my own measurements rather than an issue with the pattern sizing.

Aside from the marginal fit, I didn’t make all the best choices in my construction. The button band would have benefited from interfacing. I opted to finish the upper edge with bias binding for a facing, which is not my best skill, and it would’ve been smarter all around to just line the entire bust section, since the striped fabric’s a trifle sheer.

On the other hand, I’ve still worn the snot out of it. Mainly because, as mentioned, my casual wardrobe is almost nonexistent. And it’s workable, just not quite right. But I think with a teeny bit of up-sizing, it’s a style I really like. Except of course summer is on its way out now so really I should be making some long-sleeved shirts instead.

In other news, the house is shaping up, but has been way more of a time suck than I expected. We refinished a floor, which may have been a mistake, but it’s done now, along with rather more painting than I had wanted to have happen.

And yes, it’s purple.

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New House Sewing

The sewing room is finally mostly set up. A lot more organization would be good, though. At work I'm highly organized. I'm not sure why I have such difficulty applying the same principles to my daily life.

I made the socks above using the Dreamstress's Rosalie stockings pattern, back around Christmas. I had impulsively grabbed a remnant of cotton spandex jersey in this mustard colour, which is fun but well outside my usual colours.

At the same time, I cut out a pair of Watson bikini bottoms. Then, somehow, in the five feet from my kitchen to the sewing machine, I lost the crotch pieces. (Pattern piece still attached, FYI)

Expecting them to turn up, I set the other pieces aside. And waited. And waited.

Eventually I resigned myself to reprinting the errant pattern piece. Thank goodness for PDF patterns. But by then I had mislaid the fabric. And never the twain did meet… until last night, while organizing, I realized I had both.

Callooh callay!

Well, after sewing up the underwear in short order, I felt I should do something with the scant remaining remnant. Some experimentation revealed that yes, I could just barely get a version of Gertie's Butterick B6031 cami out of it. This is by far my favourite loungewear pattern, so I set to. I wasn't going to use lace, so I skipped the lace panel on the front, but even the longer version of the cami is pretty short so I wound up adding lace (as you are supposed to) to the hem. And now I think I miss the definition the lace at the underbust gives it. Oh well.

Mustard really isn't the best colour on me, but it's still a cute sleep set. (And I'm on vacation, which has really driven home how impoverished my casual wardrobe has become. ) And now that piece of fabric, at least, is totally gone.

I do need to get another machine set up, though. Switching between yellow and black thread all the time got VERY annoying.

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Sundresses

I wanted some more variations on the button-up sundress, so for my May project at work I went for Butterick B5761, a Connie Crawford pattern that doesn’t look like much on the envelope, but I liked the lines. 

This is my first Connie Crawford and I was quite happy with the fit; it took much less fussing and reshaping of the bust than McCall’s M7640 that I made last summer. On the other hand, on my first version (the white) I didn’t shorten the bodice (only the straps) and had to let out the hips, at least partially because the hip was sitting lower than I need it to. My hips aren’t super wide but they jut abruptly right below my waist. It was also a bit smug throughout.  

These two versions are really a study in how different fabric affects fit. The first version I made, in the white, is a poly-cotton seersucker with very little give, and the whole thing was borderline too tight. The second version, in a soft, drapy rayon, actually came out a little too large and I need to get in there and take in the back seams. 

There’s also a pattern piece not shown anywhere on the envelope—the shaped shoulder strap I used on the white version. I wish I’d thought to trim it with lace like I did the bodice, though I was using up lace scraps for that and wouldn’t’ve had enough. I’m not sure I LOVE it, but it was interesting to try. A pain to turn and press nicely, though. 

 When I got it done the whole thing was still a little plain but I got the idea to add the band of lace bead with a bit of vintage velvet ribbon and I love that detail. I do wish it was a little lower cut in the front, especially in the white version, but if you don’t love cleavage it’s a good option and the back has a really nicely scooped shape. 

The pattern is designed to be lined, which I did for the white version, but it also has some “interfacing” pattern pieces that work just fine if you want a facing, as I did for the tie-dye rayon. 

It’s quite slim through the hips (and much less of a fabric hog as a result), but I like my skirts a little fuller so for the rayon version I did increase the flare. 

And I added the button front on the rayon version, because I’m cool like that. 😉

At its bones, though, it’s a pretty good pattern. Even if these aren’t the best pics I’ve ever snapped. (No makeup, hair flat, taken in about three minutes as we were rushing out the door)

It’s Canada Day this weekend, and our 150th year as a nation, which is a big deal although it kinda totally neglects the thousands of years of people who lived here before that; I am trying to be conscious of the validity of those dual narratives, and to acknowledge, if only to myself, the checkered nature of that 150-year history, particularly with regard to the treatment of the First Nations people. I have a new Canada Day dress, too, and if I manage to get pics this weekend I’ll try and get a post up on that, but I don’t dare make promises since we’re moving later this month (and finally, after almost 20 years of renting, becoming home owners!!!) and life is going to be insane. So I’ll see you on the flip side!

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Cavity alert

If my first version of the Fancy Tiger sailor top was sweet, this one is absolutely cloying. Brush your teeth after reading this. 

Tyo is wondering why I’m making mom clothes. 😂

I am teaching a class on this pattern in August. I have to know how to make it. Also it’s cute. It is cute, right?

This version is the promo sample—it’s now hanging in Periwinkle Quilting so that people will hopefully be inspired to sign up for the class. 😉 The fabric is from there as well, and is a luscious double gauze. It’s very exciting to work with a fabric I’ve read about for so long. 

And, I got the recommended amount (2.2m) but was able to squeeze the top out of less so I actually have 90cm left over! Maybe the fabric’s a bit wider than I thought. So, I should be looking at woven cami patterns or something. 
The pattern has pretty good instructions (and I found the missing match point on my sleeve pattern so I didn’t have to unpick gathering this time!) but doesn’t call for any interfacing of the neck band. This may be fine for quilt cottons, but I’ve added some in both my versions and I’m happy about it. For this version it was just a layer of cotton lawn. The pattern also doesn’t call for understitching, which I did on both the neck band and the sleeves’ faced hems. 

I maintain that it is still somewhat sassy, despite the utter sweetness of the pattern, not at all helped by my choice of fabric or the pompom trim lace. (It was dying for the lace, c’mon!)

I may be wrong. I am in the latter half of my thirties, after all. 

Ah well. Sometimes it’s fun to make something outside my usual style. 

This is made up exactly as per the pattern, except I added about 1″ to the width of the back, which helps. I could’ve made it a bit longer. Oh, and the jeans in these photos are what’s left of my very first pair of me-made jeans, from 2010. 😳

So, maybe not my “style” exactly, but adorable and enjoyable to make. Plus, a good fit with minimal alterations. I think it will serve its purpose admirably. 

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A walk in the park (in a white muslin dress)

early1800 dress (405 of 417)

A few weeks ago, amidst about fifty other exhausting things, I made it out of the house one glorious April afternoon to wander the north-campus parks area with my sister-in-law… just coincidentally wearing my dress version of McCall’s M7493.

What version, you ask? Well, I would’ve sworn I blogged about it, but apparently (as happens all too often) I only wrote a draft, even more poorly photographed than usual, to the point where I didn’t have the heart to publish it. If you were following my Instagram (@tanitisis) back in, oh, February, you might have seen some of the terrible selfies. If not, please don’t go dig them up.

A border-embroidered fabric that seemed perfect for a Regency-style dress had come in at work, during that horrific post-New Years juxtaposition where all the stores start getting their spring and summer goods, but we Canadians still have two or three months of winter to deal with. What better way to avoid the reality of winter than a bit of historical fantasy, right? So, I decided to take the plunge and give the dress version of McCall’s M7493 (of Pride & Prejudice & Zombies fame) a go. The dress is not at all well illustrated on the envelope, but the line drawing looked cute. You may recall I made the coat for Syo’s Pride and Prejudice and Zombies costume last Hallowe’en. I am happy to report that the coat goes very well with the dress.

After checking the final measurements, I went with my proper size, 12—in McCall’s I often make a 10 as I tend to like the shoulder fit there better. But I wasn’t too concerned about wide shoulders here—the wider-set the better, really—and the finished measurements given were only 1.5″ design ease. Which is about right in my books.

early1800 dress (398 of 417)I actually skipped most of my usual fitting changes. I didn’t shorten the bodice, I didn’t sway back (maybe I should have, not for actual swayback fitting but to give a more authentic line), and given the narrow shoulder I didn’t square that. I did raise the underarm by about 1 cm, to make up for not shortening the bodice, and I stand by that decision.

I did make a few style changes. The most obvious is swapping in a straight sleeve to show off some more of the embroidery. I basically measured the width I would want (my arm + 2″, although I ended up narrowing it by 1/2″, so I guess I shoulda gone with my arm + 1.5″). I measured the length to the highest point, and then freehanded the rest; I wanted the sleeve seam to fall more to the back, although I’m not completely sure that’s correct for single-piece sleeves of the period. The main goal was for one of the spikes of embroidery to come up my arm toward the shoulder, and for the underarm not to be too deep.

To my absolute astonishment, this actually worked. They went in amazingly well, basically first try. Most of the folds in the above pic are from my chemise (which has much wider sleeves) bunching underneath. Probably one could fuss a bit with the rotation, but, after picking my jaw up off the floor, I wasn’t going to mess with anything.

early1800 dress (329 of 417).jpgThe armscye is comfortably high and I can raise my arm quite well.

early1800 dress (395 of 417)There are a couple of features of the dress that don’t show on the line drawing that I want to mention:

1) The shoulder seam is thrown to the back, as it should be for this period. Yay!

early1800 dress (409 of 417)2) the front skirt is “eased” (aka lightly gathered) to the front bodice, which is rather period but also rather, um, enhancing of the five-month-pregnant look that is a frequent byproduct of the era. I wound up ripping off the skirt, smoothing out all gathers in this area (shifting the skirt side seam toward the back in the process ) and focusing all the gathering between the rear princess seams at the back. I’m tempted, looking at the pictures, to rip it off again and move the bodice gathering to centre front, too, but we’ll see how ambitious I get. I still pretty much look pregnant, mind you. But then I often do even in regular clothes, so I won’t fuss too much about that. 😂

Kinda like this one. (Which my Pinterest tells me should be from the Met but the direct link is broken.)

early1800 dress (346 of 417)Anyway, other than the looking-pregnant thing (maybe time to finish those white long stays I started before Hallowe’en) and the puffiness of the bodice gathers, there are two medium-grade issues:

1) “Waistline” dips towards the back. Emphasized, no doubt, by my tilted torso, the back looks distinctly longer than the front. Period tendency is for the back to ride higher, like a bra that sags down in front. 😉 although the side-view of the same dress as above shows a slight dip to the rear.

early1800 dress (375 of 417)2) the straight-hem problem. Because the embroidered hem is of necessity straight, while the pattern piece curved, the centre-front of the skirt is distinctly shorter, to the point where it shows a couple of inches of my petticoat. I was planning on making a different petticoat for this one anyway, and I knew the skirt would do that, so I’m not overly bothered, but there it is. Other petticoat is made and is short enough. Which means I have two different Regency petticoats, and only one Regency dress.

early1800 dress (67 of 417)As I wasn’t entirely happy with the slightly blousy bodice, I made a quick lace-up-front vest to go with, which I do quite like. I used the dress bodice pattern pieces, but kept the original dart (which I converted to gathers in the dress) itself. I lowered the neckline a bit, which I like; were I to make the dress again I’d lower its neckline as well, as I don’t quite have the “popping out the top” effect that so many period illustrations seem to show. I used fabric left over from the coat, and some of the satin bias binding I’d made for the coat as well—using up nearly every scrap, in fact. So I’ll call that a win.

early1800 dress (122 of 417)That pretty much sums up everything that needed to be said about the dress.

early1800 dress (109 of 417)However, I’m vain, and Angel Jems took over 400 pictures, of which only about 300 of them have my hair doing something weird or me making wonky faces, so I’ll subject you to a few more, including some better shots of the coat.

early1800 dress (89 of 417)We went all over the various parks north of the U of S campus, trying to find locations without too much obviously modern detritus. Railway tracks in the background are a little incongruous, I suppose.

early1800 dress (295 of 417)I just really like this one.

early1800 dress (14 of 417)The coat twirls most excellently.

early1800 dress (36 of 417)

The collar needs some encouragement to sit properly in its folds, but I’m pretty happy with it nonetheless.early1800 dress (25 of 417)There is a LOT of fabric in those back pleats.early1800 dress (42 of 417)I do wish there was a version or view of the full-length coat where the skirt met in the front. I couldn’t find any period examples of pelisses with a cutaway front like this. I mean, this coat is from the PPZ movie, so it had to be that way, and it wouldn’t be a hard pattern mod, but it would’ve been nice to just have it.early1800 dress (39 of 417)

See, great collar! Even if neither historically accurate nor screen accurate. Now why didn’t she tell me my ribbon was on backwards?early1800 dress (40 of 417)

Apparently, the Regency is one of the few historical periods that I could actually dress as without a wig and have some measure of accuracy—at least some women did for a time wear the “coiffure a Titus” with hair short at the back, longer around the face, and tousled with pomade. Ding ding ding! 🙂early1800 dress (29 of 417)

 

Yeah, the dress is nice, but I really like that coat. I feel like I could just about talk myself into wearing it for every day… 😉

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A shrunken little cardigan

One of my favourite things in the (wardrobe) world is a teensy little cardigan. I have one favourite and several less favourites that I wear almost daily over my less-seasonally-appropriate dresses. They’ve even ousted the vintage shrugs for my favourite little topper, if only because I find the lower neckline more versatile. (And they keep your core a little warmer.)

And they’re all store-bought. I’ve been collecting odds and ends of sweater knits for several years, at this point, meaning to make my own, but I hadn’t quite taken the plunge, for whatever reason. 

Well, now I have. 

I used my handy-dandy knit sloper pattern. While I think this was a wise choice, it is intended for fairly fitted, stretchy things and while I do like my little cardigans little, I think a wee bit more “fitting over other clothes” ease might be in order. This is a fairly firm “quilted” knit, but I was assuming the ribbing would be a little wimpy, when in fact it is an extremely beefy ribknit. 

I cut my pattern at the “waist” line (which is a little high). I planned the V neck to end where my rather deep scoop normally does, but due to the snugness I don’t think I’ll bother adding snaps all the way up. 

The fabric is a quilted knit from a couple of winters ago, the same as I used for this white sweater. (In a bit of a wearability report, The fabric pilled almost instantly but didn’t get noticeably worse after that, and it has been the best snuggly thing to wear under my winter coat for two winters now, until the bottom portion of the two-way zippercame off a few weeks ago leaving me crushed and bereaved.)

I reinforced the bottom of the bottom band with clear elastic, which as it turns out was a bit of overkill. Noted. I also used knit interfacing on the portions of the front bands meant to be part of the closure, but that wasn’t terribly effective at least on the bottom band. 

I actually think I like it best open.  You can see the marking where I meant to add another snap, but my snap hardware supply is a little more depleted than I realized, and I had enough caps but not all the other bits. 

I promptly misplaced this after I finished it, and then got sick, so it hasn’t been worn in the field yet, and I don’t think the grey will be quite as versatile as black but, on the other hand, you know how much grey I’ve been sewing lately. 😉 

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Can’t leave the linen (look)

2017-04-02 18.17.25The day I finished the linen(ish) jersey Vogue 1312, a minor miracle happened: my husband and the kids all went to dinner at my brother-in-law’s, and left me home alone.*

MORE SEWING TIME!

Since I was still feeling the love for the linen-flavoured knits (and was about to surrender my new dress to hanging in the shop for a month), I pulled out a bargain centre end piece, maybe 1.5m, of a mystery knit that looks very similar to my lightly-linen knit—though I think it’s mainly, and perhaps entirely, rayon. Also quite raggedy around the selvedges.

2017-04-02 18.18.16Wanting a more typical riff on the handkerchief hem, I grabbed my knit sloper and modified to make it more of a dress length and flaring to a handkerchief hem, kinda like this:

Swing dress schematicThough I think my width was wider (basically the full width of the fabric, less whatever I lost trimming down the tattered selvedge.) I did this with Oona-esque abandon, drafting it right out on the fabric. It’s not particularly even and I’m not particularly fussed. I was pleasantly surprised to find it’s dress-length, as I wasn’t really expecting more than a tunic. Not complaining.

2017-04-02 18.17.58Once that was cut, I didn’t have enough fabric left for full-length sleeves, so, 3/4 sleeves. Ah, well.

2017-04-02 18.17.41

That was some way-too-instant gratification. Also I feel like I could way overdo the handkerchief hems. Just sayin’.

*Let me insert a bit of clarification, here. I love people. I love MY people. But at my core, I’m an introvert. And these days, except for the few minutes in my car to and from work, I’m almost never, ever alone. So when I do get a few hours to myself, it’s like plunging into ice water, like suddenly being able to breathe, like waking up after a long, refreshing sleep. It’s very hard for my extrovert husband to understand, though I know he tries. 

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