Category Archives: Sewing

Flutter Fun, and an observation

Fluttery & Clover

Ever since Steph of 3 Hours Past the Edge of the World first mentioned her plan for a flutter-sleeve hack of her Blank Canvas Tee pattern, I was on board. Totally. For realz. I waited patiently for her to come out with the hack, and read through her tute carefully.

Diagram of my flutter-sleeve pattern changes.

And, of course, predictably, went my own way. I took a protractor, made a line 45° up from the edge of the shoulder (or, if it’s easier, at 135° from the line of the shoulder), and then measured a length from the edge of the neck that roughly corresponded with how long I thought the sleeve should be. Using the edge of the shoulder point as the centre of my circle, I made a partial arc of the circle down towards the rest of the sleeve (a compass would’ve been perfect for this but, being too lazy to head upstairs for the rest of the geometry kit, I just measured with my tape measure in several places.) Then I sort of free-handed, sort of used my French Curve, to approximate the rest of the sleeve. Oh, and I rounded the spot where I had drawn in my first angle. Steph’s method is probably a lot more precise.

Unfortunately, then I got cold feet. The sleeve looked too short, I thought. I lengthened it, re-drawing the curve, and cut out a trial version in my scrap jersey—the old knit bedsheet I bought at Hallowe’en for making Tyo a shirt. It doesn’t have the best drape, but it was available and cheap and not earmarked for any other projects at the moment.

Flutter sleeve: too long (original size), too short (cut line), just right (click to zoom in to see the "just right" line)

Predictably, the sleeve was too long. I stuck a pin in where I thought it “ought” to go, shortened, and cut again.

Now, I think they’re a bit short, at least at the very top of the shoulder. I actually think my original curve would’ve been pretty much perfect. So there you go. At least the angle seems pretty good.

Frikking finnicky flutter sleeves. At least they’re easy-ish to tweak going from longer to shorter.

I paired my trial, not-really-opaque-enough-for-public version of the tee with my red clovers, cuffed to a high-ankle length, for the purposes of the photos. I think I’m liking this length better, and they are *much* more comfortable with belt-loops, although the belt doesn’t help with the front-sag, since the belt wants to sit exactly where the waistband wants to sit. Anyway, we’ll see. The weather is a long way from ready for this look, anyway.

An interesting observation

Steph recently came out with the updated and finalized version of her BCT pattern, considerably refined from the early draft I used around Christmastime to make my versions. Curious, I eagerly printed off a new version. And then compared it to my version of the pattern.

The results were very interesting indeed.

Pattern comparison. Click to see larger version.

For one thing, the pattern I had printed out (original size 35), whether through some quirk of the early drafting or scanning or my own ineptitude (always a possibility), was considerably smaller than the new size 35. Actually, it’s somewhat smaller than the new size 30 (for a 30″ bust). Which goes a long way towards explaining why my versions of the tee are so, well, fitted.

The shoulders on the old pattern were quite a bit wider (even in my shrunken print-out), as was the neck opening on the back, and the angle from shoulder to sleeve was more extreme. I suspect Steph was bang on in altering those for her new version :).

The original draft was quite short (Steph wears her trousers a lot higher than I do 😉 ) and I had added a lot of length to the bottom. The length of the new, longer draft is pretty much *exactly* the same as my lengthened version of the original. Win!

So, for the moment, I’m gong to keep on working with my old version (as I like how it fits), with maybe a few tweaks around the shoulder. But since I have thrown my versions out there of examples of what you may get from a Blank Canvas Tee, I thought I should also point out that I apparently printed mine considerably smaller than intended. If you want a tee that fits like mine—go down a size. 🙂

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Frock Coat Defrocked

Coat---PROGRESS!

Just in case you’ve forgotten (I nearly have), this is the coat where I try to turn this pattern:

Lekala 6066

into this:

Christopher Walken in The Prophecy

I made two muslins, and extensive alterations—more for freedom of movement than fit per se.

And I would’ve sworn that the best things about both muslins was that the shoulders FIT.

Well, I tried the shell on Osiris and the shoulders are huge. I honestly couldn’t tell you anything else about the fit, I couldn’t see past the massive, sloppy shoulders.

Yes, the shoulder-pads were in place.

I’m not quite sure what’s going on. There is a lot of room in the back (as per his demand), but that’s not the issue. It’s like the shoulder point has expanded. Which it shouldn’t be able to, right? I’m hoping some re-adjustment of the pads/sleeve headers will help the issue. The armscye also seems low, where I swear the opposite was going on in the muslin. This may be a difference between firm sheet and soft (ish) wool (ish)?

Shoulder not-so-easing

The easing of the back to front shoulder also didn’t go super-duper well. Too much to ease, not enough wool content in the fabric, and I couldn’t find my tailor’s ham. (Also, way-overexposed photo to show detail)

I’m also wondering if I should be attempting to create a more tailored structure. I’ve been following Sherry’s RTW sewalong, which is lightly-structured but not really Tailored-with-a-capital-T. Neither was the inspiration garment for this project, of course, but I’m wondering if that’s some of the look that’s missing. Hard to say, hard to say. Maybe a little bit late at this point, too, unless I want to pull the whole thing apart and add a fully tailored front (it’s not like I have a shortage of hair canvas…)

Grum. It doesn’t help that I’m not allowed to take fit photos, and he’s not exactly keen on standing around while I attempt to note down every little wrinkle.

But he does like it. Or says he does.

On to construction and confusion.

Sleeve vent

Sherry has one lovely post on sewing a sleeve vent, which she helpfully links to from her sewalong. And I obediently followed her directions for adding a mitred corner to the sleeve pattern.

Mitred sleeve vent

For both the upper and under-sleeve.

For future reference, you only want the mitre on the upper sleeve (the top portion of the vent). The under sleeve needs a regular corner to underlap beneath the top side of the vent.

So, unless I wanted my vents open, I either had to re-cut the under-sleeve (which I doubt I have fabric for) or get creative.

Creativity. See the little seam?

I got creative. I pieced in a little snippet of left-over block-fused fabric. You can see just a little bit of the seam. It’s a bit bulky, but it’s going to be invisible once the buttons are stitched on anyway, right?

*headdesk*

Next up—figuring out how to line a vent. Ideally without resorting to massive hand-stitching, although I must admit soothing, mindless hand-stitching does seem a bit more attractive than brain-busting RTW-style sitching tricks, right now. Hmm. Maybe I’ll insert the whole damn lining by hand. If not, I’m thinking this book should cover it.

Lining resource

If I can get a good fit, anyway.

Also, I forgot pockets.

That’s probably unforgiveable, isn’t it?

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ZOMG Score!

Or, possibly, just a serious failure of judgment.

This is a first. Apparently this past weekend’s taunting envelope was actually a harbinger of things to come, rather than a cruel jest of the universe. Good things. I forgot the kids have no dance classes this week, so since we were already in the car we just had to stop by our friendly neighbourhood thrift store.

&*(&#&$&#!!!

Holy vintage patterns, Batman!

The only question is whether this means I need to go back every day this week and stalk the pattern shelf…

Yes, you saw it. There on the right, there.

Simplicity 2681. The very same pattern that taunted me with its empty envelope condition on the weekend.

Simplicity 2681 from 1958

I feel the need to emphasize, this is *not* the same pattern envelope with pattern magically restored. It is a size 14 (34″ bust), not a size 12 like the envelope-only teaser was. Not to mention the envelope’s considerably more beat-up. I’m going to suggest a new scenario: Mme X, circa 1958 (the year the pattern came out according to Vintage Pattern Wiki), picked up a pattern in her old size, 12. However, due to a slight weight gain, the pattern didn’t fit. In a desperate attempt to alter the pattern, she managed only to butcher it completely (you know we’ve all done it 😉 ) and finally, in defeat, goes out and buys the same pattern in a larger size.

I’m not sure why she held onto the original envelope, but, well, I’d be happy to hear your theories. 🙂

I like this

My fave is this Butterick sundress, though. Aside from the age old blousy-top issue. I really need to come up with a simple, fitted midriff-band-thingy I can add to patterns like these to make them wearable for me.

Simplicity 3400, from 1950

I’m also really loving the neat detail on this 1950 Simplicity blouse.

Lapse in judgment, you’re saying? What on earth are you talking about, you’re saying?

Well, look what else I got:

Oops...

I will point out, my youngest child will be nine in a few months. The largest of these patterns is a size 6 (and she’s tiny but she’s not that tiny. And, they’re so not her style). In my defense I do have littler nieces and my peers are finally moving into their reproductive phase (I’ve only been waiting for them to catch up for a decade or so), so there are likely to be plenty of other opportunities to sew for small people…

Hmm, yeah, sounds kind of hollow to me, too. But they’re soooo cute!

And, well, Strawberry Shortcake. I couldn’t resist. Be happy I didn’t bring home any of the Cabbage Patch doll clothing patterns. I know my mom still has my Cabbage Patch Kid in the basement somewhere…

Of course, then there’s the one, seriously unforgiveable splurge that I would have to agonize over if it had cost more than 49 cents.:

McCall's 4778

Now, that’s a dress that makes me want to forgive the 80s (even though it came out in 1990). It’s got a lot of features I like—princess seaming, sweetheart neckline, dropped-waist with the full skirt. It wouldn’t even be so unforgiveable a purchase, except, if you look, it’s a size-freakin-8. And I’m pretty sure it’s not drafted with typical 80s ease ;). My only hope is that Tyo will want something like it for her gr. 8 grad or something.

Yeah, not so likely.

Oh, and there were books.

Books!!

I could’ve bought at least three or four more, but I was trying to be restrained. And maybe find things that aren’t just a rehash of information I have elsewhere. And if you buy four you get the fifth one free.

So what do you think? Do I need to go back tomorrow?

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Clover (anti)climax

Grum

It occurs to me that putting “climax” in a post title may not be the wisest decision ever… oh, well.

You remember my red clovers? No? Maybe that’s because they’ve been languishing in dreaded UFO limbo since, oh, January. I don’t do UFOs, peeps. I don’t always like what I make, but I almost always finish it.

Having cleared (or partially cleared) my sewing room of some backlog clutter on Monday, I was feeling inclined to tackle other energy-blocking projects (I even vacuumed the basement carpet, dammit. Of course, then I spread out and cut a bunch more fabric, but that’s beside the point.) So last night after dinner I picked up my Clovers from their sad little heap and set to work.

My main blockage was the zipper. I had settled on a lapped zipper for the final application (why, I don’t know, since I suck at lapped zips), but when stitching it up (after LOTS of hand basting, something I almost never do) I realized that my ends weren’t lining up with the top of the waistband on one side, and I chucked it in a corner put it away in disgust.

So, last night, I pulled the zipper out, examined the waistband and determined that one side was actually too wide, fixed that, and then set about hand-basting everything back in. Peeps, this zip is inserted almost entirely by hand. Probably not a good idea for a load-bearing area, but anyway. It looks mostly nice (a first for me with a lapped zip) except at the very bottom. Aside from the fact that the side of the hip is not a really good place for a lapped zipper—the over-lap seems to want to gape out a bit. The entire thing would’ve been considerably less brain-breaking if I’d made it more like a typical fly, with the waistband not included in the zipper, but that would’ve required a bit of extension of the waistband pattern, which I hadn’t done. So I made it work. The top of the zip has a wide pants-hook, but I couldn’t find a bar for it so I made a thread bar. I don’t really expect that to hold up, but it’s functional for now.

And then I hemmed, and now they’re done.

And, well, I’m… meh.

The problem is, I’m not sure if there’s an actual problem, or if I just don’t like side-zip, no-pocket, non-jeans-style pants. For one thing, I obviously need different underwear with them. 😛

Fit?

The side-seams are still a bit ripply. The waistband wants to sag down  in the front—it’s still a smidge higher than my “natural waistband groove”, despite me lowering it a good inch. I think this contributes to the wrinkling along the hip, not to mention the front-crotch wrinkles. I’d be tempted to take in the hips and thighs a bit more except it’s pretty much impossible to alter that side-zip. Well, without wanting to kill myself.

Hmm.

The calf is more snug than the thighs, which I think is also bothering me. Not a surprise—I have pretty muscular calves, and have run into this issue in storebought skinny pants. Although for some reason my feet and lower legs look tiny in these photos. Maybe it’s the wedges?

Probably I should add belt-loops and wear them with a belt and see if I like them better with the top held firmly in place. I interfaced the waistband with knit interfacing to retain a bit of the stretch, but if I want to wear them sans belt, I think that removing all stretch would’ve been a good idea. At the time I was paranoid about the whole thing being too small. Also it would mitigate the serious plumber’s crack that happens when I bend over.

Short or long?

Currently I’ve hemmed them full length (I added about 5″ to the pattern). I’m tempted to shorten them (though the picture doesn’t show the short look nearly as well as I hoped it would). I like the shorter look, but I feel like that would really limit their use in my wardrobe. I don’t usually go sock-free until the height of summer, and I don’t think the pedal-pusher look works with much but sandals, at least for me.

But am I going to wear them much anyway?

D’oh.

Why didn’t I just make this fabric into jeans? I really want red jeans…

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Sewing to Exhaustion

I have a confession. I was bad. I sewed yesterday—pretty much all day. This doesn’t happen very often—in fact, I think this is the first time in months that I’ve sewed to the point where I was tired of sewing. 

We had planned to spend the day at the river, but Syo wasn’t feeling well, so I wound up dropping Osiris and Tyo off and heading home with the saddest child to ever miss out on a day of fishing (Osiris caught his first fish last week, so it is officially Fishing Season chez Isis). The upshot was, I bundled Syo up on the couch with blankets, hot lemonade, and H2O (ugh) streaming on Netflix, and headed downstairs to sew. Anything to escape the Australian mermaids.

And sewed.

And sewed.

McCall's one-shoulder top

I finished off another version of the off-the-shoulder kids top (McCall’s 4821)for Syo—she had cut out the pieces (BY HERSELF) weeks ago, but I had black thread in the machine for stitching the Pink Suit, and then I was busy with slips. This version is from her pink leopard spandex, and fits much better than the ever-growing thin knit of the first version. Which almost makes up for the annoyingness of the pattern, and, y’know, the fact that it was cut out by a nine-year-old. The combination of leopard-print with the one-shoulder style does give it a distinct, mm, “Me Tarzan, you Syo” vibe… I used my “athletic stitch” to topstitch the elastic around the neck/armholes this time, just out of curiosity—it worked fine, although I’m not convinced it’s any better or more “professional” looking than the triple-stitch. The hem isn’t the prettiest—I didn’t bother using any steam-a-seam, just folded over and stitched away. Can you tell I really don’t give a flying f#&$ about this little shirt? On the other hand, I have every confidence that Syo will wear the snot out of it.

Coat---PROGRESS!

And then I worked on Osiris’s jacket. Yes, that long-neglected UFO that’s been hanging over my head since before Christmas. I finished the fusing and got the entire shell assembled. I even (ZOMG) stitched sleeve vents (now I just have to figure out how to line them). But I didn’t want to get ahead of myself before checking the fit, so I called a halt before cutting the lining.

Syo's Snuggly

So I moved on to Syo’s current pet project. She wants a new housecoat, reminiscent of Tyo’s. Except, not a kimono. But with the applique and stuff. Last time we were at Fabricland, she picked out a white, not-as-thick as-I’d-like, but inexpensive, fleece. After some discussion, we settled on the directions described in Sew What: Fleece (which I won in a giveaway from the gracious Clio) draft the pattern. And, well, I suspect she’ll be happier with the finished product than I am, but anyway.

In fact, I sewed so much that I’m going to milk it for the rest of the week and dribble out more detailed posts every couple of days.

One thing I did do this weekend was go through the jackets, boots, and other outer-wear—ousting the worst of the winter stuff (so if it blizzards, it’s my fault) and bringing in more of the summer stuff. Unfortunately, this also brings to the fore the more painful side of sewing for your children—what to do with the handmades they’ve outgrown. Now, I’ve said before that I have an excellent hand-me-down chain, and I do, in the form of two little nieces, but we really hit a lot of style issues going from Tyo to Syo. This jacket, my first “real clothes” make, is now too small for Tyo. In fact, it never really suited her, but for some reason it looks ADORABLE on Syo (I think it may suit her darker colouring and broad shoulders better). Syo, however, would rather wear a potato sack. Similarly, she is unthrilled with wearing the first pair of jeans I made Tyo, and the jean-jacket I made Tyo. Although I’m hopeful that practicality will win out in the last case. Which puts a big hitch in my hand-me-down chain, because my stylish sister-in-law gets a little annoyed when I send her stuff that she’s going to have to store for years and years before it’ll ever remotely fit.

But I sewed! Helped by the fact that Osiris and Tyo didn’t want to be picked up until 8:30 that night (after Tyo’s bedtime, I’ll add). And for once, I’m ready to do something else…

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Ra to the rescue!

Ok, so if Osiris is my husband, Ra would be his father, right? Damn, now I gotta go check my Egyptian mythology. I was always more into Sumerian, personally. Ereshkigal FTW.

ANYWAY.

Kids at the zoo

My brother-in-law, crafty sister-in-law, their fourteen-year-old daughter, and my father in law, pulled one on us (this time) and showed up Thursday night unanounced to visit for easter (they live a good 7-hr drive away). Since one of Osiris’s favourite things in the world is to do the same thing to them, I can’t complain about this, despite the fact that I try very hard to keep my in-laws from seeing my house in its natural state (I probably needn’t bother, I think after this long they’ve figured out I’m not Martha Stewart). So we had a great, busy, albeit largely sewing-free Easter weekend, complete with creek-visiting, baseball, Bass Pro shop, zoo, Value Village, and snow.

Yes, snow. I don’t want to talk about it.

Moving on.

The White, which was not sewing.

Possibly best of all, my father-in-law—let’s go with Ra—is a machine guy (Well, technically he’s a retired auto mechanic, so something like a sewing machine is probably beneath him, but I batted my eyelashes), so I got him to look at my poor, no-zoom-go White.

He turned the fly wheel, and all of a sudden it worked fine again. This is, unfortunately for my pride, typical of the little mechanical problems I’ve brought to his attention over the years.

However, he explained to me that the source of the problem was apparently not within the foot pedal, but within the electric motor itself. And then proceeded to pull the works apart, show me the offending bit (a copper thingy that spins between two little brushes). We polished that up as there was some black gunk going on that might be interfering with the connection and put everything back together.. and still every once in a while it mysteriously won’t go, but a little twitch to the wheel gets it started again. And now I know that little bit more about the insides of my sewing machine. Unfortunately I was a little too wrapped up in remembering which teeny-weeny screw went where that I didn’t think to take pictures, and I’m not desperate enough to pull it apart again on my own just for photos.

There has been a little slip progress. I can’t go into specifics quite yet, but here’s a wee smidge of eye candy:

Teaser

And, since I haven’t much more to show, further zoo photos:

Syo, with plants.

She seemed considerably more enthralled with the plants than the animals.

Lemurs.

Notice how my photos are all of the green inside bits? SO DONE with winter…

Ok, here’s what outside really looks like right now.

ZOMG it's a giant kangaroo!

Hope you all had a great long weekend, and got to spend some time with family, if that’s your thing!

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At Value Village

20120408-171608.jpg

Unfortunately, the envelope was empty.

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April 8, 2012 · 5:16 pm

Am I cool enough for R2D2?

A Fabric Confession.

As Stashoholic Confessionals go, this is not a super big one. But it’s been preying on my mind since I bought the fabric a couple of weeks ago—so bear with me. And the patterns. They were not bought at the same time, but I might as well get it all of my chest in one post, right?

First and best, is the Star Wars sheet.

Star Wars Bedsheet of Intense Awesomeness

I don’t feel a huge amount of guilt for this one, frankly. I have been looking for awesome 80s bedsheet material for ages, even before Cation Designs came out with her amazing superhero dresses. And most of what presents itself is either a) all worn out, or b) a modern re-issue in insanely gross poly UGH that I wouldn’t want to make any kid sleep on, never mind actually wear. But finally, after long and patient stalking, I hit upon this most precious of beasts: an original, largely unworn, Star Wars (copyright 1977) fitted single bedsheet. I had to have it.

(C) 1977

The only problem is what to do with it. Let Syo sleep on it as is? Make it into a shirt for my husband? Or be selfish (not to mention completely rip of Cation) and create a Star Wars dress for myself?

However, because I was going to have to wait in line to buy the sheet, it pushed me over the edge on another possibility, two metres of textured, seafoam, probably-polyester coating.

Aqua Coating of Questionable Wisdom

I couldn’t resist. I tried, I really did. I walked away and walked back several times.

See, half of me loves this fabric. It’s the same delicate aqua/blue/seafoam colour range that I quite enjoy (see blog theme).

Texture closeup---Aqua coating

And I love the texture, because while prints don’t usually suck me in, texture does.

But I’m also utterly convinced that made up, it is going to look like a 1970s granny suit.

And I’m not sure quite what there is to be done about it. Because I think done right, it could be great—sweet and formal and old-fashioned without looking like something my grandmother would’ve worn to my parents’ wedding. But I’m not quite sure what that is.

Boxy 60s swing jacket?

Fitted classic jacket?

Add black (or red?) accents to cut the sweetness?

Simplicity 5291

Okay, now I’m picturing it with Simplicity 5291, with black piping, the sleeved jacket and maybe the flippy skirt to match if there’s enough fabric…

… all keeping in mind that I’m on a coat restriction until I finish Osiris’s frock coat, which is cut (except for the lining) and languishing on my ironing board pending a bit more interfacing.

Perplexing burn test

Incidentally, a burn test on the green fabric proved (as usual, at least for me) confusing: The fire sustained itself, but barely; it melted into a hard, black bead and left a yellowish-brown ash. The smell was like wood or paper burning—almost pleasant. I’m guessing maybe a poly-rayon blend, because I’m quite sure it’s not any of the other plant-based fibres, but really I don’t know.

And then there were patterns.

Nothing obscenely amazing, but the pattern-collection creep continues:

Simplicity 3751

Simplicity 3751—a cute, loose blouse pattern. AKA not anything like what I usually wear. And yet—cute. And different enough from most of my other patterns that I thought I could justify it. Also, look at the cool new price! I’m happy to report they appear to have abandoned their bagged-pattern tactic, too.

New Look 6789

New Look 6789—A cute sundress/wardrobe pattern. I am kinda obsessed with summery dresses right now, I fear.

Butterick 5165

Butterick 5165—I know! A housecoat pattern. It’s almost… unjustifiable. In my defense, though, it’s a cute 70s pattern (you know my weakness for those) and it’s not actually a straight rectangle, unlike every housecoat pattern I’ve seen from the last thirty years. And, well, I can fantasize that I might somehow, mysteriously, look good in a housecoat like this. (I don’t. Waist-tie, blousing, etc. are all big Tanit-Isis no-nos.)

Simplicity 8510

Simplicity 8510—Yes, it’s 80s men’s, but it’s a simple tee/pullover with some interesting options in the details, which is always key with men’s patterns. And I figure if I go down a size or two, (which I should be able to as this is an S/M), it would reduce the excessive 80s ease.

Whew! There, I feel a weigh lifted. I have confessed my fabric- and pattern-buying sins.

Now if only I could start sewing faster than buying…

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A ruby in blue

Creek Springtime

I didn’t get a lot of time to sew this past weekend. We spent much of the weekend at the creek, checking out the changes winter has wrought (not to mention the changes between Saturday and Sunday!). But I did, in snatches here and there, get started on my (long awaited) Ruby Slip.

Lace

After searching high or low, I was singularly disappointed in the lace available to me. (I thought this would probably be the case, but I hadn’t done a truly intensive lace-hunt before, so I was hoping that perhaps I had just overlooked some fabulous finds.)

Cute Slip Pose

Apparently, not so. For the record, I carried a bolt of silk charmeuse around Fabricland for some time, looking for lace worthy of it, but how can you possibly sew a silk & lace slip when the only lace available is scratchy, crappy polyester?*

So, in the end, I went with some 4″ wide stretch lace from this thrift store lace bundle, (this pattern is not recommended for stretch lace, nor for such narrow lace) and for the skirt, decided to sacrifice some of a beautifully-coloured (if not so beautiful-feeling) polyester crepe, snared at a thrift store back home last spring. It’s probably not any good for an actual slip, but, well, it looks nice and has the right drape.

Em. So, this is my first time sewing with lace (other than as a trim), and my first time sewing with crepe, and my first time sewing something cut on the bias.

I’ll start with the sewing bits. As I mentioned, my lace was a wee bit too narrow. Fortunately, Sherry on the sewalong linked to this post on piecing your lace if it’s just slightly too narrow. Which is what I did. It’s a bit trickier on stretch lace, which wants to, well, stretch out on you, but by backing everything with tissue-paper (my new favourite trick; just like what Steph does in this post) I got it to work quite well, especially on the White. Unfortunately, something went kfzzzt in the foot-pedal halfway through and I had to switch to my modern zig-zag machine, the Janome. Funny, the Janome has better stitches overall, but I really like how the White handles delicate (and stretchy) fabric with its adjustable presser-foot pressure and semi-drop-able feed dogs. As I understand it replacing foot pedals is dead easy, so I’m not panicking quite yet. For a thrift-store gamble that didn’t initially impress me, I’ve actually gotten quite attached to it, so I hope I can resurrect it without too much trouble.

ANYWAY, so I squeezed the bodice out, and while the join isn’t invisible, it’s subtle enough that I don’t even notice it any more (did you? it’s on the side-front bodice piece. 🙂 )

I had a hard time matching the notches on the skirt, although it’s hard to say if that has more to do with my sloppy cutting (I am better than I used to be, but that’s a relative improvement and I usually avoid slinky fabrics like the plague 😉 ) or with the weirdness of bias. The side-seams are a bit woobly, mostly where I narrowed the seams (at the top) and then tapered back to the original seam.

Fit photos.

I cut the size 8, which according to the sizing chart should’ve been a bit snug in the chest but spot-on in the hips; I figured my ill-advised stretch lace would probably make up for the difference. As it turns out, it’s snug/fine in the bust, and a bit too tight in the hips. If there is a next time, I will cut a 10. I made a small swayback adjustment (shaved of 1cm from the CB of the bodice, and 1 cm from the CB of the skirt, curving to nothing at the side-seams), but there’s still quite a bit of pooling/puddling above my bottom—which I think would be be fine if the skirt were wider. Look at that backwards-slanting side-seam.  And this is after I released the side-seams as much as I could…

Random Creek Shot, for interest.

The appropriate thing to do, of course, would be to unpick it all, and slice off and re-shape the top as I did for this dress last summer. (I’m not too fussy about the length.) I’m not sure if I have the oomph, though as the seams are already serged and topstitched. We’ll see where my mojo is at in a day or two, because I am really not liking the back view. I’m glad I took the modeled photos, though (even if they required photoshop de-niplifying) because it really brings home the back-tightness issue. And now I can see that the  front of the skirt is definitely hanging lower than the back, something that wasn’t obvious when it was hanging on my dressform. Yes, the dubious duct-tape double got some use, although again, her usefulness appears to have been limited. I think in this case because the direction she hangs naturally isn’t quite the direction I stand in. I think the width in the front is fine, it’s just the back which is too narrow.

Anyway, that was a lot more than I was expecting to write about something that’s not even finished yet (and really requires some re-working). At least the bodice (which I had sort of thought would be the worrisome bit) is pretty much perfect.

So, fix the damn skirt, Tanit, and then you can obsess over bows and other pretty finishing details…

And, just because she’s wearing jeans I made her, I’ll leave you with a picture of Tyo re-arranging rocks at the creek.

Rock work

*Disclaimer: there is, in fact, a very high-end bridal fabrics store in town, which I have not scoped out. I have no doubt they have all the lace and silks I could possibly want. However, they are a) located downtown, where I never go, and b) would no doubt break the bank, so would probably not be the best choice for a first trial of the pattern anyway.

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In which I obsess some more over Square Shoulders

JJ Blouse Shoulder

Emily of Calico Stretch expressed some curiosity about the square-shoulder alteration in this post. A quick google search turned up plenty of tutorials, but none that actually square the shoulder the way I do.

Which may very well mean that I’m doing it wrong, but I figured I’d throw it out there, anyway.

If you look at the photo above, the need for a square-shoulder alteration doesn’t really jump out at you. I certainly never noticed. But see how high the collar sits at the back of my neck? The fabric is firm enough that it just pushes the collar up, but as soon as I move around it starts bunching and folding back there. I don’t always need it, which is confusing, but when I do, it’s a big (if subtle) improvement.

I tend to square the shoulder by dropping the mid-line—shortening the centre. This is much easier to show than describe, so here’s a quick diagram. The dashed lines represent where I would slash and overlap a pattern, although frequently I just try to incorporate it while I’m tracing off a pattern.

Square Shoulder Adjustment

Most of the other methods I’ve run across have you raise the outer edge of the shoulder, rather than dropping the inner edge (eg. Debbie Cook’s excellent little diagram).

So how did I start doing it backwards?

Well, it all goes back to Sherry’s fascinating sway-back analysis. Because while I managed to ignore my square shoulders for years,  the annoying lower-back puddling of *every* piece of clothing I have ever owned had always irked me. Anyway, Sherry does an excellent job exploring the ramifications of the sway-back adjustment (not to mention other fit issues that can lead to “sway back” puddling, of which I have at least two), and ends up, in the case of patterns lacking a waist or centre-back seam, basically adjusting the shoulder to shorten the centre back.

My very firstest Lydia, showing the weird tuck it developed above my shoulder. Some of this was armscye issues, but a lot was the slope of the pattern's shoulder seam. Note how the oogliness extends behind the neck. This shirt was one of my few instant wadders*. I gave it to the kids, who promptly "refashioned" it into shreds small enough that I could trash them without too much guilt.

I started out trying this alteration on my knit sloper, and was startled to find that, while it did reduce the swayback puddling a bit, the single biggest effect was to remove the little bulge of extra fabric I always tend to get behind my neck. I had always thought that the solution to this would be to drop the rear neckline (which is what this alteration does), but I had never related that to squaring the shoulders.

I think part of the reason this method works so well for me is I have a short upper body to begin with.  The last thing I want to do is increase the distance between armpit and waist, which is what the other method—raising the armscye on the side—would do. Obviously you could then compensate by shortening, but that would be two operations rather than just one. (Frankly, I usually shorten on top of the square shoulder, so I’m not actually saving myself time).

Of course, now that I’ve re-read Emily’s actual question, she was asking more about the armscye differences.

Knit sloper (black); Renfrew (red dashed line)

So here’s another diagram, showing (some of) the differences between the two patterns; I ignored the differences in armscye height and waist position/shaping. You can see that, for the same shape of sleeve-cap (which was almost identical between the two patterns), the Renfrew (red dashes) requires less height but more width towards the lower part of the sleeve cap. It would also produce a sleeve that angles down a bit more.

Please note that I am not criticizing Renfrew here—I have no idea which is “better”, if either. I’m just mentioning differences, which may or may not affect things like fit, range of movement, and wrinkling. For example, the downward-sloping sleeve has a somewhat more restricted range of motion than a more outward-pointing sleeve (not a big deal in a knit), but tends to have fewer wrinkles under the arm when the arm is lowered. I’m not even sure how or why the armscye curve on my knit sloper wound up being so shallow.

I’d love to hear anyone else’s thoughts about shoulder alterations and sleeve cap/armscye shaping. I’m no kind of expert—just noting my observations. 🙂

*It often takes me a while—weeks to months—to figure out if an article of clothing is a success or not. Many things I am initially thrilled with end up not being worn, or being worn but not liked, due to some minor quirk of sewing, fit, or styling that I just don’t appreciate right off the bat. I had no such issue with this one: it was awful from the get-go. It (and the four other versions it took me to get the pattern wearable) are the reason I went so hog-wild doing knit pattern comparisons.

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