Category Archives: Sewing

The Last Gasp of Summer Dress (Part 1)

Lonsdale at last!

Last night, in a fit of madness, I finally cut out the bodice for the Lonsdale dress*. Boo-ya!

So, what’s up with this? Well, I had traced out the bodice pieces in a straight  Sewaholic size 6 back in July (Yes, I’m a tracer. Especially when it comes to almost $20 patterns). Tasia’s size 6 matches my bust measurement, and the waist is only an inch off, which puts it closer to my measurements than any other commercial pattern I’ve run across. Yay! The hip measurements are way, way of—the Sewaholic line caters to the more pear-shaped among us, which I am emphatically not—but that shouldn’t matter for a dress like this. Which is probably why she came out with a dress like this ;).

Anyway, on examining the pieces, I decided to shorten the waist by a LOT. I have a short waist to begin with, and the Pendrell blouse (presumably based on the same measurements) was reported to run long in the waist. Also, there’s the waist-band piece, which will sit below the bodice. Trial and error has taught me that if I must have a waistband on a dress, I’d rather have it start at my waist and extend above. Visual attempts to lengthen my waist don’t seem to help—I get better results with a slightly raised waist. Or I think I do, anyway (think this dress). I took out about 5cm (2″), I’d say. So it will probably end up a bit higher than Tasia intended, but hopefully at a place that looks good on me ;). Remember there’s a 5cm-wide band below the bodice, then the skirt starts.

Closeups

In the photo I had folded up the bottom edge to to approximately where the seam will be. Since you can’t really see my waist well in these pics, I’ll throw in a slightly more inclusive shot:

Distance shot

Unfortunately taking photos at night in my bedroom with the flash and my backup camera doesn’t make for the best photos ever, but you should get the idea.

I should really make a swayback adjustment, though. Note to self.

Pretty instructions!

I have to say, I love Tasia’s instructions! Look at all those gorgeous little diagrams—barely a word, because barely a word is needed. Kinda like Ikea instructions. 🙂

Now to find time to actually work on it…

*Bonus points to the person who sees my big booboo in this photo.

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Not Worth Blogging About?

Hrmm.

Ever make things you’re just not sure are worth writing about? I like to document my flops alongside my successes, (although I’ve noticed that it often takes me a while to realize what is actually a flop vs. a success), but I’m talking about throwaway pieces. Stuff you just knocked together because it would serve a purpose (or because your kids were bugging you, as the case may be). It’s sloppy and half-ass, simple, and maybe the fabric just drives you nuts.

No? Just me?

More excessive cute

This pair of tops for Syo falls into that category. I’m writing about them only because, well, I have nothing much else to write about right now (unless you want me to start in on the weather again 😉 ). I keep looking at my Lonsdale pattern. I ALMOST got the pieces laid out yesterday, but ran out of time. Anyway.

This fabric is left over from one of the cowl-neck iterations. It’s got a lovely, soft drape, an interesting knit stripe, is wriggly as hell to cut out (we pinned it to the carpet), tends to grow like crazy when handled, and a dull colour that just irks me. It looks like the colour the block of white paint turns when everyone’s been mashing other colours into it. Hmm, I may have been spending too much time entertaining small children lately…

Syo was inspired by the fabric (she does love wriggly knits >_<) and Babydoll’s dance-rehearsal outfit from the movie Sucker Punch. Yes, we probably do have questionable taste in what we let our children watch. At least it’s with parental guidance.

There were actual patterns involved!

In particular, McCall’s 4821 (View B, the one-shouldered top) and Kwik Sew 2448, the long-sleeved tee from view A. What do you mean it doesn’t look anything like it? Both of these are thrift store finds, although I don’t think I’ve blogged either of them before.

Sassy Girl

Ok, so let’s start with the McCall’s pattern. This is another of those “Sassy Girl” brand of patterns, illustrated to pique the imagination of any little girl. I used another of these for Syo’s vest. They’re adequate patterns, I guess, but I find them really simplistic, to the point where I suspect the final result is likely to be compromised. I haven’t read the instructions, so I can’t really comment on them. For a simple knit top like this, though, I guess there’s not going to be much to the pattern in any case. The smallest size in my envelope was a 7, which is borderline too big for Syo; given what I know about this fabric—it GROWS—I figured we would need to narrow it a fair bit.

McCall's 4821

I took out something like 4cm of width and then re-drew the front and back top curves. I didn’t adjust the length at all and it’s a bit short, but that may be a) deliberate and b) an effect of the prodigious width-wise growth of this fabric. Because the fabric was so thin, we double-layered it, which made finishing the top easy. I used clear elastic to reinforce the neckline side of the strap, and the small shoulder seam, but not the arm-hole seam. I’m glad I did, as I think it would be quite saggy without. We haven’t done the hem yet, but probably will at some point, although I don’t think twin-needling will hold up terribly well on this fabric.

Back view

My serger tends to turn soft, light fabrics like this into ruffles, so we sewed it all on the newely-serviced Janome, which worked like a dream. Syo would’ve stitched the entire thing if I let her, but I’m not quite sure she’d be up to keeping an eye on the seam allowance width and the clear elastic at the same time. She did quite well on the armscye seam, though, even without pins, and would’ve done the side-seams but it was the end of the night and we were in a hurry.

Side view

I think we just about nailed the sizing, actually. Which means if I use any other fabric in the world it’ll be way too small.

Little tie-sweater

Kwik Sew 2448

The little tie-sweater is based on Kwik Sew 2448. What, you don’t see the resemblance? Use your imagination! Actually, I traced off the pattern pieces for the long-sleeved version of the top, which is an utterly ordinary knit tee pattern. I cropped it short at the “lengthen and shorten here” line, which wound up being a bit short (but again that might just be the fabric), and turned the cut-on-fold of the front into an extended tie.

Syo originally wanted 3/4 length sleeves, so I shortened the length of the arm to a size 4 (I was tracing the size 6). They still turned out mostly full-length, which she says she is liking for now, but we may very well shorten them in the future.

Tee front pattern piece, altered to tie. We are so precise in our cutting around here...

I’ve noticed in my one Kwik Sew pattern that has an adult-sized tie top, the ties angle down considerably, and looking at how it sits on Syo it seems like this would probably have been a good idea to emulate. (I might have paid closer attention but on inspection the only pattern pieces actually in the envelope of the adult pattern are for the leotard. Poop! So I’m going by the illustration of the pieces on the instructions)

Syo stitched the underarm seams for this one. Kwik Sew uses 6mm (1/4″) seam allowances, which are a bit harder for her to maintain, at least in this fabric, than the wider ones on the McCall’s pattern. I used clear elastic to stabilize the shoulder. Considering how this fabric grows (especially as I didn’t use anything to stabilize the neckline) this seems like a very trim-fitting tee pattern. Which I guess makes sense for something meant to go under a dress.

In any case, Syo is, at least momentarily, satisfied, and this godawful fabric is out of my stash. There was a very tense moment while sewing when Tyo nearly started WWIII over the fact that Syo was getting two tops in a row, but it was headed off (grudgingly) when I pointed out that these two tops together, including tracing, are still less time-consuming than Tyo’s last shirt.

I think it’s time to make something for me, don’t you? I do like sewing with my kids (as opposed to for my kids), but I think I’m ready for something for me. 😉

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Tyo’s Too-Tight Top

Tyo's Too-Tight Shirt

So, just for the record, when you have a child who’s 140 cm tall, and the pattern is for a child 120 cm tall, even if the chest measurements match, it’s still going to take more than just lengthening the sleeves to get it to fit.

Just so you know.

Tyo being Tyo, the shoulders fit pretty much just right.

Now, before I get into the details too far, you will have noticed that the exuberant photo above is, above all, of craptacular quality. Guess what didn’t make it home from vacation? Yup, my camera charger. Blog, meet iPhone photos. IPhone photos, meet blog.* Here’s hoping my inlaws are better at mailing stuff than I and can be bothered to mail it back to me before we go back for Christmas…

Tyo's shirt. She is sad it doesn't fit the way it's supposed to. She'll probably wear it anyway.

For this reason I haven’t got much in the way of detail shots. I took them, they just didn’t turn out.

So, I’m feeling brutally mixed emotions about this project. Mostly because it didn’t fit. Mostly because the pattern wasn’t the right size in the first place (see first paragraph). Tyo’s also, to her father’s dismay, begun increasing in the chest measurement recently, so that may be playing a role here, too. On the other hand, it’s a pretty fun pattern (Lekala 7171), I think, a simple shirt with a striking detail on the back. Everything went together well, and having the MPB Men’s Shirt sewalong to reference pretty much makes up completely for the lack of instructions.

Collar

The execution is far from flawless, but it’s reasonable, I think. Topstitching on the Featherweight remains fun (although I’m using regular thread, not topstitching thread, so it wasn’t as fun as it could have been). I re-did the entire collar and stand, widening it by about 3cm and cutting out each side individually so that I could (almost) perfectly match all the stripes. Yay me.

Pockets

I used cardboard templates for shaping both the pockets and the sleeve plackets. Getting and keeping the bias-cut pockets square and even was quite a pain. Washable glue-stick was helpful. On the other hand, all the stripes make for super-easy positioning on the front, so it’s not all bad. Oh, and you can just about see the minute side-bust dart in the pic above, to the left of the pocket. This took in about 1 cm total of width. The original pattern had vertical, double-ended darts below the bust, too, but as they were about .5 cm at their widest point, I chose not to bother with them.

Placket (not an iPhone photo)

The plackets. This is only my second set of plackets, and thus far both have been made out of flannelly material, which is probably not the easiest stuff for it. I’m reasonably happy with how they turned out, however, despite a certain amount of user error. This is the little-house-on-the-placket style of placket, I think. I say I think because instead of the little house with an addition on the side shape of the other pieces I’ve seen, this one had a double peak to the roof (AA instead of A_ if that makes any sense… I’m too lazy to make a real diagram). I managed, by re-reading Peter’s post, to refresh my memory enough to put the plackets on the right side facing in the right direction (although it was a bit chancy). The user error came in in not allowing enough extra length at the top for the little house-roof-thingy. If I’d paid more attention and made my slash the length recommended by the pattern, it would’ve been fine. It’s still fine, except the opening is about an inch too long (note I didn’t lengthen the placket when I lengthened the sleeve—although looking at the technical drawing I suspect that they just didn’t change the length of the placket when they graded the pattern, so it’s a bit long for the shirt to begin with) so the opening goes clear to the elbow. Also it could really use a button halfway along, but I forgot when I was putting in the buttonholes.

Back view. Very glad I added that extra width at the bottom.

The back looks pretty spiffy, if I do say so myself. As you can see, the fit across the shoulders is pretty good in the back, even though it won’t quite close in the front.

The back on Syo

It felt really good to do some real sewing again finally. I spent most of the morning (whatever wasn’t spent ferrying my father-in-law around and mediating among four little girls. Who don’t actually seem to fight any more than two little girls do, but man those preschoolers can CRY) in the sewing room. With a lot of company from my four-year-old niece (of the polkadot sundress fame) telling me about how she’d love to have this and this and that sewn for her.

Weird flash-face. Note horizontally-matching stripes on the front.

Out of curiosity, I got Syo to try it on (she is roughly 120 cm tall). It’s none too spacious on her either, although it does close, at least. The shoulder-fit is remarkably similar to on Tyo, though. It’s pretty obvious which of my kids got my broad shoulders.

Side view on Syo

Syo likes to flex and show off her muscles. They are pretty impressive, frankly.

Syo

Gratuitous pics, I know. But I couldn’t resist the weird foreshortening in this one.

Sleeve rolled up

Both kids agree that the sleeves are better rolled up, anyway. They just possibly might have inherited this from their father.

Sorry if the post is a bit incoherent and disjointed. The shock of going from zero to four children (two of them now on antibiotics) in the house in under a week still has me a bit flattened. Though I’m glad to have mine back and to have the chance to spend some serious time with my nieces. I just wish I could’ve spent more of the week enjoying them, rather than trying to work in, around, and between interruptions.

Oh, and just for the sake of completeness, the pattern is Lekala 7171, and here’s the technical drawing again:

Technical drawing

*My camera is a Sony point-n-shoot, which is the only calibre of camera I’m qualified to manipulate. Interestingly, my friend’s Sony smart-phone takes awesome pictures. Obviously Apple has not completely cornered the market on awesome. Which does little to reduce my overall iPod addiction, but anyway.

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Oof-Da

Vacation

So, now we’re home, it should be back to life as usual, right?

Erm. Not quite yet.

You see, memory is a finicky thing. Much as we swear that we’ll never forget the little things, they still get fuzzy as the years go by. I no longer remember which of my children was born at 4:00 am vs. 6:00 am.  I don’t remember whether Syo walked at nine months or ten (either way, it was far too early…)

And I didn’t remember quite what it was like to have pre-schoolers in the house. So when my stylish sister-in-law asked if we could watch her girls (yes, the ones I occasionally sew for, currently aged 4.5 and 3) for a couple of days while she and her hubby take their first-ever post-child vacation, I blithely said yes. She took my kids all freakin’ July, people. It was the least I could do. Especially since we shanghaied my father-in-law to provide “childcare” for us for the rest of August.

So, yeah. I have a serious infestation of pre-schoolers. And while they’re both past the everything-goes-in-the-mouth-first stage, there’s such a lot of, well, chaos. Syo, freshly turned eight, can whip up a jug of orange-juice from concentrate without me having to do more than wipe the counter after. Syo assisted by the three-year-old niece gets orange goop all over said counter, floor, stack of mail, and the orange-juice has bran flakes in it when finished. And they don’t know that the sewing room is a no-play zone. Same with the furnace room. Same with—ARGH! WHAT DO YOU MEAN YOU NEED YOUR BUM WIPED? WOULD YOU JUST GO PLAY OUTSIDE NOW? NO, WE DON’T HAVE A PADDLING POOL! WHY ARE YOU CRYING NOW????

Ahem.

So I’m feeling just a wee bit like I’m running around like a chicken with my head cut off. >_<

On the plus side, I did retrieve my Janome from the sewing-machine hospital, and she seems to be working again—at least, the flywheel turns freely and there was a nice little piece of fabric decorated with some gorgeous stitching stuffed under the needle when I picked it up. I haven’t had a chance to actually set her up and give her a run (see previous paragraph).

So instead I’ll show you a couple of glimpses of stuff that was in-progress when I left, lo these many moons ago. Ok, two weeks back. That’s, like, forever in internetland, people.

A handsome cuff

Of course, there’s Serena’s jacket. I really need to get cracking on this one.  But doesn’t the cuff look nice? I should’ve used more interfacing, though. When in doubt, add more interfacing. Ah, well.

Collar: a diptych

And there’s Tyo’s shirt. Here’s my nice collar. I had to show you both sides so you could see how (not) awesome my stripes are. I managed to cut one of each piece on-grain. Obviously this is one of those situations where you (I) should cut your pieces individually. Or match the freakin’ plaid. Either of which I was too lazy rushed  to do. However I did swing it so that the nice-looking side of the collar will fold out over the nice-looking side of the stand, which is why they’re on opposite sides in this flat view. Having just tried it around her neck, I may have to junk the whole thing and cut out another anyway, as this one’s going to be a bit snug. Perils of using a pattern that’s technically too small even if it is the right chest measurement.

Tyo's shirt back

I’m pretty happy with how the back is looking, though.

Hmm, have I even mentioned this shirt properly?

Tyo wanted a shirt. Way back before she went on vacation. She picked out the fabric back in the spring, and then found a pattern (7171) off the Lekala site. Their sample size is for a child of 120 cm height, which Tyo is far beyond, but the chest measurements were the same, so I went for it (with considerable lengthening of the sleeve). As I mentioned, the collar is small, so I may end up regretting that.

Technical drawing of the pattern

As you can see, instead of buttons, I’ve opted for loops of elastic on each side, which will be threaded with black velvet ribbon. Because everyone loves lacing, don’t they? You can also see my clever use of bias to avoid all semblance of having to match my plaid. Except at the side-seams, but I wasn’t even thinking about that. Figuring out how to finish the seam where the little loops are inserted was a little, ah, mind-expanding. There was seam-ripping, and possibly even a little swearing. I wound up basically doing a

You can perhaps see how I flared out the bottom of the side-back and centre-back pieces a little bit. This will hopefully accomodate Tyo’s generous derriere. I’m a touch stalled because I need to go back over the Men’s Shirt Sewalong before I get much further, to do the cuffs and plackets.

And I don’t multitask well (at sewing or at anything else) so I really need to just hunker down and finish Serena’s coat. Before I do anything else.

Dammit.

I want to make my Lonsdale

EDIT: Just got a call from the MIL that Niece #1’s tests just came back positive for strep. And Syo is already showing the same symptoms she had… Life just keeps getting better. >_<

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A Sewing Interview (Part II)

As soon as I got my mom’s interview made up, it was obvious that I needed to pop the same questions to my grandmothers. Since neither of my grandmothers are computer-users and I’m the world’s worst snail-mailer, this took some doing: getting my mom to print out the questions, having a cousin ferry them out to the farm, and finally being able to pick them up while on my current bout of holidays. But anyway, here is the first, coming from my mother’s mother, who grew up the daughter of the shopkeeper in a small town in southern Saskatchewan. She married a farmer and went on to have four children to sew (or not) for. Just for reference, she was born in the 1920s, grew up during the Depression, and was married and had most of her children in the 1950s. Once again, my interjections are italicized.

Were you exposed to sewing in the home growing up?

Yes! My mother made a lot of our dresses for school & our “Best dresses” for church or special occasions, with hems that could be let down as we grew taller. (no slacks in those days)

How did you and your peers view sewing? What about the older generation?

It was expected for girls to learn to sew a little, and our mothers expected us to learn. (This is where I wish it was an in-person interview. The next question would be: did you enjoy sewing, did it provide a creative outlet, or was it just another household chore?)

How and from whom did you learn to sew?

My mother. (No Home Ec in the one-room schoolhouse, I guess)

On what kind of machine(s)?

Eatons pedal (a treadle machine. If I’m not mistaken, she still has it stashed somewhere.)

Where did you get your fabric, patterns, other supplies?

We ordered some of our fabric from the Eatons or Simpson catalogs. Sometimes cut down an older, larger dress etc. We also could buy patterns. Patterns could also be sent for to (ordered from) Eatons or Simpsons or sometimes from some patterns advertized in the newspapers.

What kind of finishing/techniques did you use?

We trimmed collars etc. with lace, rickrack, bias tape, etc. Made tucks and pleats and ruffles. We also made our own nighties and pyjamas.

Did you learn much about fitting?

My mother taught me. Her mother, my grandmother, was a seamstress in Ontario. She would go from one family to another, sewing for the whole family. She would stay at their place for a few days or a week or so. She had her own portable sewing machine. They gave her meals & a bed to sleep in. On some patterns you had to shorten or lengthen the bodice to the waist line etc. or widen it. (Wow, this is so neat! I had never even heard that before. Hmm, I will have to do some more digging to see if I can come up with a time period for that…)

Did you at any point feel like part of a sewing community, or was it a solitary activity?

Most of my friends sewed a little. Blouses and dresses etc. During the war the Ladies Aid would get together and make & quilt quilts for the refugees. We also knitted socks and mitts for the soldiers.

What (if anything) inspired you to sew in the first place?

It was expected that you learn to sew. I sewed my own wedding dress and dressing gown (which I still have). (must get some pictures of that…)

How has your interest in sewing changed over the years?

I sewed for [my daughters] as they grew up making pleated skirts, slacks, dresses, nighties, etc. (My mother informs me that most of this sewing stopped by the time she was about nine. At this point, in the early sixties, Grandma had four kids, lots to do, and it had become easier to buy ready-made clothes than make them.)

When did you stop sewing (or did you?)

I still sew, but it is patching overalls, hemming tea towels, making curtains and sewing up seams.

Anything else you’d like to mention?

Flour bags made of cotton were washed and hemmed for tea towels. Five bags opened up made a sheet for your bed. They made nice pillow cases if embroidered with flowers etc (P.S.) I still have some. Sugar bags (100 lbs) made small table cloths with embroidery corners or centers. I now use an electric portable. (My mother think Grandma still has some of these stashed around the house… I will have to go hunting next time I make it to the farm…)

PS: I am home at last from a delightful couple of weeks Back Home (if you get the distinction). Hopefully there will be sewing in the very, very near future. In the meantime, I apologize for the long silence…

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The Mini Minnie Dress

Fyon's Mini Minnie Dress

I firmly maintain that Minnie Mouse has no monopoly on red with white polkadots, any more than Miss Piggie has a monopoly on pink. Nonetheless, this is the thing I have heard second-most-often about this dress, in either of its iterations. Sheesh. Fortunately, the most-often-heard thing has been random, awesome compliments. And despite being first on the list to make the Minnie Mouse crack, my ever-sweet husband has also requested specifically that I wear my version several times, so it must be a winner. Sigh.

This is the version created for my four-year-old niece, who requested it last month, with much batting of eyelashes and many applications of  “Auntie, I love you!” Let’s just say that as long as the cute holds out, she should do well in life. You may have to click through to the full size version to see the polkadots on this one. They are small, but I promise you they are there.

Young Image Summer 2011 patterns

The pattern I used as a base is Y1109 from the Young Image Magazine Summer 2011 issue (third down on the left in the image above). You can browse through the whole magazine here, but it won’t let me link to a specific page; there’s a good view of the dress on p. 19. It had the right general lines, in particular the centre-front bodice panel.

I made the size 104, the smallest for this pattern; my niece is 106 cm tall, although her bust and hips were a little narrower than the 104 called for. Still, I’m glad I used the 104 rather than a smaller size (had one been available)—the amount of ease is fine but definitely not excessive.

Naturally I couldn’t just make it up as is. So this is not really a fair review of the pattern or the magazine, although I did use all of the pattern pieces provided. The instructions are, well, distinctly translated, and in so many languages it can be a bit tricky to figure out where the information you want is; it’s mostly segregated by language, but not entirely. Also, the pattern pages are only marked in two languages, neither of them English (my guess is Dutch and German, but I confess I didn’t actually pay attention), so be prepared to do some translating. That being said, they’re not nearly so over-crowded as Burda pages and each pattern has its own colour, so that part was not bad at all.

Dress back

The pattern calls for a rear zipper in the bodice (not extending into the skirt as far as I can tell), but I opted for buttons, instead. You do have to add seam allowances. They may tell you that somewhere, but if so I didn’t find it. I just figured that all the European pattern magazines (maybe European patterns in general?) don’t have seam allowances, and an examination of the size/shape of the pieces will confirm that.  If I’d been less pressed for time I would’ve read up a bit more on how much to add for a centre button placket, but I was in a hurry, so I winged it. It’s not exactly ideal. I should probably have drafted facings or used a self-lining (which I think is what the pattern calls for), but I didn’t. And I’m balls at understitching, so my white cotton lining peeks out a fair bit. Ah, well. I also put the straps on the wrong side, I’m pretty sure they are supposed to angle with the shoulders, not puff up the way they do, but they look cute anyway.

Underskirt for dress for niece.

The skirt in the pattern has a slightly-gathered, shaped upper portion and a ruffled lower portion. In the photo (page nineteen of the magazine, again, but I can’t do a direct link and I don’t have the physical magazine with me to photograph), the dress has quite a deep ruffle on the lower part of the skirt; it looks much shorter on the technical illustration, which I found rather confusing. There’s no pattern piece for this, which is fine as it’s just a rectangle, but I couldn’t find the information on how deep it should be, either, just how wide it should be at the different sizes. My original dress had a simple dirndl skirt, so I did that for my niece’s version, too, but I used the pattern-piece provided, plus a lower ruffle tier, for the underskirt. I was winging it for the length at that point—I did a quick comparison with some dresses from Tyo’s closet that I thought were in the right ballpark length—overshot, and wound up hacking about four inches off the top of the underskirt. Ah, well. It all gathers to the waist, anyway ;). For extra flouff, I gathered some tulle onto the underskirt. I should’ve used more. I also couldn’t use my favourite gathering technique, the zig-zag over a supplementary thread, as my zig-zagger was frozen at this point (she’s in the shop as we speak), so that was a wee bit annoying. Yes, I used the gathering foot, but getting the precise length was not happening so I wound up hand-basting and gathering it that way anyway. *headdesk*.

Dress

Instead of little ruffles on the centre front panel, I made an altered, double-length version of the CF piece to create the ruching. Gather it to the side-front pieces, construct bodice as usual.

Buttons closeup

I was a little concerned about the button-placket not extending into the skirt. After all, even on rectangular little children, you want to be able to open it a little below the waist, right? So after some cogitation, I decided to add in an extra-wide continuous lap placket at the centre back to finish off the button placket. Of course, for these to work properly you really have to fold the outer edge of the placket to the inside, which I completely forgot to do. So it’s a bit wonky in that area. Fortunately it’s pretty much hidden in the gathers, anyway. And cute ladybug buttons make up for all manner of flaws.

I have been having some fun being the sewing fairy, I must admit. I have been refusing to sew for my adult relations (well, unless they come to visit me for fittings, which, considering we live 600 km away, is a bit of a deterrent), but this summer I dared to hand down a couple of pieces. My stylish sister-in-law had greatly admired this sundress last year when I wore it, and after thinking about it, I decided to give it to her. I still like it a lot, but it feels like a lounging-by-the-lake (or in the back yard) kind of dress, something she does a lot more of than I (which is not to say she is lazy, quite the opposite, but she is currently at home with small children in a house with no AC, rather than spending her days in an overly-cooled lab like I do). Rather more recently, I made a tunic cloning a RTW one that I absolutely love. I liked the clone, too, but it was a bit too short through the body. So with some trepidation, I handed it over to my going-on-fourteen-year-old-niece. I am absolutely terrified of trying to sew something for anyone in this age-set without their direct input, but figured it had a better chance of working for her than for me and was reasonably stylish reasonably recently, and she steals lots of clothes from my stylish sister-in-law (I should perhaps clarify that my stylish sister-in-law is the mother of the four-year-old who received the Minnie dress, but NOT of the fourteen-year-old), who I feel pretty comfortable about guessing styles for. Anyway, she claims she likes it and as she’s only 5′ 1″, the length issue is rather less on her. So we’ll see. I still need to make the longer version…

Oona, this one's for you

Before I left on vacation, I did bring home one more piece of thrift store fabric: this crazy border-print. There’s only about a metre, but it’s very wide. Whatever it gets made into will obviously be dedicated to Oona of the Carnival Stash.

Whew! I must now return to hanging out with my in-laws, soaking up the sun, and wrangling somewhat obscene numbers of small children. Gotta love vacation…

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Madly off in all directions

The Scissors Family

The crunch is here and as usual I’m not ready.  Precious minutes are trickling away when I could be Accomplishing Things. So, I’ll keep this brief.

Sewing World called and the psycho-god scissors were in (pictured bottom right). My willpower shredded under their seductive snipping, and they came home with me. Cutting with them is almost like… hmm, maybe I won’t go there. Let’s just say cutting may no longer be my least favourite part of sewing. The blades are very short, something on the packaging it touting equal length for blade and handle as being important for some reason. Oookay, if you say so. All I know is they cut like… mmmm…. ok, just give me a moment (fans self). The most comfy for the hands are still the old blue ones, though.

Fabric: for niece's dress (left) and my Lonsdale (right). Yes, a print!

I bought fabric.

I started a dress.

It’s neither Lonsdale nor for me. *headdesk*

Dress in progress. Not for me. Obviously.

Underskirt for dress for niece.

It’s for my four-year-old niece, who very cleverly spent most of the two days I was down there at the end of June telling me how much she loves me, and also how much she loves the red sundress and wants one just like it. Sometimes not even in the same sentence. It’s based off a pattern from the Young Image magazine (I added the front ruching), but as usual I’m off in my own little universe so the finished product will be “inspired by” at best. Also, can you spot my goof in the picture?

I’ve made a bit more progress on the coat, then got stalled because I needed more trim. Because 4m of three different kinds of trim was obviously not enough, and I’m a complete idiot for thinking under any circumstances that it would be.

And, I’m going to feel really guilty that I have a home-made present for my niece and not for my daughter whose birthday is on Sunday.

*headdesk*

And I really want to start my Lonsdale…

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Slow and steady…

Blinded by the lining

Progress has been made on Serena’s coat. In fact, if I hadn’t kinda-sorta said that I would have it done by the end of the week, I’d be extremely pleased with myself. As it is, I’m still half-ass panicked. The coat construction itself isn’t the issue, it’s the embellishment which eats up time, both physically in terms of stitching it on and mentally in terms of thinking about designs—how much? How intricate? How many different materials? At the moment I’m trying to constrain myself to gold-twist piping and lots of flat upholstery braid, but it’s hard. Give me a few months of this and my latent bellydancer would bling this coat out to the nines.

Which is why I should’ve done the basic work back in the spring and then spent the summer in leisurely construction/embelishment, but anyway. That ship has sailed.

Muslin #2 (with collar)

After the fitting I basically made up a whole ‘nother muslin. If I thought I could’ve hunted Serena down for a last fitting I would’ve, but she was out of town, so I tried it on my dummy, really liked the adjustment over the rear (I added 2cm to each side of the rear princess seam below the waist) , decided that the sleeves still needed more poof, and started cutting.

And fusing.

Happy fusing fun.

Lots and lots of fusing. I don’t think I’ll ever be able to thank Sherry enough for introducing me to the concept of fuse-tape. I lurve this stuff. Anywhere you might use stay-stitching.

Ready for ripping /sigh. At least the grommets aren't terrible.

Anyway, at this point I have the lining basically constructed, the shell lagging slightly because I had to run out to get grommets for the lacing and now I need to do some ripping (even with the heck fused out of it, stretch corduroy is still prone to creeping; I should’ve marked better).

Oh, and I made the collar.

The collar was rather scary. It needs to stand up, so lots of interfacing was required. Pepin has instructions for drafting a stand-up Elizabethan-type collar in Modern Pattern Design, but they’re a bit confusing (In particular, she advocates spreading 1/4″ per slash while only illustrating four slashes. This is not enough.) Still, it got me on the right track, and a series of paper tracings later I had a workable pattern. Fortunately for me, it was actually perfectly possible to pin the paper pattern in place on the dummy and get an idea of what I needed to tweak next.

Collar innards

Stitching wire into casing

I also wanted the edges of the collar to be wired, for stability and moldability—who knows if it’ll look best straight up, or with the corners rolled back, or whatever. So I hunted around and found some medium-weight wire in the old jewelry/beading box, a half-package of quarter-inch bias tape (one of those thrift store finds that you’re never quite sure how you’re going to use as it was rather grubby), and set to work stitching the wire into a casing around the trimmed-down edge of my interfacing piece (which consisted of the “muslin” drapery fabric collar plus some hair canvas). It’s not at all pretty, but it’s attached and now the collar’s constructed everything should be pretty much held in place anyway. I folded the ends of the wire back on themselves and encased them in little fusible-interfacing booties, so hopefully there’s no danger of that working through the fabric.

Collar exterior

Then I hand-stitched my wired interfacing piece to the collar outside, which was already piped and embellished. Once it was in place I topstitched along some of the embellishment again, just to hold it in place extra well. Overkill? Possibly. To finish it off I slip-stitched the lining fabric to the inside. For this jacket, I am using interfaced lining fabric in place of facings, as the lining is as much for show as the shell fabric, especially in areas like the collar and tails.

No other great insightful comments at the moment. Halfway through Saturday my Janome machine grew crankier and crankier and eventually stopped turning. The engine whirs, but nothing goes around. This sometimes happens when thread is jammed in the bobbin, but there is no thread, and even un-threading the machine completely does nothing. I can still force it to stitch with the hand-wheel, but it’s difficult and doesn’t feel like something I should be doing a whole lot of. I’m thinking a visit to the sewing doctor is in order, /sigh.

Most of what I’ll be doing this week can be done on the straight-stitcher, but of course now it’s not working I keep coming up with things I need a zig-zag for.

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Fortunately, unfortunately

New Fabric Scissors!

Fortunately, I got some fun new sewing stuff in the mail this week. I was especially excited to try out the Seam-Gauge Guide.

Unfortunately, when I went to try it, my fabric scissors were nowhere to be found.

Fortunately, this motivated me to clean up my sewing room.

Unfortunately, I STILL couldn’t find them.

Fortunately, I’d been thinking of getting another pair anyway, since my old ones no longer cut to the very tip, which makes notching difficult.

Unfortunately, there’s not a lot of time in my week-days lately to trot off to the fabric store.

Fortunately, there’s a shop called Sewing World on my walk from work to the train. They sell sewing machines, sewing gizmos, and notions, albeit with a bit of a focus on the quilter.

Unfortunately they’re usually closed by the time I leave work.

Fortunately, one morning this week I managed to get in early enough to stop on my way too work.

Unfortunately they have about eighty bazillion different sizes, styles, and price-points of scissors to choose from.

Fortunately, the lady working was willing to pull out about a dozen, mostly Ginghers, and provide fabric samples for me to snip up.

Unfortunately, the best-quality Ginghers have metal handles. This makes them very pretty and sturdy, but sets off some nerve damage in my thumb.

Fortunately, she pulled out another kind that cut even better than the Ginghers.

Unfortunately, they were really large. This wasn’t a problem for the blade length so much as that my fingers flopped around in the handle. Maybe they’re men’s fabric scissors.

Fortunately, the lady promptly called up her supplier and ordered in a couple of pairs of the same kind in a smaller model.

Unfortunately, they won’t be in until next week at the earliest and I need scissors right away. However, I didn’t want to buy an expensive pair when there was a pretty good chance I’d be coming back for the freakin’ sweet crazy ones in a week or two.

Fortunately, there were some “Featherweight” Ginghers, which while not as awesome as the regular Ginghers, were still pretty sweet, and most importantly, have a plastic handle and are much cheaper. So I have new fabric scissors!

Unfortunately, the plastic extends along the blades, making an odd lump, so that even though the seam allowance gauges still stick, they angle downward too sharply to really work, plus the magnetism isn’t quite as strong so it would get knocked off easily.

Fortunately, I might even have time to come to my senses about the price of those godlike scissors by the time they’re in stock.

Although I wouldn’t bet on it.

And in the meantime, I have new scissors anyway! And they snip! So my notches will (hopefully) no longer resemble irregular blobs somewhere in the general vicinity of where they’re marked on the pattern. Hooray!

PS: writing in that “fortunately, unfortunately” format is kinda addictive. I find my thoughts now composing everything as a series of fortunate and unfortunate happenings.

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Fitting Serena

Tailocat---Fabric and sketch

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