Butterflied

Side view. Spot the tummy poof!

I shouldn’t really have made this dress. In a world where my sewing time is numbered in hours per month, where every precious drop of needle-time needs to count, this was not really the right choice. It’s impractical, non-seasonal, and doesn’t even have charming geeky pop-culture references. Sigh.* When I sewed this last weekend, we were suffering through wind-chills into the -40s. It’ll be weeks, more likely months, before this dress sees action. And I could have been sewing zebra print fleece! But, the choice was made, so let’s try to blog it, shall we?

So, I made Vogue 8916. Why? Well, I think I mostly felt challenged by the sheer butt-ugliness of the envelope photos, frankly. The model looks about as thrilled with the shapeless potato-sac outfits masquerading as Chanel chic as I would be, frankly. And yet, there’s this possibly-really-cute-dress-with-neat-seaming in there at the same time. So I made it. In this really neat abstract-butterfly-wings print whose cuteness almost makes up for its %100 polyester composition and the part where the (slightly glittery) black print melts when you iron it (all over my new-last-summer iron with the spanky extra-slidy sole, I’ll add. The press-cloth was my friend).

I’m almost as over apologizing for bad photos as I am over winter, so, they are what they are, which is grainy and not-very-in-focus. My “good” camera did not do a whole lot better than the iPhone (we tried both)—the culprit is simply inadequate lighting. Which, given my husband’s abhorrence of light in most forms, isn’t likely to change until I can go outside to take photos. In, y’know, a month or three. And I do better with a tripod than a photographer, just because I find it easier to let loose and be goofy. Although Tyo, my photographer, thought I was being plenty goofy enough.

Bodice details

Anyway, so the dress. I like the idea. I like the silhouette. I like the details. I did a decent job on the execution. But there’s a couple of things in the fit that I think are going to, well, irk me.

Front view, with tummy pooch

I haven’t made many straight skirts. Ok, I made one, a long time ago, when I was a baby stitcher, and I’ve only worn it about three times. More because I tend to destroy the back-slit every time I’ve tried to wear it than anything else, but the fact remains. I do have a couple of storebought (hand-me-down) pencil skirts of some kind of stretch fabric that are cute and I wear them a bit now that I have this staid little office job (though they still annoy me when going up and down stairs.) Anyway, the skirt features the very typical-of-straight-skirts front darts.

So I can kinda, if I squint right, see how these darts are right for most people. I mean, I’ve got some tummy pooch, especially the last couple of years (hello, mid-thirties!). But, for the most part, my stomach goes out in a smooth curve, sticking out furthest at my bellybutton, unless I’m carefully sucking things in for, oh, blog photos and whatnot. Anyway, it’s not so much the fit at the tummy that bugs me, as right below. My hips go back, and the skirt does not. Those storebought skirts just kinda suck in in this area—this non-stretch one doesn’t. If I’m standing straight, it’s not bad, but from certain angles it just looks poochy. Which I guess is cute. Also, while the curve of the hip isn’t as off as I was afraid it might be (my hips don’t curve out quite the “normal” amount, or so the vast majority of pencil skirts I’ve ever tried on have informed me) it’s not in quite the right place. It hits much higher than my widest part, like a good three inches higher. So yeah, I guess I’m short in the waist and long in the hips. I guess if I made more high-waisted stuff I would know this by now. This excess width at the high-hip also contributes to the pooch, I think. And then it’s quite snug over the widest part of my hips, which falls in the part where the pegged skirt is starting to taper in toward the hem. /sigh. So note to self—in future, add whatever length you take off above the waist on below the waist. Or maybe some more—I only shortened the bodice by about 1 cm (and yet, it does hit at my waist, at least when I stand straight.), and I think the “widest part of hip” needs to come down at least a couple of inches.

Back view, with blur.

All the back photos came out blurry. Which is too bad, because I really like the back view. My swayback adjustment worked quite nicely, here. I may not need it in things with flared skirts, but I definitely do in something like this.

Piping intersection

I spent a lot of time agonizing over how and where I was going to do the piping. I knew I wanted to highlight the interesting front seams, but just how? In the end, I went for minimal—just the front princess seams, and that under-bust cross-seam. Part of me wishes I’d done the waist, but I don’t like highlighting my natural waist, so I am content with how I did it. I’m a little disappointed that the under-bust seam is only in the front of the bodice, though—if I’d had more time/ambition I would’ve added it to the back and piped all the way around. In the past I’ve usually made my own piping, but this time I tried out this squishy-braided-flexible stuff from the store. I think the shininess works well with the fabric, more than, say, a broadcloth piping would’ve, and it was certainly less fussy than homemade satin bias piping. Anyway, it worked nicely, and I like the look and texture with this fabric. Incidentally, look at my piping intersection there! That was probably the most nerve-wracking moment of sewing the whole thing, so I definitely did a happy dance to the sewing gods when I got it just right. Also, this is the only photo where you can see the more subtle jaquard swirls in the fabric, as well as the black butterfly-wing bits. Cool fabric, no?

Hem, with grosgrain ribbon finish. You can see the underlining above the hem.

Other construction details? I underlined my fashion fabric, which was fairly floppy, with broadcloth. I also used broadcloth for lining, so this is really a fairly substantial-feeling dress. Unfortunately, the broadcloth lining doesn’t work with tights (especially lacy tights) so the photographed combination won’t work in real life. *pout* (I may pull off the skirt lining and replace it with a proper, slippery lining. I think the skirt-fit-issues would bug me less if the dress skimmed more anyway.) I finished the hem with some saddle-stitched grosgrain ribbon (off a spool from the dollar store—man, those don’t have much on them!) I love how easy underlining makes invisible hemming. I’m now officially terrified to wash this dress, though—red piping and red dollar-store ribbon on a white dress? I’d say disaster waiting to happen, wouldn’t you?

Really blurry pic of the bust padding

I added bust padding a la Tasia’s tutorial, much as I did with the picnic dress. Unfortunately, my only pic came out really blurry, but they do the job, which is basically just to add a bit of smoothness and structure to the bustical area if I don’t wear a bra. My bras are all padded in varying amounts, so my “size” without them is, um, a bit smaller. I made a size 12 for this, and it’s a bit roomy in the top, so maybe I really should be making a 10 in the bust for Vogues. I should also have done more stay-stitching or something around the top of the bodice, as it gapes a bit (and that’s after taking a bit off from the top of the princess seams.)

So, overall, I don’t really know about this dress. From some angles it’s great, from others the little things bug me to all hell. I probably do need to bite the bullet and play with the skirt side-seams, and replace the broadcloth skirt lining with a slippery one. In, y’know, a couple of months. On the other hand, I can see myself wearing it to work with a shrug or something to dress it down a bit (and to keep me from freezing!). I don’t have any glam-requiring events in the foreseeable future, so dressing it down will be a necessity. I suspect it’ll all come down to how it feels to wear it—and I won’t know until I try.

In a few months.

Instagram makes everything better.

*I know there are plenty of people who love to sew nothing but the fun and frivolous, preferring to buy (or just ignore) the mundane and everyday. And I get it. But personally, I find it frustrating and disappointing when I can’t wear something I make. Like, right away. Preferably to death.

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Camo & Lace

The Coat

The Coat. Yes, I added lacing at the back.

I’m kinda torn. I almost don’t want to post about this at all, and wait until spring when I can get better photos. But I’m also afraid if I do that it just won’t happen. And I’m impatient. And I really, really like this jacket.

Coat.

Thingy.

Ralph Lauren Duster

Inspiration: Ralph Lauren Duster. Don’t see the resemblance?

So, way back in the day, Lady Katza of Peanut Butter Macrame posted about this (already-not-news) “duster” coat-dress-thingy. It’s apparently Ralph Lauren. I don’t know. All I know is I agreed with her about its general fabulosity. Anyway, memory morphs, as it does, so what I remembered was a long, swingy denim coat trimmed in lace. And somehow when this drab camo twill showed up at my local Fabricland (which has been a pathetic, camo-less wasteland for over a year, I will point out), well, it seemed like the perfect riff on this idea. Especially matched with McCall’s 6800, which I have had a crush on since it came out.

McCall's 6800

McCall’s 6800

In fact, it’s pretty much everything you could want in a swishy coat pattern. Princess seams (two sets). Two-piece sleeve. Lapelled or standing collar options. Detachable hood. Detachable fur collar, if that’s your style. It even had the high-low hem option ready-made! And I will make a real wintery-coat-version someday, but it was a great starting-place for the image in my head.

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Front view. Ok, I’m a little surprised at how short it ended up. The pattern photos made me think it would go from just above the knee in the front to mid-calf in the back.

Curiously, the really ugly greige-colour of cluney lace at Fabricland looked perfect with this fabric. Unfortunately, they don’t have much selection in that colour, and and this was the only one that was the right kind of edge and scale. And all they had was four metres. Which seemed like plenty at the time, but as it turned out, was just enough to go around the hem once. My dreams of lace frothing at throat and cuffs were dashed. Maybe I’ll add it in later.

back lacing

back lacing

After checking the finished measurements, I figured I’d be safe to go down a size, with the possible exception of the waist—so I made part of my usual petite alteration right at the waist, figuring that would shave off the narrowest part. Then, I figured I’d add lacing in the back, for some extra fit insurance. Because who doesn’t love lacing? And it turns out I’m glad it’s there, so I probably didn’t need to worry about the waist being too narrow. I’m glad I made my usual petite alterations, though I could’ve skipped the swayback. I think I don’t need it in full-skirted things like this, hard as that is to wrap my head around. I added 4cm length to the sleeves, divided between upper and lower (and there was a lengthen-shorten line in each! This was enough added length, but definitely not excessive. 5 cm (2″) would probably be perfect, especially in a bulkier fabric. I did find the sleeves quite full when I first tried it on. Of course, I had already topstitched the outseam, but I was able to take it in fairly satisfactorily at the under seam. By 1/2″, so a total of a full inch per sleeve. Of course, if I were making a winter-coat version, I would probably want that fullness. While I’m talking about the sleeves, I shaved down the sleeve-heads by about 1/4″ and could probably have taken off more, considering cotton doesn’t ease well. In wool, I think the amount of ease would work. The shoulders are nice and narrow, maybe because I went with the size 10. They’re perfect for this, but I wonder if they wouldn’t be a little narrow for a winter-coat version with shoulder pads (yes, you do need shoulder pads for a tailored coat. Not thick ones, but *something*)

Innards

Innards

I showed you my bound seams before, but here you can see (however blurrily) the pockets. I made a little support running between the pocket bag and the facing, so it doesn’t flap around. Speaking of the facing, that’s one of the two (maybe three?) things I didn’t like about this pattern. There is no separate piece for the facing—they just tell you to cut four of the CF pieces. Well, I did that in my Winter Coat and I can’t help but suspect that it was a contributor to the mysterious front-flaring-out that almost killed the coat at the final stages—only major hand-stitching (basically padstitching the two layers together) saved it. Anyway, when I went to cut my second pair, I skipped the flare. For this topstitched design, I wasn’t concerned about turn-of-cloth allowance on the lapels, but if/when I make a proper version, I’ll be over at the RTW Tailoring Sewalong posts, where Sherry went over all the necessary changes for drafting a lining and facing properly. Such a good sewalong.

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Buttons and buttonholes. If you look close, you can see where I ran out of topstitching thread SIX INCHES FROM BEING DONE!

Of course I had to use jeans buttons. Of course, I couldn’t find ANY of my handy-dandy little thingies that hold the two bits in place while you hammer, nor could I find my awl. Let me just say, those two gadgets make life a lot easier. I made the buttonholes with a vintage Singer buttonholer.

Buttonholer. First use.

Buttonholer. First use.

I should perhaps mention it was the first time using this particular buttonholer; in the past I’ve used my Greist one. I did not notice a measurable difference between the two (and they both use the same templates, which means my little extra kit that has the short keyhole template works in either). I did NOT try to use the topstitching thread for the buttonholes—I have come to the conclusion that this is just asking for trouble. They look just fine in regular, matching thread.

measury-gadget

measury-gadget

I used 8 buttons, which felt like quite a lot, but I like the closely-spaced look. Also, less gaping if when I lace things up really tight. And my nifty-measury-gadget only does 8 holes. Probably that’s enough for most things.

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Neck yoke, with hanging loops. Also, I love binding.

There was no rear neck facing piece (another boo—basically there were no proper lining pieces, though there was a proper undercollar). So, I made my own. I’d go into my process, but a) Sherry covers it really well, and b) I totally didn’t follow her advice and just kinda laid some tracing paper over the half-finished jacket and traced out the shape. I am glad I remembered a hanging-loop, even if I didn’t think to add it until after.

Chillin

Chillin

So, I’m pretty happy with the outcome. And even Osiris approves, which is pretty rare, although he wondered why I didn’t use more lace. Sadly, the weather being what it is, this jacket won’t get much wear for a couple of months. What can I say? I was, ah, inspired. Which is a great feeling to follow, isn’t it?

Now I had better go be a good girl and make a onesie for Syo next…

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Somebody Else’s Handmade Dress (II)

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I bought an old dress.

Apparently, my Value Village now has a “Vintage” section. Apparently I am a sucker, and bought a dress, which I may well not wear. Because it was nifty, and handmade. And it makes me think about the kind of blog post whoever it was sewed it, might have written, had there been sewing blogs back in the 60s. Finds like this always make me want to trot over to the Vintage Pattern Wiki and hunt down the pattern. Unfortunately for you guys, all the photos were taken by Syo on the iPhone, so are pretty much terrible (more to do with lighting and iPhone than Syo). I miss the days when I had time and space to take actual good photos (and then edit them properly), but at this point it’s largely iPhone photos or no photos.

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Woo crazy hair

I assume it’s 60s. The construction is straight out of the Reader’s Digest Complete Guide to Sewing. It’s a green lace underlined with what is currently a rather beige lining (either rayon or a much nicer species of polyester than I’m used to.) I love the hem detail with the buttons (is that a flounce at the bottom or an extra-extra dropped waist?), not so much the high neck with the placket-yoke-thing.

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Problems with the facing rolling out.

Despite her careful understitching, the facings have a tendency to roll out. Obviously they’ve been doing this a long time—she hand-stitched around below the understitching to try and keep everything in place. She even went as far as to handstitch much of the facing down to the underlining.

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Side-ish view

It’s a classic 60s sheath, high cut neckline, straight profile, with steep, curving French darts that reach the side seam somewhere around my hips. The dart placement is pretty good on me, but the tips are a little high. Presumably whoever made it was a shorty. Or very perky.

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French darts

It’s a touch roomy in the bust, and a touch tight through the hips. Although possibly that’s just from all the chocolate I ate over Christmas.

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Back view

The yoke wraps around to the back of the neck. I bet there was a version on the pattern image with big buttons on the front.

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Front placket

It’s trimmed in lace, which just barely stands out from the rest of the lace texture. I guess she was going for subtle. I do wonder how the colours have faded over time. Did it originally match better? Was the lining always a pale, nude under-layer, or did it used to be a brighter, seafoamy colour?

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Lapped zipper

Our unknown seamstress did a killer lapped zipper. Teeny and neat!

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“Design feature”

Maybe the coolest feature is this little wedge pieced in at the side of the skirt. My first thought was that she needed a little extra room in the booty, but the piece is only on one side and doesn’t extend into the flounce, so my next thought is that she either was trying to squeeze the pattern out of too little fabric or, had it folded to cut and didn’t notice that a little wedge was missing on the under-side. C’mon, I know you’ve done that too. Can you imagine how much she swore when she figured that out? Or maybe she was an old hand, and just sighed and pieced it in and trusted the texture of the lace to keep anyone from noticing. Although I notice the lace is running in the other direction—which makes me think she was probably short of fabric.

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Bottom “flounce”

Look at that bright green hem-tape! Did the dress really fade that much? Or was it always meant to be a fun flash of colour?

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Hemming with seam binding (and handstitching)

The edges are tucked under and hand-stitched to the underlining, so the finishing is invisible on the right side. Also those buttons are great.

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Running out of hem tape.

But look at the other side of the hem—d’oh! More swearing, echoing down the decades. Running out of that perfect colour of hem-tape just a few inches from the end! Obviously, she made do. One does.

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Happy. Grainy, but happy.

I love examining vintage construction (when I run across it, which admittedly isn’t often). There’s one more weird feature, that I didn’t get a good picture of—the inside of the front, under the yoke, has a big slash cut in it. At first I thought the lining had just given out from age, but the cut goes right through the lace, which is quite sturdy, and is very straight in the lace (more frayed in the lining). So maybe the yoke is a cover-up for some earlier mistake? Or maybe there was the option of an opening in the placket, and our seamstress decided against it mid-construction? (There’s a centre seam down the middle of the yoke that makes me think an opening option would be likely. Unless she really was just that short of fabric.) Or maybe it was cut into at some later date… the neatness with which she hand-finished all the other mods makes me surprised she didn’t at least overcast or otherwise neaten those raw edges.

I love these little mysteries. Problem solving, or design feature? We’ll never know…

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In Progress

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McCall’s 6800.

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But first, bias tape.

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Lots and lots of bias tape.

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Sandpaper for distressing seams before topstitching.

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Topstitching. Also lacing loops in back. Because everything is better with lacing.

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Bound seams.

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Sneaky pocket topstitching.

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It’s coming together! Also, full circle skirt. Also, I got 4 metres of that lace, and it’s all laid out there.

Tomorrow, I put in sleeves! And maybe buy more lace. And more fabric for bias tape. I’m going to run out.

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Pikachu: the Epic.

PIKACHU!

Tyo’s Pikachu onesie is finished.

So, this thing was a lot of work. Probably more than I was expecting. It was the face that put it over the top. And the zip-off feet. I don’t have a lot of spare brain-power these days, figuring those out (or, as the cae may be, not figuring them out) took a lot out of me.

It’s kinda hard to know where to start. Did it begin a week and a half before Christmas, when Tyo hit upon the idea of a Pikachu onesie for herself, and promptly found five eBay sites all ready to sell her one that she wouldn’t shut up about? Did it begin when someone gave her a yellow Pokemon stuffie for her third birthday?* Did it begin when she was a baby and I decided for a year or so that footie pyjamas were my favourite thing? (I had a couple different pairs, storebought, so apparently I wasn’t the only person who thought that in the early aughties. The problem turned out to be that the legs were always too short and so they tended to make my toes go numb. Poo.)

Anyway, let’s just say that it was an idea whose time had come. So I’ve basically heard nothing for the last three weeks but PIKACHUCHUCHU. I had to scrap my previous onesie plans (PANDA FABRIC!) and buy a whack of yellow fleece.

Fortunately (?), I had ordered Jalie 3244 in the nick of time. It arrived literally the day before Christmas Eve. GO JALIE, and hooray for in-Canada shipping! So the kids got boxes of fabric each and a wrapped pattern for the both of them. I know, not the best “Christmas sewing”, but what I could manage this time-starved year.

Excited child.

Now, the Jalie pattern is (I think) a good starting place. It has footed and foot-free options, and, of course, every size in the book. Plus different-coloured lines! Which makes the tracing just a little bit easier. 🙂 Although, there is some piecing to be done during the tracing. The front and back piece are actually the same piece, except for the top neckline portion that you have to trace on to each piece. This mean the front and back crotch-curves are identical, but I’m somehow thinking this is not a huge deal for a glorified sleep-sack.

I was rather bemused to realize that Tyo is officially a size R. That’s the size I use to make my jeans, people. Which makes sense considering she’s been stealing my jeans since last summer, but anyway.  (I should note I’m not really a size R, more S or even T** on the bottom half, but I like my jeans closer-fitting than Jalie 2908) Although, having put the onesie on her, I wish I’d gone a size up, and lengthened a bit. This is not a voluminous onesie. And Jalie patterns do not, as a rule, run large.

In any case, we traced off the pattern and got started. By which I mean, I traced off the pattern and Tyo bounced around excitedly, and then got bored and went off to facetime*** her friends.

And then things slowed right down.

Largely, it’s because it’s a project I needed to think about. While Jalie 3244 may be a great onesie pattern, it doesn’t have a hood, and a Pikachu onesie would hardly be Pikachu without a hood to put the face and ears on. I took some measurements and drafted a rough hood pattern. Jalie 3244 has feet, but not with a zip-off closure. So I had to think about (and procure zippers for) that.

The stripes and tail

The first (easiest?) problem I tackled were the stripes and the tail.

Stripes and tail

I was really at a loss about the tail—looking at a stuffie doesn’t give you much idea of size. How long should it be? How sharp and big should those zig-zags be? How far our should the brown base extend? In the end, I’m pretty happy with my first attempt, which is good, because I didn’t have enough extra fleece to do a bunch of test versions. Once we figured out where the tail should attach on her butt, (and I added some extra stitching and elastic to support the seam in that area) the next problem was the stripes. Tyo wanted the stripes to extend around onto her sides. This caused me to alter the construction order; I sewed the back pieces together and then the front pieces to each side, so I had one big onesie-piece to applique the stripes onto. There was just barely enough space to fit the two stripes between the tail and the bottom of the armscye.

The Hood

First, I drafted a hood. I started by carefully measuring the neckline of all the pattern pieces, and then measuring roughly how humongous Tyo wanted it to be in terms of height and depth. The resulting pattern piece looked pretty ridiculous, and was really long. So I wound up cutting about four inches off the bottom of it. Which totally messed up my careful neckline calculations, by the way. Fortunately, fleece is exceptionally forgiving.

Pikachu Face. And my other helper.

I spent quite some time looking at pictures of Pikachu’s tail and back-stripes, and even more time looking at pictures of the face. I’m not a Pokemon afficionado, so I needed to do some research to get the details right. Tyo assured me that the red cheeks on her stuffed Pikachu are actually far too small, so I should make them bigger; as it turns out, I made them the same size as the eyes. I discovered (very carefully!) that you can use steam-a-seam on fleece. Very carefully! I experimented with applique stitches and scoured my scraps for the right fabrics. I spent a LONG time laying out that face. And I made ears. Deciding how big to do the ears was nerve-wracking (Based on most of the online examples, mine are a bit big. I think they’re cute that way, though.) Laying out the face was worse; Pikachu has a very high bar of cute to attain, and I was terrified of falling short. I would not want to produce some lame, un-cute Pikachu knock-off. We aim for only the best knock-offs here at Tanit-Isis Sews. 😉

Completed hood.

Pikachu’s face, as it turns out, is a bit too big for the hood. Or something. It looks good from the front, but there wasn’t much space across the back to put the ears in. The result, I think, looks a bit microcephalic, but it will have to do.

Zip Feet

Zip-off feet. I went with black grippy-fabric for the bottom.

Tyo’s other request that took some thought was for zip-off feet. I was secretly hoping she would opt for the footless version, but really, is it a real onesie without feet? Or is it just a baggy jumpsuit? But she wanted to wear it to school, and out and about, so zip-off feet were a necessity.****

I looked at a pair of my husband’s pants, which zip off just below the knee, for inspiration, but there was still a bit of learning at the school of hard knocks, which is always my favourite kind:

1) Put the zippers in in the round. It’s tempting to try to do them in the flat, as that’s easier but it works much better for the final flap-over if they’re done in the round.

2) allow more overlap than you think you need. Fleece puffs up and doesn’t cover as much as you wish it would.

3)attach band (I added a band above the ankle-seam as part of the foot unit; in the Jalie pattern the foot unit stitches directly to the bottom of the leg-piece) to foot-piece AFTER sewing the zippers in. This would’ve made the Tragedy of the Backwards Foot much easier to prevent.

The Tragedy of the Backwards Foot

Wait, did I mention the backwards foot? Yes, despite all my attempts at spacial reasoning and careful paying of attention, when I went to zip the feet on, this is what happened. If you look up at the picture above, you’ll note that there is an extra seam between zipper and foot. Slash, reverse, re-stitch. Much better than trying to unpick fleece. We’ll call it a design feature. I really don’t have it in me to do a full tutorial on adding a zipper to pants (or footies, as the case may be), although Google seems to be well-supplied with them. Anyone reading have a tutorial they like

Pikachu

Closing thoughts

Did I mention this was a lot of work? More than I really thought it was going to be. I don’t think I was thinking about the face.

Back view

I’m glad the ears are big and the tail long.

Footies

It is very warm and cozy. Also slightly grubby because it took me a while to pin her down for pictures, and the onesie has been worn to school once and around the house more or less constantly. Tyo’s teacher thought the onesie was pretty cool, but then he has a Tardis onesie.

Pikachu is small, but fierce!

I do kinda wish the whole thing was baggier, but that would’ve taken even more fleece. I used up a whole three metres on this project as it is, just of the yellow fleece.

Sad face.

She does not like taking it off.

There are a lot more things I could say, about binding zippers and seams finishes and changing the pockets, but at this point, I think I just need to hit publish. This is already well into too-long-didn’t-read territory. And, I’m tired. I think I want to go make fleece socks.

*I actually have absolutely no recollection of how the Pikachu stuffy came into our lives. I certainly didn’t buy it, so it must’ve been a gift. Tyo never particularly played the card game, nor am I aware of her watching it on TV. (Is there a Pokemon TV show? I sorta assume there is but I’ve never seen it.) And yet, Pikachu.
**Post-Christmas
***My children don’t phone their friends. Like, ever. But they do facetime, Skype, and text. Constantly.
****to those bemoaning the sad state of the world, that kids are wearing giant baby clothes everywhere, I can only say, at least it’s a warm trend. As a Canadian, I’ll take those whenever I can get them.

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My Wild, Crazy Friday Night

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Um. So I’m officially old and boring, k? I’m cool with that. I think. My Friday night was awesome. I bounced between cooking with Syo, playing Final Fantasy XIV with Osiris, and sewing. I’ve moved from procrastinating on the Pikachu onesie (photos forthcoming once I manage to pin Tyo down) to procrastinating on Syo’s onesie. So instead I grabbed this gorgeous knit (a lightweight sweater-knit which, amazingly, has only been marinating in stash for a few weeks) and my knit sloper.

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And all I can say is, why don’t I have two dozen tops like this?

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This.

Cozy. Comfy. Sleekly elegant. Perfect.

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Yes, I’m wearing my fleecepants. Aren’t you? Why not?

Not much to say about construction, except that I finished the seams with my new/old/borrowed serger (that’s a whole ‘nother story I’ll hopefully get around to. Or not; it may not be interesting to anyone at all but me.) But I haven’t figured out what kind of needle it takes so I couldn’t try a four-thread serge so I didn’t want to use it for seam construction, so I did my usual thing of sewing the seam on the sewing machine (narrow zigzag, very basic) and then overlocking. Actually, overlocking first works better, by the way. If you can get everything aligned properly. Again, I found the length a bit short, so I added a wide band on the hem, which is coincidentally the easiest way to finish the bottom of a knit tee if you haven’t got a coverstitch. Which I haven’t. Someday, my pretties. I wonder if my taste in tee-length hasn’t changed in the last couple of years. Though I would’ve sworn I’ve always liked them long.

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I used steam-a-seam to get nice, crisp sleeve hems, and then wimped out and did a zigzag finish. I didn’t feel like fussing with a twin needle.

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I used fold-over elastic around the neck, the way I wanted to with my fleece shirt (because I bought some since then) It’s maybe a little heavy for this fabric. I increased the tension going around the sharper curves so it wouldn’t stick out, but it also gathered up the neckline a bit more than I would’ve liked. It doesn’t actually look gathered when worn, which I was a bit worried about, so it’ll work, but I think a narrower elastic or the fold-over fabric binding I used on the fleece shirt might’ve been better.

My only reservation about this fabric (some kind of a poly-rayon blend) is that it hasn’t got any spandex, so I’m not sure how much it’ll bag out with wear. That could interfere with these sleek, elegant lines I’m loving so much. I can always take it in if I need to, right?

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I hope your Friday night was as exciting as mine!

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The moment I have been dreading

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Since Tyo made it clear that she REALLY wanted zip-off feet, has come to pass.

Yep. One of the feet is pointing backwards.

I wish I drank, because this moment calls for one.

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January 11, 2014 · 11:48 pm

Increments of Pikachu

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This would go faster if I didn’t keep losing things. Like ALL MY SEWING MACHINE ATTACHMENTS. Including zipper foot. No, I still haven’t found it, and I even mostly-cleaned my sewing room! And deciding I need other things I hadn’t even thought of before. Like tape for binding the insides of the zippers.

But. There are feet. There is a hood. There are bits that go in between that. And someday soon, I just barely dare to hope, there will be a Pikachu onesie..

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January 9, 2014 · 7:55 pm

The fruits of procrastination

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I can’t finish Tyo’s Pikachu onesie quite yet. I ran out of yellow thread and, more problematically, I forgot to get yellow zippers and that grippy material for the bottoms of the feet. I could’ve gone out and gotten some, but that would’ve required leaving the house. I don’t have much time off this year and most of what I did have off was spent running from one family engagement to the next. Which is as it should be, but still. Busy. So I’m treating my scant leisure time with fierce protectiveness.

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It’s also been fucking cold. Long, steady, solidly cold, with lots of wind. I needed a tiny bit of black fleece for Pikachu, but it being black fleece (and on sale!) I got two metres. So today, whilst stymied on the Pikachu front, I made a fleece shirt.

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I used my knit sloper, which I haven’t done in about a million years. It felt good.

I used the same technique to up-size my sloper for (not-so-stretchy) fleece as I did with my Grandma’s sweater, with much the same results: the size is good but the shoulders are just about too wide. The sloper has pretty narrow shoulders, though, which is why I went for it. Nice thing about using my knit sloper—it’s cut out of Bristol board, so I just grabbed a sliver of soap from the bathroom (since all my chalk is AWOL. Seriously, everything is AWOL. I mean, I’m not the most organized person, but this is ridiculous.) and traced around it. So much neater than pinning everything!

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When I got to trying-on, I had to scoop out a bit under the arm, but otherwise the fit was pretty good. I thought the body was a bit short so I finished it with a wide band; the sleeves I just hemmed under with a three-step zig-zag.

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The high point of my construction was binding the neckline. I used black cotton-Lycra, the stuff I use for underwear and leggings. I just cut my strip wide, zig-zagged it in place on the right side, folded over so the edge was bound, and top stitched the whole works, then trimmed off whatever I didn’t need from the back.

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It’s not really the right fabric for a top—a little stuff and awkward, not enough drape. Nor is it a wonder of professional-looking finishing. But it’s warm and serviceable and warm and practical and warm and generally just WARM.

Yeah, I fear this blog suffers stylistically in the winter. My brain shuts down and all thoughts of fashion are replaced by cries of “Is it WAAAAARRRMM?!?”

At least it goes well with my fleece pants…

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Sewing and thought (or the lack thereof)

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As I procrastinate on Pikachu, I’ve finished up a pair of undies that has sat, in a sad, forgotten wad behind the sewing machine, for several months now. I had decided I wanted to finish them in stretch lace. I like this finish on quite a few of my RTW pairs; although it isn’t the sturdiest, it’s comfy, pretty, and mimizes panty-lines. But first I couldn’t find the lace I had purchased, then found it but used it on another project, and eventually got more but hadn’t ever pulled it all together. I think these are a modified pair of McCall’s 4471, with the arch-over-the-front-leg reduced. I think. They’re largely identical to my 70s-pattern pairs, at this point, aside from the finish.

As for thought? Well, depending on the finish you choose for something like underwear, you may or may not need a hem allowance on the edge (on McCall’s I think this is 5/8″ as usual, but don’t quote me on that because I didn’t actually check.) On some of my other patterns, it’s 1/4″ or 3/8″. If you stitch an elastic to the edge and turn it under, you’ll need a hem allowance. If you cover the edge with a fold-over elastic, you don’t need any hem allowance at all. And if you add a wide band, like, oh, stretch lace… you may just want to reduce your pattern pieces a bit. In this case, I remembered to lower the rise (especially in the front), but didn’t think to do anything about the legs or, more particularly, the width through the crotch.

When worn they’re a bit more like boy-shorts than panties, in fact.

Which is fine, but definitely something I will try to think about when I next make a pair. And if I write it down here, maybe my chances of remembering to think will be just a little bit better.

Oh, and can I just say, until I was sewing my own, I don’t think I ever in my LIFE thought about how wide the crotch in my underwear was?

Also, grippy fabric (for soles) and zippers for the Pikachu Onesie have now been purchased, and if Tyo has her way I’ll be finishing it tomorrow. OK, if Tyo had her way, it would’ve been finished a week ago, but, well, have I mentioned before that she’s quite persistent when she wants something? It will be done soon, anyway.

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Filed under Sewing