Tag Archives: finished projects

The Pink Suit

Pink Suit. Also, bad hair. >_<

(as my children so endearingly dubbed it) … is finished.

Right off the bat, I am going to apologize to Lisa. I did not end up incorporating her awesome hood pattern on the Renfrew. Mostly because I couldn’t find one of the  pattern pieces I painstakingly drafted from her instructions when the time was right, and I was too impatient to wait for it to show up. But then, the pink fabric is possibly a bit too thin, anyway. I will definitely try another time, after the pattern piece shows up.

So, shall we start with the bottom?

Jalie 3022

I added 4″ to the leg length in this pattern, as the size R (my hip size) only has a 30.5″ inseam. 34.5″ is a bit excessive, even for me, but frankly I wanted to be safe rather than sorry, and given that 4-way stretch pants sometimes lose length as they stretch, I wanted plenty. As it turned out (at least in this very stretchy fabric), I only needed about two extra inches, but I think I’m going to keep the length in the pattern just in case. I added the length in two sections, 2″ at the lengthen-shorten line on the thigh and 2″ just below the knee. I also did a small full-butt wedge (this  adjustment), based on my kids’ experience. Although as it turns out I probably could’ve skipped that, not so much because I didn’t need a bit of extra height in the back as because the overall rise was considerably too high for me—coming to just below my belly-button. That looks right on my kids; it doesn’t look right on me. Fortunately in a style like this, it’s easy to fix. I lopped off the seam at the bottom of the waistband (I don’t un-pick knits if I can avoid it), and cut a band off the top of the pants-portion, about 1cm from the back increasing to 3 cm at the front. Then re-attached the waistband. PERFECT!

Seam---interior

For seam finishing I went a bit…overboard. I had decided on black topstitching, in the hopes of cutting down the severe sweetness of all that pink. For my seams themselves, I opted to use a simple overedge stitch on my White, which is both stretchy and makes a much straighter seam on the right side than the overedge stitch on the Janome. And then finish the edge on the serger. And then topstitch with what I think of as the Janome’s “Athletic stitch.”

That’s a lot of stitching.

Topstitching

One of my main reasons for using the White for the seam stitch (besides saving me switching my settings constantly) is that it has adjustable pressure on the presser foot, and lightening the presser-foot pressure makes the knit wave up much less than the Janome’s fixed, heavy foot. Which meant that my seams looked really nice right up until I decided to topstitch with the same Janome. At which point they waved up like crazy. Ironing has helped somewhat, and I’m hoping that the laundry will take care of the rest, but if not, I will be warned for the future. Which is too bad, because I really like the look of this topstitching for “athletic” gear.

Jalie 3022 construction---one wide, flat piece.

I was initially a touch puzzled by the instructions, which have you construct the back as usual, then stitch each side of the front to the sides of the back, before finishing the front crotch and then the inseam. Then I realized it was *much* easier to topstitch the outseam before the “tube” was closed by stitching the front crotch. Smart Jalie! And for once I actually followed the instructions, so I got to enjoy the benefits of their braininess. Yay!

I used strips of Steam-a-Seam Lite (2) in the hems of the pants, as has become my modus operandi for knits, and they turned out, well, no wavier than the other topstitched seams. The nice thing about this particular topstitching (as opposed to say, twin-needling) is that it is the same top and bottom, so I could topstitch looking at the inside and make sure I was covering the edges of the hem-fold. Although, since the edge was already fused in place with the Steam-a-Seam, I suppose there wasn’t much I could actually do if the hem was wonky. Still, I felt better. 😉

Pink suit! Seams slightly ripply

On to the top?

Sewaholic’s Renfrew Top.

I used mostly the same construction methods on the shirt, although not nearly so much topstitching (just around the bands.) Once again I followed Tasia’s instructions surprisingly closely (for me), and was glad of it, because I initially sewed the “V” on the neck-band the wrong way—it was making an “A”, not a “V”.  So double-check that bit, because it’s not really obvious from the pattern piece. It turned out pretty well, though, as you saw above.

As so many others have said before me, there’s not really much not to love about this top. Easy fit, cute styling. I do prefer a smaller seam-allowance, especially when setting in the sleeves; the Jalie knits all have 1/4″ seam allowances, which can feel a bit scant—I think 1cm is definitely my fave in almost any situation. The shoulders feel a bit tight (which is odd, considering they’re rather wider than on my knit sloper) but I think this actually has to do with the curve of the armscye on the body, which is much more extreme in this pattern—which also makes the sleeves angle down more, as opposed to the sleeves on my sloper, where they angle more out. Despite the sleeve-caps being virtually identical. Verry Eeenteresting, my friends. (You can see the effect of the downward angle in the photo below, where they bunch up a bit above my shoulders because my arms are out.) This is also one of those differences that I wouldn’t notice in a fabric with a bit more give or a bit less recovery. I will say, if you’re fitting a knit, this is the fabric to do it in—it actually stays the size and shape that you cut it out.

Other than that, it is what it is and what it is is luverly.

Oh, yeah, back view

Altogether, it is a lot of pink. Possibly more than I’m comfortable with. I was hoping the black topstitching would take the edge of the sweetness, but there’s not quite enough of it. I don’t think it will actually stop me wearing these (although maybe not so much together), but if it does become a problem I could always take a whack at producing a lovely sludgy dyed colour as Carolyn is so good at.

The only complaint I have about the pants (aside from the ripply seams) is that the fabric is *borderline* too thin for bottoms. In a dark colour, I might not have noticed it, but, well, we’ll just say I shall have to be careful which underwear I wear with these.

So another view. Note the un-ripply inseam and the ripply topstitching.

I had some photos showing where the waistband ended up after my alteration, but I’m just not quite happy enough with the current  jowly condition of my midsection to throw them up (at least in combination with the other things I don’t like about these photos, like my bad after-work hair and the crappy photo quality of my backup camera).   So you’ll just have to imagine it going from right below my navel to sitting comfortably beneath the belly-flub.*

On your mark...

I wish I could say this sporty suit will inspire me to  take after Winnie, but I fear that a) I hate long-distance running, and b) nothing’s going to change before the end of the summer at the earliest.

But at least I will be comfy while I slob around the house!

Also, now Tyo wants shorts from the leftover fabric. My desire to move on to other projects is at war with my desire to get rid of the remaining half-metre or so of this fabric. Hmm.

*As usual when I whinge about my body, I feel the need to insert a disclaimer: overall, it’s a pretty good body. I am (and have been for the past several years) mistreating it horribly, as health, fitness, and everything else except family and sewing, in fact, are pushed aside in the face of THESIS. And while I haven’t gained a significant amount of weight, I’ve definitely lost muscle tone, and what I do gain goes right to my middle. It’s not horrific—it’s just not what I want to see when I look in the mirror, and not what I would be seeing if I was doing anything other than sit in front of a computer nine hours a day. And I can’t even blame it on having children… 😉

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Whew!

Action shots

This post was almost titled “Disaster, Part II.” But at least temporarily, disaster appears to have been avoided.

Finished (?)

I finished Tyo’s Jalie 2795 bunnyhug late Saturday, and handed it to her to try on. I was a little apprehensive since an early test fitting had suggested it was going to be snug; the sleeves had been a little short, so I had added an extension to the cuffs, as you can see.

Well, Tyo couldn’t even get her hands through the cuffs without major pinching and pulling. That being said, once she did get it on, she didn’t even want to take it off to go to bed, always a good sign. So when I got up this morning I sliced off the old cuffs, grabbed the pattern piece, and dug through the mass of scraps under my cutting table in search of something I could make a new pair of cuffs from (since the rest of the fabric I used for this has now been reduced to scraps none of which are much bigger than 4″ square. I eventually (to my great relief!) turned up the remnant of the fabric from when I made this sweater last winter. It’s not as fresh and dark a black as the other sweatshirt knit, but there was enough of it and I was beyond caring (and I suspect things will even out after a wash or three)

Cuffs!

So I improvised some wider, extra-long cuffs, slapped them on, and the child was happy to go. Further examination indicated that the problem with the cuffs may have been more me than the pattern—I think I reversed the direction of maximum stretch in my attempts to cut thriftily, as the fleece grainline isn’t obvious, the only way to tell is by stretching the fabric experimentally.

Slim fit

The size, which I was really worried about, is definitely not generous. This will be great when I make one for myself, but isn’t exactly what you’re usually looking for for kids. I have a feeling the time she’ll be wearing this one will be measured in months as opposed to years or even seasons.

j

Interfaced zipper

In an attempt to avoid wavy-zipper issues, I used a small strip of interfacing on either size of the zipper insertion. This seems to have (mostly) done its job, except I should probably have put it on the other side—the way I folded the zipper in to finish everything the edges of the strip show on the inside, which isn’t ideal.

Back view

I wasn’t too keen with how the hood, which inserts on top of the collar, looked when I first stitched it up, but I actually like it quite a bit when worn. The size is ok, not big but not too small to be functional, and the unusual seaming looks really nice when it’s down.

I used two main seam finishes in this piece, serging and topstitching on the black sweatshirt material and stitching the seams inside-out and covering the seam allowance with twill tape on the fleece. Both are pretty fun and make for a nice finish, but are a bit time-consuming (you have to go over each seam three times). A few seams, like the underarm/sideseams, I just stitched and then serged for finish.

Pocket and side panels

The one interesting bit of construction was the pocket openings. They’re set into the side seams, and you basically make a single welt and insert it into the cut-out in the side-piece. It gapes a bit towards the centre, but I don’t actually mind the look, and it meant that I was less likely to catch the welt in the seam. Yay! It also helps that my pocket lining and my side-panel material matched—I wouldn’t want to use a different material for the pocket lining (not that you normally would on a sweatshirt).

Most importantly, though, it was perfect for a day at the playground.

Play!

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And a pair for Tyo.

Tyo's shorts (front)

Having finished cutting the last bits for Tyo’s bunnyhug last night, I had about half a men’s XL sweatshirt left sitting on the basement floor, so I decided to cut the shorties (Jalie 3022)  for Tyo out of it. It may be borderline in terms of stretch, but then so was the red striped fabric I used for Syo’s pair. I tend to round up the Jalie patterns for the kids, because I’d rather make their clothes a little loose and have them grow into them. (This does not always thrill my children.) On the other hand, I really need to re-measure them; Tyo grew something like two inches since Christmas.

The photos pretty much all suck—black, y’know–but I think you get the idea. Though I think the shorts are much cuter in real life.

Tyo 'Tude

Knowing that Tyo’s derriere requires rather more room than Syo’s, I wanted to add more height to the rear crotch curve. Normally to do this I just add a wedge at the CB seam, about halfway up the curve, tapering to nothing at the side-seam. For this particular pattern, though, this is complicated by the vertical seam along the back of the leg. This incorporates a little bit of shaping at the top, and the potential for a lot more if you needed it. For this first try, I didn’t add any shaping on this seam, and they seem fine, but it’s certainly an option if you need it. Anyway, I basically added 1.5 cm in height all along the centre-back pattern piece (piece B), and made a wedge on the side-back pattern piece (piece C).

My changes

I am very, very, very glad I did this little alteration, as Tyo’s shorts cover very nicely—high enough at the back and covering her entire butt. Yay! Hence the modeled shots here. 1.5 cm may have been a bit excessive, but I’d rather be safe than sorry in this case.

Side view---great rear coverage

For construction I followed the Jalie instructions much more closely this time, especially for the waistband, which is the full height with the decorative “contrast” band—in this case it’s made of blue stretch velvet, from a tiny remnant I had to piece at the CF (in hindsight, it would’ve made much more sense to put the seams at the sides, but I wasn’t thinking far enough ahead.)

Tyo's shorts, rear view

I stitched all my seams in three passes, straight triple stitch for the seam itself and then using the serger to finish it, and then topstitching. It makes a much nicer finish inside than the overedge stitch on my machine, and with the topstitching the seam-allowances are flattened down nicely on the inside, which looks much more professional, if not 100% RTW.

Inside waistband.

When I posted about Syo’s Leotard and using the three-step zig-zag to attach it, I got a lot of comments from people who found this stitch stretched out the elastic too much, keeping it from recovering fully. I didn’t find that at all on the leotard, but I was using clear plastic swimsuit elastic in that case, and I wonder if the commenters were referring to standard elastic instead—because when I triple-stitched the (regular) elastic to the inside of the waistband (basically understitching) with a three-step zig-zag, it definitely ended up longer than when it started. It’s fine on, but you can see the top of the waistband is a little ripply when it’s not being worn. So, commenters—have you had this problem with clear plastic elastic? Or is it just (as here) with standard elastic? I don’t know if I’d use clear plastic elastic in a waistband like this anyway, but it’s definitely something I’ll keep in mind when making my stitch-choices in the future.

Rear view---coverage!

Incidentally, I sewed the entire project with my 1/4″ edgestitching foot. This worked great, because the keel on the foot is right at the edge of the seam-allowance. I mean, it’s not hard to line up a 1/4″ seam allowance with the edge of the regular zig-zag foot, but this was practically brainless. It wouldn’t have worked if I’d been trying to use my over-edge stitch, though, because the edgestitching foot is a straight-stitch-only foot.

So, in conclusion, pretty definitely a win.

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Shorts for the shortie

Almost-undies

One of the things I traced off last week was Jalie 3022, a cute yoga-pants pattern.

In the shorts length.

In sizes for my kids.

This allows me to use up yet more teeny knit scraps, test out the pattern, and, in all probability, contribute to my children’s chronic habit of dressing extremely inappropriately for the weather.

So, over the last week, I managed, in approximately five-second intervals, to get a pair of the shorts together for Syo. I traced of the size J pattern, in shorts length, making no adjustments on this initial pair. This is the equivalent of the size 6, for my nearly-nine-year-old, but it matched her measurements and the fit is pretty much spot on.

I should, however, have remembered that Jalie drafts for the flat-of-butt. Syo’s derriere is not quite as J-Lo-esque as her older sister’s, but it’s still decently protruberant. The rise in the front is good, even a little high, but the rise in the back is a bit meager. And, while the shorts version is pretty short, I don’t actually think the bottom of her butt is supposed to be hanging out. And there’s a wee bit of wedgie action going on.

None of which prevented her from bouncing up and down upon seeing them, squealing “Mommy made me booty shorts!”. She has also slept in them every night since, and worn them to school under her (very) skinny jeans because she forgot to take them off, so they must be fairly comfortable. It’s also why they look a bit stretched out and beat up in the photo…

As to the pattern itself…

The main feature that makes this pattern a little different is the additional vertical seam down the back. This allows for a bit more shaping in the butt region, not to mention lets me use even smaller scraps of fabric to make up the shorts. It does increase the construction time a wee bit.

I took some major liberties with the waistband, partly due to fabric limitations and partly due to not having a nice contrast-fabric to make the oramental panel on the outside. I just cut the single, inside piece, and folded it over around some wide elastic. This worked, but it didn’t produce a particularly nice waistband—partly because the waistband elastic I had on hand was a bit heavy for the purposes, and partly because my fabric is not overly stretchy, so rather than easing neatly to the waistband it’s pretty harshly gathered. it looks fine on, though. I have since actually read the instructions, and they make much more sense and give a much nicer finish, calling for a narrow, 1 cm elastic to be attached inside the top of the waistband. So don’t judge the pattern by the crap-tacle I made of the waistband.

I used a faux-athletic-looking stitch for hemming the legs. I will note this is the first time I’ve successfully hemmed this particular, rolly fabric without adding elastic or a band. I stitched the hem from the wrong side so I could flatten out the rolling manually as I went, and it worked really well, but obviously wouldn’t’ve been possible if I’d wanted to use a twin needle topstitch, for example.

All in all these are a quick, not terribly nicely-finished test piece. But Syo seems completely happy with them. I’m not sure how many booty shorts my kids need (they actually cover less of her butt than some of her underwear), but it’s a great way of using up spare fabric, especially little teeny bits. And yes, she wears them with the matching bralette from the photo.

I have a pair ready for Tyo, too, but I’ll do a separate post on them once I get her to try them on…

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Experimental design

A finished project for me!

OMG SHE MADE SOMETHING FOR HERSELF!

… okay, now that we’ve got that out of our systems…

I MADE SOMETHING FOR MYSELF!

Erm.

Vintage Patterns

So you may recall that I somewhat wantonly purchased a couple of 50s patterns from New Vintage Lady just before Christmas—a cute dress and a blouse that could’ve been Sencha’s grandmother. Both really adorable, and both a size or two too small.

Well, I was feeling experimental on the weekend (and in the mood for something quick that would use up scrap fabric), and somehow in the digging through of fabric and patterns I settled on this combo: Using the McCall’s 6288 (from 1945, the year my father was born) in combination with the scanty fabric remains from my Birthday Dress.

Despite the size 12 (30″ bust) of my copy of the pattern (I’m more a 14-16 in the old sizing), pattern-measurement suggested there would be enough ease in the bust and even in the waist, especially if I omitted the little tucks from the waist. So, feeling bold, I traced off the pattern and set to.

The best styling (click to see full size)

Careful pattern placement, and a certain amount of fudging, allowed me to fit both sides of the shirt on the .5m or so of actual full-width fabric I had left. I will confess, I did something I have not done, I think, EVER—I fudged the grain-line on the back piece so it would fit. I’m hoping that the fact that it’s a small blouse means the off-grain thing won’t be too noticeable—I certainly don’t notice it, but I’m sure the sewing gods are glaring down in disapproval. In hindsight, I could’ve pieced the fold-over portion of the rear button placket in from the huge LONG, THIN piece of the leftover fabric, but anyway. What’s done is done.

I opted not to be stingy with the interfacing, using it on the neck facings and the rear button placket. Not least because I think it’s a really nice way to finish facings. This is the trick that went ’round the blogosphere a while back, where you stitch interfacing and facings right sides together (right side of the interfacing being the non-fusible side) along the outside edge of the facing, and then flip and fuse them. The seam encloses and finishes the facing edge nicely. This is white Armo-weft, by the way, which is far and away my favourite interfacing—lightweight, fuses well, doesn’t shrink or bubble. I mean, there’s probably better out there, but it’s the best I’ve found from what I have available locally. You do need to use a press-cloth, even though I try to pretend you don’t.

Interfacing

Anyway, at this point I had to break for the night, and took the instructions upstairs to read over before bedtime. Erm. Me being me, they promptly evaporated, and I was left to wing the rest of the construction. A bit of a bummer since half the interest of making up a *really vintage* pattern like this is checking out the instructions. They have since resurfaced, actually just as I sat down to write this post, on the computer desk where they were hiding under my daughter’s laptop. Grr.

So, without benefit of instructions, I set to the next morning, starting with stitching the shoulders (french seam) and then the neck facings into place. I even remembered to stitch the ties in place! Of course, no sooner did I have  everything nicely understitched, but I flipped it around and discovered a) my neck-facing was showing on the outside of my back button placket rather than being sandwiched between the two folded layers (leaving an unsightly raw and flapping edge) and b) the neck was WAY too tight.

Which, I guess, was a good thing, because it motivated me to fix problem (a) before re-stitching.

Interior

I lowered the neckline by a good 1.5 cm all around, which has brought it to the point of being just-barely-wearable, although it also means that there’s not much left of my facing.

I then decided I would do french seams on the side-seams, which was also not my brightest moment ever, since they don’t play at all well with the way the sleeve is supposed to be finished. It doesn’t really show when wearing, since the fudge is all tucked in the armpit, but it’s definitely not smooth and sleek. You can see it clearly on the interior photo.

Buttonliness

I made the buttonholes using my Greist buttonholer on the White, since I wanted to try the buttonholer on a machine with drop-able feed dogs. I must admit I feel a bit daft using a buttonholer on a zig-zag machine, but anyway. The White is really growing on me as a machine—I wasn’t initially thrilled, but it’s a sturdy workhorse. It took a few samples to get the tension and stitch-width right, but once I had that figured out it made my buttonholes quickly and fairly neatly. It’s the first time I’ve used the buttonholer on such a light-weight material, and it made for a rather different experience. They’re not all perfect, especially the fifth one which I added after and of course messed up, but they’re in and functional. Incidentally, the pattern calls for four buttonholes; the location of the fifth, now that I have the instructions in front of me, calls for a snap, presumably because that would be more comfortable than a button under a waistband.

The pattern also calls for small shoulder-pads. I don’t really mind skipping those. I think I look about as square-shouldered as the envelope girls without them, thanks.

More styling

So, verdict?

Well, it fits remarkably well. The bust is a wee bit tight (especially over a padded bra) but not as bad as I had feared—a pinch test suggests there’s just under 2″ of ease, which is pretty minimal for the bust. The waist fits well, although it would be more interesting with the tucks. The darts are a smidgeon high (like maybe 1 cm) but really not bad at all.

I really wasn’t sold when I first tried it on, but after throwing it together with over half my wardrobe in a shotgun approach to styling, I think it’s growing on me. I really like it with the shrug, I think because I like the brighter colour contrast near my face. The mix of colours in the blouse kinda blends into my skin tone from a distance. I also think it might be great in a more drapy fabric—crepe or rayon or (ulp) silk. For most of my wardrobe needs it’s also a bit short. You’ll notice one way you don’t see it styled here—tucked in. I tried, honestly—with my circle skirts and my Kasia skirt. It almost worked with the Kasia, but the colours are wrong. And, well. Blouses. I have Blouse Issues.

So, all in all, it was a fun experiment. Will I wear it? I’m not convinced—but I’m not quite as skeptical as I was a few days ago, so there may be hope. Especially with my cream capris and the vintage shrug.

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A Syo-lytic leotard

I asked for a dance pose.

So I’ve been trying to start sewing down stash. I’ve been positively stingy with the new fabric purchases the last little while (which seems to mostly be resulting in pattern-binging, but that’s another issue). I’ve been avoiding Fabricland like an (insert clever, really annoying thing to avoid here).

However, the other day Syo had a doctor’s appointment across town at a location I wasn’t familiar with, and so I had built in an excessive amount of traffic/getting lost time, and so we arrived in the area with rather more than an hour to kill before her appointment. And I may not know that area well, but I do know where the fabric store is, so in we tromped.

And Syo found the swimsuit fabrics.

And they were having a big 50% off nearly everything sale.

And I’m officially the biggest pushover ever to disgrace mommydom.

So Syo scored a metre of pink, grey, and white leopard- and heart-print spandex. For a new leotard for her dance class.

Now, she is in sore need of a new leotard—the ones she has are mostly two or three sizes too small. But there is a dress code for the class (however poorly enforced) and I’m pretty sure pink leopard print isn’t on it.

However,

Kwik Sew 1670

Bring on Kwik Sew 1670, again. This pattern has previously been used (abused) to create the pattern for Tyo’s close-fitting shirt, and the leggings have been made before, but this is the first time I’ve made the leotard up as such. It’s the first time, frankly, that I’ve sewn with full-on spandex in all its slippery, stretchy glory.

That's more like it.

First off, I will say, a sleeveless leotard is an insanely easy project. Two pattern pieces, no facings, not even any binding. I started tracing the size 8 (a bit large on Syo but the smallest in my packet) at 8:00 and had the whole thing done before 10:00.

Hmm, swayback appears to run in the family

I followed the Kwik Sew instructions remarkably closely, although I don’t know if I’ll do the same next time. They have you measure out elastic lengths, stitch them into circles, and then stretch the circles to fit the various openings (leg, arms, neck). While the elastic lengths were good, I think I do just as well applying in the flat and eyeballing my stretch ratio. I’ll give it a try next time and let you know…

Triple-stitch zig-zag finish

Anyway, I stitched the entire thing on my Janome, as she has the best stretch-stitches—I’ve come to the conclusion (backed by a wee bit of actual research) that my 3-thread serger really isn’t intended for making seams, just finishing them. I’m not supremely in love with the overlock stitch on the Janome—the seams look a little wavy when you open them up—but it is very stretchy. For applying and then topstitching the elastic, I used the 3-step zig-zag. It’s a bit of a home-finished look, but not a bad once, I think.

Side view

Some of this may have been motivated by the fact that Syo got her costume for the year-end show the other day. Ah, 1992 called, it wants its clothing back. Black, neon, fishnet, paint-splatter print—an amazing blast from the past. All of which I paid $80 for. And it’s not exactly badly made, and I don’t begrudge the stitcher getting paid a living wage for her time, and she does have a coverstitch, which I don’t… but, frankly, I could’ve done just as well*. And maybe I needed to prove that to myself.

Gappy neckline

Syo is obscenely happy with her new leotard (not to mention how quickly it was made up). It is a smidge large on her, or at least the neck gapes a touch where I didn’t get the elastic pulled quite evenly, but I imagine that will lessen as she grows. As leotards go, it’s pretty modest, high-necked back and front—I’ll be really tempted to scoop out the back a bunch next time. The butt-coverage is decent, but I suspect it will become less so as her body takes up the excess length. The crotch between the legs seems a bit wide to me, but doesn’t appear to bother her. There’s no crotch-lining included, but I might try adding one next time.

The big question, of course, is what to do with the rest of the fabric, since I used approximately 30 cm off one side of the 150-cm wide, 1m length…

*I don’t think I have any ambitions to pursue a career stitching up dance costumes for local troupes, anyway. Well, at least not the kind of semi-mass-production this kind of costuming requires. Now, making someone a fabulous bellydance or flamenco costume… that could be fun.

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My Image Again

Young Image

A couple of weeks back, My Image magazine (the new European pattern magazine) sent me an email offer I couldn’t refuse—get the two summer issues FREE paying only shipping. Sold!

I picked up a couple of issues last spring. Now, I have to confess, I have a bit of an issue with pattern magazines. On the one hand, I LOVE them. I trace most of my patterns anyway, so that’s not an issue, and there’s something so exciting about having all those looks to flip through. However, (as with a lot of my pattern purchases, actually) I haven’t made up a whole lot from what I’ve already bought. I bought one issue of Burda, once, and made one pattern from it, which was basically a fail. From the previous two My Image magazines I bought last spring, I made one dress from the Young Image, for my niece (and modified it highly). My most-used pattern magazine is actually an old kids’ issue of Patrones that the Selfish Seamstress (reluctantly) gave me, back when I was blessed to bathe in the reflected light of her glory. I’ve made two patterns from it, and there are a couple more that are on the KIDS WANT list.

No, instead I tend to make variation after variation of TNTs.

One of the awesome things about My Image is that you can actually look at the entire magazine (except the patterns) on their website. The only issue I have there is that they tend to make things up in fabulous and crazy prints, which look great but can make it a touch hard to see what’s actually going on. Although the shots are more clothing-focused than a lot of Burda photos. You can also order the patterns in custom sizes, although the price of a single custom size is more than the entire magazine. Still, I’m tempted to give it a try, since one of the things that puts me off making up new patterns is the annoyance of fitting myself.

Anyway, the magazines arrived in really pretty good time shipping from Europe (about two weeks, which is faster than anything I ordered before Christmas arrived from the States). And, in an attempt to get myself out of my current stall, I resolved to make something. However, the dress I most would like to make from the women’s issue requires a stable knit of the sort I don’t have in stash (a doubleknit would be perfect). And I’m REALLY trying to work from stash right now. To the extent that I’m actually *doing* anything, of course, as opposed to just thinking about it.

A very simple pattern.

More importantly, being too lazy to worry about fitting myself, I selected arguably the most brain-dead easy pattern in the Young Image, Y1201, a racer-back tank tunic/dress with flounces on the bottom, cute ornamental tie-on things at the shoulders, and an odd little collar snugging in the racerback.

A very, very bad photo of the line drawing. Sorry, my scanner is being a pain today.

My children being not so much the flouncy types, I left these off. Being lazy, I left off the tie-thingies, too. I did motivate myself to make the little cuff. Go me!

On first  impressions, I traced off the 116. The chest measurement is the same as Syo’s (or at least, the one I recorded for Syo last summer—she’s probably grown a bit but she also likes her clothes more fitted than tunicky). The “dress length” isn’t very long (it’s supposed to have a flounce at the bottom) while the shirt length ended right at the waist. I thought about cutting mid way between the two lengths, but ended up just going with the longer length, which worked out in the end. My Image pattern sheets are a dream to trace—there’s only 16 patterns, four to each sheet, and each pattern is in its own colour. Easy. The hardest part was remembering to add seam allowance to the sides, shoulders, and hem, but not to the neckline and armscye where I would be binding the edge.

Wait—that’s not Syo!

For fabric, I dug through the stash (which despite being rather too big never has exactly what you’re looking for) and picked a cream rib-knit, originally purchased because it was on clearance and a good colour and cotton and I must’ve forgotten how much I don’t like rib-knits for general wear.

The instructions have you cut the binding for the neck and arm-holes on the bias, which I think is fairly silly for a knit, so I just cut mine on the cross-grain. However, this design has enough ease you could probably do it in a woven, in which case the bias binding would make sense.

I have to say, although I am overall quite charmed with the My Image product, the English-language translation remains pretty, um, amusing. What was actually worse than the odd word choices is that the language isn’t entirely consistent. The bindings are referred to in various places as “yokes” and “edging”. One or the other would be figure-out-able, but the inconsistency makes it tricky. Or as tricky as an insanely simple project like this can be. I can’t tell you anything more about the instructions because I abandoned them at that point.

My terrible binding. And my goofy daughter, who will probably never forgive me for posting this shot.

I used my dumbed-down version of Sherry’s excellent binding technique, which is to say that I do it like her except I make my bands extra-wide to start with, don’t overlock the edge, and just trim down the extra close to the stitching on the inside. You have to stretch rib-knit binding an awful lot to get it to end up smooth. I figured that out eventually.

Back “cuff”

They give you dimensions, rather than pattern-pieces, for the rectangular pieces like the little back cuff,   which I approve of thoroughly. That being said, I’m not entirely sure how the cuff was supposed to be put together. I settled for seaming the long edges, turning inside out, and then stitching the ends together and turning that to the inside of the loop before threading it into place and finishing the side-seams. My first attempt seemed a little too wide, so I narrowed it some mmore, and I’m now pretty happy with it although I think it could be a little shorter, too. I didn’t add any seam allowances to this piece, but then I did use 1cm seams, so if seam allowances were included, they may have been 1.5 cm. I dunno.

Full back

Anyway, once I was finished stitching it all up, I realized that the use of a rib-knit and the omission of all the frilly bits had moved it firmly into “wifebeater”*, or rather boybeater, territory. And the loose, tunic style of the original was not at all appropriate for a boybeater. I could tell from looking, however, that the size and length would be just about perfect for Tyo’s tastes.

Woo!

I was a little concerned that the armscye would be too high, but Tyo assures me it’s perfectly comfortable. And she hasn’t taken it off since I gave it to her, so it seems to be a hit.

As for the puppy hat, I have no idea.

*It occurs to me that this is probably one of those regional word usage things. A wifebeater is a close-fitting, usually rib-knit men’s undershirt, evoking the stereotypical image of the white-trash male sitting his trailer drinking a beer while watching the game and yelling at his wife. By extension, when a girl wears one, it is called a boybeater. Manbeater might be more appropriate, arguably.

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Where’s Waldo (Jr)

Tyo Looks Cute (in my tights and shoes...)

As I procrastinated my way through last weekend (as is my wont), I asked Tyo if she’d like a shirt from the remaining bits of my red and grey striped fabric. As I already have two shirts out of it, I thought a third might be overkill. Tyo was amenable, so I cut out another version of her fitted knit top.

I actually sewed this version with a straight stitch, then finished the edges on the serger. I may come to regret that, but it’s an awfully stable knit.

V-neck

I did an unusually good job of measuring the neckline for the neck-band (on my usual scooped necks I just sort of cut an approximate neckband and stretch as I go, but you have to put V-necks on in the round, as far as I can tell, so a little precision goes a long way. I also did one small but obvious thing, I made a tiny snip in the point of the V (before I started attaching the neckband) so that the seam-allowance can fold back. And, miraculously, I ended up with my first-ever, completely-non-puckered V-neck finish! Who knew? (Yes, I know, everyone who ever bothered to read up on inserting V-neck bands knew. We’ve gone over the stubborn-have-to-make-mistakes-for-myself part, haven’t we?)

Back View

Frankly, I was ridiculously proud of myself when I finished this top.

And then Tyo tried it on.

Well, remember I mentioned this knit has very little stretch? I mean, it makes it quite nice to sew up (evil rolling tendencies aside), and I like a firm knit. But this pattern which fit Tyo perfectly in the loose, giving jersey of the white version… is really, really snug. Even the shoulders are too narrow, although the part that’s bugging her is the sleeves. So we’ve been wrangling all week over whether she can cut the sleeves short, or whether she should just hand it down to Syo. I’m leaning towards the latter, preferring not to have my new creation hacked into, especially when there would’ve been a lot more usable fabric left if I’d decided to cut short sleeves from the beginning. Probably enough enough for a shirt for Tyo. Grroar. Of course, now that the pictures are taken, she’s still wearing it and not complaining… we’ll see.

Not sure how much sewing I’ll get up to over the weekend, but here’s hoping.

Front view

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Birds on a Wire

Birds on a Wire Tee

So I’ve been promising (well, promising Steph) pictures of this version for ages. I’m not feeling very photogenic lately (never even mind the camera issues)… and my tripod is missing in action, and I’ve been sick, and… well, motivation hasn’t outweighed laziness, is I guess the basic way to put it.

This is, if you don’t instantly recognize it, a dead knockoff of Steph’s original version of her Blank Canvas Tee pattern, including using her very own Bird on a Wire fabric. Which, I feel I should disclose, she sent me as a gift for agreeing to help test the pattern (and advising on electronic drafting, although I turned out to be absolutely useless for that in the end :P). Since I drew her up a little technical drawing for the shirt, I almost feel like I earned it, although maybe I won’t admit how little time that sketch took…

Anyway, thank you, Steph, for both fabric and pattern! 🙂

This is the same pattern I made up before, except I scooped out the neck a couple of inches more—Steph and I share a love of scoop-necks. The length, you’ll recall, is extended, too… I don’t have a long body, but I wear my pants low, so I need my shirts long to cover them. I gather Steph has since tweaked the pattern to make the shoulders a little smaller, something I may follow suit in. The first version I made fit perfectly in the shoulders, but this version, in a knit with a bit more give, is a little large, and I have broad shoulders to begin with.

It’s a good thing I don’t have any navy blue knits in stash, though, or I’d be in the midst of whipping up yet another version, based on Steph’s first official pattern hack—a cute sweetheart-neckline, empire-waist, sailor-buttoned version.

This is my first time sewing with a Spoonflower knit (this is their organic cotton, if memory serves). It’s a nice weight and feels lovely. It does give quite a bit in stitching—I should’ve stabilized the shoulder seams—and the black print has grayed quite a bit even after only a couple of trips through the wash. That being said, you get your own freakin’ custom print. So, er, it’s probably still worth it. But maybe avoid throwing it in the dryer. Be a better person than I am.

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Quantum Bralettes

Mini bra (and pattern)

Quantum: noun, the smallest possible amount which retains the properties of the substance in question.

Tyo has reached that age.

Despite the fact that she still has very little worth mentioning to put in them (thankfully!), she’s decided she wants to wear bras. She has one fully-formed, underwired, lightly padded AA monstrosity, and a few more sports-bra-like things, only one of which is satisfactory.

So several times over the last few months, she’s let me know that more, of the mommy-made variety, would be extremely welcome.

Back view

And, considering that they use teeny little scraps, I could hardly refuse. Although I should finalize the measurements for the straps so that I don’t have to call her down to fit them every time.

The pattern is a single piece with a seam at centre back, although I can cut the back portion separately if the pieces are extra small (as they were for this pair.) I made it up, loosely based (mostly for size) on a RTW one that she likes. The edges are finished with fold-over elastic, zig-zagged down in this case although other stretchy stitches also work well. The elastic is a little more stiff than I might like, but she seems to find them comfy.

And now Syo (who I’ll remind you is eight) wants some.

*headdesk*

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