Tag Archives: in progress

That horrible sinking feeling…

Simplicity 6023

You know, where you start sewing something together and it’s just not quite right. Your fabric isn’t behaving the way you envisioned. You mess up a seam and don’t notice until it’s graded. You begin to suspect that your arbitrary alterations weren’t the right ones after all…

Erm, I’m not the only one who gets this way, right?

I have gotten the front bodice constructed for Simplicity 6023. After experimenting with knit interfacing, I decided to use an extra layer of the black linen (actually a linen-cotton-lycra blend, really quite yummy) for interfacing instead. And I decided I would make piping (from one of my scant scraps of the plaid) to edge the neckline and cuffs. Then I sewed the three layers of the front yoke piece together (one half, anyway), notched, graded, and realized that I had forgotten the piping. Rrrripit. Add in the piping. Flip around, and realize that the linen is quite a bit sturdier than the plaid fabric and really doesn’t need the extra layer for interfacing.

Use the pinking shears to remove as much of that extra layer from the middle as I can, because I’m way too half-assed to unpick again.

Manage to trim the piping too much at the corner, so it’s fraying a bit when clipped.

Fuck it.

Anyway, it looks cute. I have a sinking feeling I should’ve raised the armscye without raising the neckline, and shortened the bodice lower down. Or perhaps left it, as it’s designed to hit above the natural waist (which probably means it would hit right at my waist).

Argh.

Probably, it will all be fine. I like piping. I like plaid. I have a great excuse for not even trying to match my plaids. The black detailing looks pretty sharp. The neckline may be higher than I wanted, but that’s hardly the end of the world. At least I’m pretty sure this one will be large enough (if not a bit too large, given the stretch in both my fabrics)

After all this self-drafted stuff with seam allowances of 1cm or less, the 1.5 (5/8″) regular seam allowance seems positively excessive. Especially in nice, minimally fraying fabrics like these.

Springy coat---now with shoulder pad!

On the subject of the Springy Coat (may I just say that working on two projects at once, when you only have one sewing machine, is REALLY ANNOYING? I have spent way too much time re-threading in the last three days) I put my shoulder-pads and sleeve heads/wadding in as per the latest installment of the RTW, and am HAPPY. I love how it just ups the look that little bit. It was kinda a pain since I’ve already (contra the sewalong) stitched my lining to my facings (I did this before sewing the facing on to the main coat, as I didn’t think I’d be capable of getting the piping right while wrestling the whole coat), but I managed. I will take a moment to note my jealousy that Steph has already finished her jacket.

New Coating

Oh, and while I was at Fabricland picking up the black linen, this coating followed me home. I’ve been keeping an eye out for something with a good drape for Simplicity 8613. I was thinking either cream (I know, I’m making an off-white coat right now) or blue or coral, and this combined two out of three.

I think a fabric diet is in order. I seem to binge every few months, and then fast for a while, but I’m not getting stuff sewn at quite the rate that I’m buying. I’m not anti-stash, mind you—I especially like to have on hand various “basic” fabrics, like denim, plain-coloured knits, lining—but I also don’t want it to get out of hand.

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A tale of impatience and disorganization

Bound Buttonholes

To ease my coat-making itch while sticking to the RTW tailoring schedule, I was going to try and bang off a coat for my second niece this weekend—basically this one, in a slightly smaller size, with a blue leopard lining rather than a pink. Despite an acute (if pleasant) case of inlaw-itis, I could easily have messed around with this for a few hours on Sunday, maybe even conscripting my mother-in-law for a bit of light cutting or something.

However, my notoriously disorganized, chronically un-sorted stash failed me. I would’ve sworn the rest of the black sparkly boiled wool was tucked safely deep in my main tub. I located the fleece lining and the flannel interlining easily. But despite tearing apart my “sewing room” three or five or seven times on the weekend, I can’t find the shell fabric.

Which I guess means it’s not in the sewing room. Which I guess means it’s somewhere else in the house. And despite searching every closet I can think of, I can’t find it.

I also can’t find the four metres of cream sweatshirt knit I picked up a few weeks back. This is even more disturbing. How do you lose FOUR METRES of a heavy-duty knit? Except that I wasn’t hoping to have a little jacket made out of it to take home with me over Easter. Anyway…

Ooops...

To assuage my itchy fingers, I got ahead of myself. I tried not to, really. I graded every seam I could think of. I took the plunge and made bound buttonholes. But then, last night everyone else was watching some incredibly dreary Jean-Claude Van Damme movie (it seemed to involve a lot of torture in a Russian prison), and I just couldn’t resist.

I stitched the shoulders and side-seams.

Probably I shouldn’t have. Probably Sherry has some secret technique involving seam tape and ninja seamstress fu, and I have now rendered my Spring Coat thoroughly un-tailored. If so, well, I will abase myself before the altars of the sewing gods and as penance look up how to actually oil my serger properly.

I’ve mentioned before that this is my favourite moment in sewing a top—when it goes from an assortment of flat pieces to a garment, however unfinished. Setting a sleeve comes close, but it’s still not quite that magical.

The back

So, the good, the bad, and the ugly:

The good: I am going to have a SUPER CUTE COAT! YAY!

The Bad: I think I must have sewn my back pleat a smidge too wide; the top is a bit snug and the side-seams seem to pull a bit to the back, something they didn’t do in the various other iterations of this jacket.

At this point, fixing it would require unpicking both side and waist seams, and I just don’t think I can face it.

the front

The ugly: um, well, the bound buttonholes are straight. I did manage that much. Their lengths… are a bit irregular. To put it kindly. Which has everything to do with me sucking, but anyway.

There’s a bit of funniness in the hang of the back skirt, but I suspect it can be fixed by reworking the pressing in the pleat a wee bit. On the whole, I do think the front looks good!

I made the pocket bags huge, and they’re a little low—not badly so, but it’s a bit odd to not rest my hand on the bottom of the pocket. I have realized wearing my winter coat, however, that my kids love to stuff their hands (holding mine) in my pockets when we walk, and a giant pocket bag is great for this.

I only planned buttonholes for the bodice, but as there’s not a huge overlap in the front, I may need something lower down as well. I’m thinking a sew-in snap or two… we’ll see.

Also, do you think it needs a little back belt (like, say, Patty’s)? Or would that be overkill?

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Yay, sewing!

All the bits.

We got to start sewing today! YAY!

First, of course, I fused some more. I cut lengthwise strips of more of my white armoweft and fused the edges of every single piece of my fray-prone fashion fabric.

Trial buttonholes

Yesterday, I spent a few minutes messing with buttonholes. I used Sherry’s tutorial (might as well be consistent, right?), and it worked much better in this fabric than the super-duper thick boiled wool of my last try. Unfortunately, even with the use of felt marker to draw on my fabric, I can’t seem to get the buttonholes to come out straight. As usual, my precision falls short of Sherry’s.

I did some samples with my machine’s indifferent buttonhole function, the one that tends to choke on anything thicker than shirt fabric. It actually made fine buttonholes (remarkably). The lower one is corded (I used dental floss) which is a lot better looking than the regular one. I would prefer the bound buttonholes, but that’s pretty darn slanty :(.

Sherry made a comment in her post today about efficiency in stitching. I must admit I am not a terribly efficient sewist. Most notably, my ironing board is on a different floor (not room, but floor) than my sewing machine. I also tend to migrate where I cut things depending on who’s home and what surfaces are free of clutter at a given moment. All of which contributes to my husband’s general exasperation with my sewing hobby. For whatever reason today was particularly bad—I couldn’t decide which pieces I wanted to stitch, then when I did one had invariably gotten left downstairs at the iron board, or I needed a pattern piece to re-mark a pleat, or…  well, you get the idea.

Facing and back lining (not stitched together yet, mind you)

Despite the fun of actually getting to stitch (YAY!), there’s still a long way to go. My favourite touch so far is my piped facing, which I think will be such a nice, fun, secret peep (since I don’t have a fantabulous lining like Patty’s spring coat). I’d just like to point out that I am NOT knocking off Patty’s coat. We came to our (very similar) inspiration entirely independently, darnit!  Also, hers is made out of wool and silk, while mine is mystery synthetic fabric and known synthetic fabric. I’m not going to do uber-crazy covered buttons, either.

I didn’t like how the CB pleat in the lining of my 30s knockoff jacket fought with the pleat in the fashion fabric, so for this go I moved the pleat to two side-back positions. Hopefully that works out.

So far I have most of the “bits” together—princess seams stitched and pressed, pockets attached to skirt seams, pleats marked and stitched (where appropriate) and pressed. But skirt pieces are still separate. Somehow I don’t really feel like I’ve accomplished anything until I have side- and shoulder-seams stitched. Also I’m a bit scared of my sleeves (well, the cuffs). And the collar.

In an interesting construction note, I was dissecting my old winter coat (in an effort to copy its minimal shoulder pads), and noticed some nifty construction details. Aside from fabric strips linking the hem and lining hem, it also had strips of raw lining fabric anchoring the lining above and below the armscye (stitched to the sleeve seam allowances) and a similar attachment holding the mess of thin interfacing and foam that was the shoulderpad in place. Unfortunately, the shoulder-pad was so messed around and deformed that it was impossible to get much info out of it, so I had to wing my own—I’ll try to remember to photograph them next time. They’re just two layers of felty interlining, cut to a vaguely half-moon-sorta-shape with a small butted dart for shaping. Hopefully they’ll provide a reasonable compromise between smoothness and bulk…

Outfit!

Although I have no intention of turning this into a style blog, I felt like doing an outfit photo today, as I’m combinging my Businesswoman Pants, 30s Knock-Off, and black JJ blouse, which I think work quite nicely together. I seem to get really good customer service when I wear this jacket, or perhaps they’re just staring. At any rate, Hubby and I snuck off for a lunch at A&W (classy, I know) and I don’t think I’ve ever had such good service at a fast-food joint.

I have to take my joy where I can since this was the scene we woke up to this morning:

My back yard. Again.

Actually, this was mid-afternoon, when a fair bit had melted. The accumulation this morning was more like this photo.

Fortunately, it’s not actually any colder than yesterday, when it wasn’t snowing.

Did I ever mention that children are crazy?

Nuts, I tell you.

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Itchy

What I Did Today

And twitchy. That inspired feeling where you want to madly do SOMETHING but aren’t sure where to put it. Which, considering I’m in the middle of a rather demanding sewalong, is ridiculous, but anyway.

Today, I fused.

And fused, and fused, and fused.

And then, when (almost) all of the fusing had been done, I cut my fashion fabric for the RTW tailoring sewalong. I am a good little sewist, yes I am. I’m still behind—I have to cut my lining, and I haven’t finished drafting my lining pattern yet (just need to do the pleat-less skirt lining). I should just do that, but I haven’t quite been able to bring myself to. Partly because the hubby and I spent half the afternoon nosing around a motorcycle repair/junkyard (I do love me an old, fugly motorcycle, even if I am far too chicken to ride one myself) and fantasizing about the near future when he will be able to ride his again. If it ever stops snowing, anyway. It snowed again yesterday. I swear if we don’t get a good, hot summer this year I’m going to run away to Australia. Argh.

Anyway, since I was feeling twitchy but unable to settle on what I should be doing (sewing-wise, anyway), I pulled out my new patterns. I was weak at VV the other day, and walked home with a couple of kids patterns (I know, what am I thinking?) and (yes, the End Times may be upon us) a home dec pattern.

An assortment of (mostly) unwise patterns.

For a kids’ stuffed chair.

I know, I know. Bear with me, though:

I have a house. (This is a fairly new thing for us). Said house has a finished basement, which is basically a large rec room in which the children run wild.

Despite having lived in this house for nearly two years, the only furniture in the basement is still the coffee table the TV is sitting on, one random (kitchen type) chair, and my ironing board. Well, unless you count the various plastic tubs the kids’ toys get shoved into at irregular intervals. We keep meaning to buy a futon, but haven’t found one we like (at least for a price we like), and so the usefulness of the space for anyone is kind of limited (although it’s excellent for banishing any number of visiting children to).

In addition to this un-furnished space, I have a lot of fabric scraps. Bags full. I’ve been thinking for a while that I should use them to stuff floor cushions. So when the chair pattern presented itself—well, I gave in. I’m pretty sure I have scraps for at least one chair already.

I’m not sure that squishy cushion chairs will actually make the basement more appealing to adults, but hopefully they’ll at least make the children more willing to watch movies down there (instead of, say, my bedroom).

I thought this Simplicity kids’ wardrobe pattern (bottom left) looked cute, too, and it was in sizes 8-16, which is a pretty nice range to give a try in the next few years.

Except that it’s not actually 8-16.

It’s 8 1/2 to 16 1/2

Man, I love these dresses...

Those would be, erm, robust sizes. My children, while not exactly string-beans, are really no wider than average relative to their heights. Heck, given the bust sizes on these patterns, I could fit a 12 1/2. If I were, y’know, 4″ 10″. (Which, given my success with the Junior Petite sizing, might actually not be that much of a stretch. And I wouldn’t have to do an SBA…)

Anyway, we’ll see; the kids are confident in my grading abilities; I am sceptical of my motivation. It’s still in its factory folds, too.

What I really want to make is hiding at the back.

Yes, my recent lovely addition to the “dresses I shouldn’t be sewing” list, another gorgeous 70s maxi-dress. I want to make the high-necked halter, and I will doubtless be seduced by the lure of the maxi-skirt even though the above-knee would be more practical. /sigh. I’m really going to have to make an effort to wear all these great dresses as the weather improves. And it will soon be joined by this pattern from Peter (squee!) So many dresses, so little time (and need!).

I did complete one (actually, two) finished objects today, though! Yes, Tyo and a friend need

Cave Girl

caveman (or cave girl, as the case may be) costumes for their spring choir concert. Fortunately for their theatrical aspirations, Value Village supplied a nice big piece of rather unglamorous fun-fur at just the right time, so I spent approximately half an hour with Tyo this afternoon figuring out the best way (or at least the way that meant the least amount of effort for me) to turn one very long rectangle of fur into two fur “dresses”.  So I got to photograph my very own Homo habilis. Although with that posture I’m not sure she’s even on the hominin lineage…

To prove that this actually is sewing (not just cutting and draping), there is actually one seam at the side. The shoulder is pinned together with sticks, pending production of some “bone” pins.

I really do prefer this picture, though:

 

Cave Girl Rock

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Accessorial

Accessory after the fact?

In the interest of having something to talk about other than pattern twiddling (almost there… I think…) and tiny pleating samples, I thought I’d muse for a minute or two on something that came up a bit in the comments of my last post.

Accessories.

Yes, I know, this includes a fairly large chunk of things I can’t sew, so really has no place here, but bear with me, I just spent two hours trying to figure out how to rotate an undersleeve. (Thank you, Sherry, for responding to my piteous pleas… 😉 ). So, accessories.

I was a bit surprised to get compliments on my shoes and belts, of all things, since I generally think I’m… not rubbish at accessorizing, exactly, but I tend not to think about it much. I have a few go-to pieces that I use a LOT (like my belts) and then there’s the really costumy stuff (like the spiked belt in the foreground up there) that only comes out for special occasions. Which are few and far between these days, frankly. (Ok, I did wear the belt with the big spikes a lot at first, but it’s gradually shedding spikes so now I save it…)

I know a lot of people (*cough my mother cough*) who can do amazing things with accessories. Scarves, necklaces, bracelets, rings, hats, shoes—all can put an outfit from boring to chic, or from chic to out of the ballpark. But most often I don’t even think of them. I do up my game a bit for photo shoots (shocker) especially since I don’t need to limit my footwear to what’s weather-appropriate that I can put up with on my feet for eight hours. My usual accessorizing is a pair of big dangly earrings and maybe (maybe, maybe) a necklace. Once in a blue moon, a bracelet. The one big thing I really never, ever got a hang of is scarves (for decorative, rather than functional purposes… when it comes to wrapping up your face, I’m a champion scarf-wearer). My mom does amazing things with them. I just feel fake and showy.

The jewelry box

I have a mixed relationship with hats. Obviously they’re necessary for winter—I have a red velvet, vaguely turban-esque hat that I wear in the winter that is my “hat that makes winter worthwhile”, and it does admirably except that it’s not warm enough for the truly cold weather, so when it gets really grim I wear a toque, or my hoodie hood, underneath it. Not the best look, but fashion suffers all around when it comes to the deep minuses. Anyway, I like hats. I look good in them. But they don’t work well with my short, spiky hair. And since it’s very unlikely that I won’t want to take my hat off at some point, I never wear them. Sad, I know.

I am a big fan of the huge, dangly earrings. Unlike hats, they do go well with the short spiky hair. Although I do find my ears getting a bit sensitive now that I’m older (I fear the days of shoving a safety pin through the hole and calling it good are gone) so I don’t wear them every day.

Necklaces I’m fine with as long as they’re short, I prefer chokers or just a little bit longer… but I don’t really think of them for everyday. Same with bracelets, although these tend to annoy me, and don’t play well with long sleeves (or at least I don’t know how to make them play well)

A lot of my pieces in the shot above are, you may have noticed, a wee bit costumy? Most of it was bought with belly dance in mind, even the stuff that didn’t end up being quite over-the-top enough. Once in a while there’s a regular outfit or occasion where I get to break out this “good stuff”, but it’s rare. Too bad, really. I love these pieces. They may technically be costume jewelry—no precious metals or genuine jewels here—but they warm my heart.

What’s your favourite accessory? Are you using your accessories to the best of your ability? And most importantly—what am I missing out on?

Sample pleats. Interfaced version on right.

Now, so it’s not a completely sewing-free post, I’ll show you my sample cuff-pleats. After my musing the other day, I thought that I might try and just line my cuffs with lining fabric rather than fashion fabric, to reduce bulk. And I’m happy to say, I think this approach will work. The sample on the left has no interfacing, the sample on the right has, and really I don’t see any difference at all between the two of them once pressed. For each sample pleat I edgestitched one folded side but left the other (you should be able to see the difference if you click through to the full-size photo)… I will edgestitch the inner folds, but I’m kinda leaning towards leaving the outer folds alone. Thoughts?

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Springy Little Coat—Muslin edition

Hip hip hooray for the RTW sewalong kicking off! … once I got over the shock of realizing (silly me) that it was starting a day earlier than I had thought, on acount of being run from the future, aka the other side of the International Date Line.

Those of you on flickr may have seen this image a couple of days ago, but I thought I’d share it here for (I hope) a wider audience. (No hope of taking outside photos today, it’s dreary and with the winter storm warning in effect it’s not a matter of if we get snow, but when)

Coat skirt muslin

This is a muslin for (most) of my Springy Little Coat. And overall, I think it looks pretty good, although I must admit, at this stage it looks remarkably similar to this. Perhaps I could’ve saved myself some pattern-drafting time and just swiped the skirt panels from the dress? Ah, well.

That aside, the skirt hem is pretty level, the width is nice, the pleats seem to fall relatively as-they-should. I think I want it a wee bit shorter (say, two inches), but that’s why we make the muslin. I was quite chipper.

Then, yesterday, I was looking at my pattern pieces, and I realized… my front skirt piece is more than an inch longer than my rear skirt piece.

This is disturbing on two levels. Not that I would manage to measure them the wrong length—I know that kind of drafting sloppiness is well within my capabilities, and I hate walking seams so I’m not surprised I didn’t catch it, either. No, what have me flummoxed are 1) how I actually managed to sew those dissimilar lengths together and have them match up perfectly (with no visible puckering, although obviously a crapload of bias easing was involved), and 2) oh crap, that means that my skirt front probably does need to be longer than the back… at least at the CF. Which makes sense since I know by under-bust seam isn’t perfectly level—it runs straight around my body, but straight around my body is at an angle to the ground, as my entire rib-cage is tilted—part and parcel of that weird postural thing called a swayback.

So I should really probably modify my skirt lengths to reflect the uneven waist—basically what I did here by accident, but on purpose, with pattern pieces that actually match up. /sigh.

In (final) MMM news,

Cowly Jacket and 70s Dress!

At long last, I managed to wear this combo yesterday, for the last day of Me-Made March. Hooray! I’ve been waiting for the weather to warm up enough for a decent photo of this combination ever since I finished the jacket. Yay! Of course, my backdrops can’t quite compete with Debi’s, but, well, that’s life. There’s a few east-coast places that can compete with Europe for architecture, but nothing this far west. And miracle of miracles, the outside photos seem to have finally captured the fact that this dress is purple, not black! 😉

I’ve actually worn this dress three times this month, which is pretty unusual considering the weather and the dressness of it all. Yesterday, for a plus, I wasn’t even staying home all day—I had to drop the car off at the shop, pick up the rental, and then, as it turned out, pick the hubster up at work and drive him to the ER since the silly boy put something heavy and metallic through his finger and needed a number of stitches.

I may do a MMM-wrap up post later in the weekend (depending on how much real sewing I get done 😉 ), but for now just a couple of thoughts.

  1. It was a lot easier than SSS, in terms of variety of items (especially pants!)
  2. I still wound up wearing my RTW hoodie… I guess I should break down and make a me-made version. More warm things!
  3. But they need to be in neutral colours—I don’t think I wore my red cardi-wrap once, not so much because of the hole I accidentally snipped in it back in November (although that didn’t help), but because it doesn’t go with any of my new, springy-coloured shirts. And I am thoroughly bored of my black knit tops by now…
  4. my photography this month was not great—worse than last time 😦
  5. I am a little relieved to get back to not-quite-posting-every-day. Much as I love it, it’s a bit much to maintain with everything else in life.

I’ll go into what I didn’t wear, and why, a bit more comprehensively later. For now, I just want to toss this out there, with maybe a link to the full flickr set of Me-Made March (missing, I think, only one day)

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More fun than a barrel of monkeys

 

Yummies!

This is exciting. It will also be a bit challenging, especially combined with the RTW tailoring sewalong.

So an old friend came by yesterday with a project. She’s in the final stages of putting together her debut album (yay!) and wanted a frilly, over-the-top tailcoat for a photo-shoot. So we did some discussing, trawled Fabricland for suitably sumptuous fabric—the paisley corduroy is actually quite a lot more subdued than we were initially thinking, but Fabricland’s sumptuous-crushed-velvet selection is sadly understocked (go figure). Still, I love the fabric we did come home with, and I’m (not so) secretly hoping that there will be enough of the corduroy left over for me to get a little cute something out of it, too.

I’m planning to use the M-sewing tailcoat pattern, with considerable modification as you can see if you squint (or click through for full size) at the sketch on the photo. Fortunately Modern Pattern Design has diagrams for most of the modifications I’m going to need to make, although I’m still not quite sure about the collar—mostly because I’m still not quite sure exactly how I want it to look. Will figure that out soon enough.

In Me-Made March news

Here’s photos for yesterday and today. Again not overly glamorous, which I will blame on the continuing snow. Yes, it’s still snowing.

Me-Made March 27

Me-Made March 28

MMM 27
Cowl-sleeve jacket
Super-cowl top
skinny cargoes

MMM 28
raglan-sleeve top
skinny cargoes

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The Great Thread Crisis of 2011

Cropped Jean Jacket---progress report.

It is with some difficulty that I am refraining from titling this post “The Great Snow Crisis”, since it’s snowed, I think, every single day this week. But since I’m trying to keep this blog about sewing, rather than the weather (something it can be very hard for a Canadian to do…), I’m instead going to restrict myself to lamenting about thread.

In particular, my lack of it.

Not just the lack of red thread which is preventing me from

Cropped jean-jacket, rear view

finishing my cropped jean-jacket—that was almost to be expected, since I started the project with less than two medium-sized spools and the triple-stitch topstitching I’ve been using is extremely thread-hungry—but I’ve also run out of basic black, of which I always have at least two and often three or four spools kicking around. So naturally I figured, when I used up my last one, that I must have one somewhere. Apparently not. Even worse, I’m completely unable to rectify the situation as I’m home carless today as the hubby is working, and retaining the car on a day when he’s working requires getting up at an obscenely early hour and driving him halfway across town to work. OK, it’s not halfway, but in any decently-sized city (as opposed to this monstrosity of urban sprawl we inhabit) it would be halfway. Were I in full health, and feeling masochistic, I could bundle up the children and walk down to Zellers, which is my nearest likely source of halfway-decent thread*, but the two-block walk to the grocery store the other day still almost did me in, and the thought of trying to wrangle children all the way to Zellers, in the snow… well, let’s just say it’s unpleasant. Times like these are the only ones where I miss the stroller days, although I never had a properly snow-worthy stroller anyways. Anyway, jean jacket. Frustrating to be so close—although really, I’m getting to the point where “close” becomes “annoying finishing details”… buttonholes etc.

So, details…

Collar attachment

I used Sherry’s technique for putting in the collar, which is very lovely and saved me from hand-slip-stitching the interior, which is my usual fall-back. My only complaint is that her method for tacking the facing to the shoulder-seams didn’t really work with how I was trying to finish the shoulder seams on mine, so I’ll have to tack those down by hand. Otherwise, it’s a treat, though.

See how cool my cuffs will be?

I decided to go a little whimsical for the cuffs because, well, I could, so I’m going for a sort of flared, cuff-linked look. This actually went together better than I thought it might, and the sharp, pointed ends on the cuffs came out much better than the ones on the collar.

The sleeve-caps have a bit too much height for denim (which doesn’t ease for shite), but I think what will be a very reasonable amount of ease for normal fabrics. I did end up taking in the shoulder about 1 cm, which suggests that the original shoulder-length is fine after all (I had increased it by 1 cm when I graded up the pattern after my first muslin). Armscye depth and range of mobility seem to be good. There are a few wrinkles forming to the front of the sleeve, but mild enough that I think I’ll leave them be at least for the moment.

Jacket closeup, with interior shot.

The collar still needs some work. I think the height of the stand is about right as it’s folded (in the upper images), but as you can see in the rear shot the roll doesn’t quite cover this in the back. And I need to give up the dream of sharply-curved front points and just have sharp points… I’m not capable, even with severely shortened stitches, of making such a narrow curve neatly. Not twice, anyway (and certainly not the six times including topstitching on the jean jacket).

One little fact that slipped my mind when I was drafting the front band/facing is that

Interior closeup

since I didn’t subtract anything from the CF for the band, I actually added 3cm across the front. In my head I thought of this as overlap, but of course, only half of it is. My bad. It doesn’t seem to mess with the fit, particularly, so I’m not going to bother with it this time, but it’s something to keep in mind next time I want a jacket with a front band. I imagine you learn this sort of thing in pattern-drafting classes, as opposed to when you just decide to jump in without having a clue what you’re doing.

I’m going to use some of my haul of vintage metal buttons from last week, which should give a nice added bling.

In Me-Made March news,

you can see I’m wearing the 70s dress today. I can get away with this because I’m going nowhere at all, and was hoping to photograph the cowl-sleeved jacket at some point today. I haven’t because I’m still lacking a really good place to take pictures (as you can tell by the poor-light shots of the jacket) and there’s no point in taking a second round of half-ass photos. I will just say that I love, love, love how this dress looks with a cropped little *something* on top—be it the cowl-sleeved jacket, the 50s shrug, or even the jean jacket, which is completely the wrong sort of style for it.

*I find it a bit disturbing that I can buy a sewing machine at at least three different places within walking-distance, but fabric at none of them.

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Lots and lots of little bits of paper

Playing with paper (MMM day 24)

As I continue to try and fail to shake off the dregs of this cold, I’ve been messing with paper, seeing how far I can push my blastula-stage pattern-drafting skills. As part of the greater goal of the Springy Coat, I wanted to test a two-piece sleeve and a tall-standing collar. For whatever reason, I find it more satisfying to try this on an (at least attempted) actual garment.

I’ve been considering making a cropped jean-jacket for myself pretty much since last summer when I made my children jean jackets and discovered that I could, with a little wriggling, actually get into Tyo’s. At the time I had considered just trying to grade up (and shape) the Burda kids’ pattern I was using, but, now that I have this fitted, cropped jacket bodice, well, why not use that?

Of course, jean-jackets aren’t traditionally princess-seamed. So I needed to approximate the darted block that the princess-seamed version would’ve been derived from. This was not a particularly scientific process, which mostly involved tracing out the pieces adjacent to each other, using the gaps as the legs of the dart, and estimating an apex which may or may not turn out to be in anything like the right place. Ah well. Once I had that estimated, I should’ve made a muslin of the darted bodice (which would be useful for all kinds of things…) but I didn’t—I skipped straight ahead to marking off the seam-lines for yokes and panels and doing my best to incorporate my darts into the taper between the panels. I even drafted a front-band/facing (granted not until after I had all the other pieces pinned on my fabric and realized it was missing, but still.

I don’t think I want to admit too much about my process for drafting the two-piece sleeve. There’s plenty of instructions on how to do this out there, and Claire was even generous enough to email me hers, and I still just went ahead and winged it. The finished product looks kinda generally similar to the sleeve I used for my winter coat, so I’m hopeful that it will work.

Jean-jacket pieces

Hopeful enough, anyway, that I went through my denim stash, and eventually settled on the same light-weight, sparkly denim I used for the kids’ jackets. There was just around a metre left, which as it turns out is just about enough to lay out a cropped jean-jacket pattern on, leaving enough left over to make the bottom band which I haven’t actually bothered to draft a pattern for yet (I still have trouble with rectangular pattern pieces… it always seems easier to just measure. Except for pieces to be cut on the bias, anyway…)

I settled on some red bias-tape from stash for binding the seams (I know a jean-jacket should be flat-felled, but I like the flash of colour from the bound seams), red thread for topstitching, and the last remnants of red cotton from my very first JJ blouse (which in tun was the remnant from a dance skirt a few years back) for the under-collar and pocket lining. I probably could have squeezed the undercollar from the denim, but I like the contrast of the coloured undercollar. Since the red is basically a cotton gauze, I interfaced with some super-light knit interfacing, which gave it a better body, except for the pocket-lining part, anyway.

And I started merrily sewing away. Seam were bound, tops were stitched, and I would probably be there still, rather than writing this post… except that my pocket flaps have gone AWOL.

So until they surface, I guess I’ll be tidying my kitchen.

In Me Made March news,

MMM 25, with accessory.

more unglamorous shots from a singularly unglamorous week. Yesterday, pictured at the top of the post, and was another day of not-leaving-the-house-trying-to-keep-my-lungs-in-my-chest. Today the children have no school (boo) but student-led conferences (which is like parent-teacher interviews but less fun), so I had to make myself a wee bit more presentable.

Not especially successful cowl top

Ellen Pants

Winter Coat

 

Oh, yes, and in the photo from yesterday I’m wearing my very first Jalie Jeans, which just shows how far down the wearables list I’m getting ;)… they’re stubbornly refusing to disintegrate on me, but they are definitely off the A list, mostly due to poor topstitching, although the fabric (which I never liked, but it was cheap) doesn’t help. And of course my Kimono Lady Grey, which you’ve already seen umpteen-bajillion times. I really need to make myself more sweaters. Don’t worry, that’s in the works too, but first I need to get all these little jackets out of my system…

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Measuring Patterns

Pattern measuring---Click through for full-size image

Before I forget, thanks EVERYONE for your wonderful comments on my blogiversary yesterday. It made for a completely warm and fuzzy day (in between wrangling children, appointments, and driving clear across town six times… and mine is not a small town :P)

One of the most interesting things I learned asking my mom about home-sewing in her youth was that the rise of the muslin is a comparatively recent event. I’m sure fine couturiers have always been making them, but when my mom was learning to sew, they were considered a waste of time and—worse—fabric.

Sew and Save by Madeleine Hunt (published 1953) seems to agree—I don’t think there’s a single mention of making a test garment in the entire book, despite a lot of emphasis on fit (and minimizing figure flaws, can’t have our flaws showing, ladies, 😉 ). Instead, they measured.

And measured and measured and measured.

The book has twelve full pages dedicated to measuring patterns, going over every common type of pattern at the time—princess seams, kimono sleeves, gored skirts, sleeves. I’m too lazy to scan them all right now, so I’m just including the ones that are relevant to me right

Pattern measuring---Princess Seam; click through for full size image

now, as I sit here trying to fit Built by Wendy’s “Fitted Jacket” pattern to me: Measuring an armhole princess seam. Sorry for the poor look of the scans, the browser (or at least, the one I use) does a craptacular job of shrinking B&W scans. If you click through for the full-size version they look fine.

So I should probably back up a bit. I want to use Wendy’s “Fitted Jacket Pattern” as the basis for my Springy Coat, which it is more-or-less perfect for, but I’ve never made any of Wendy’s patterns before. Stage one, of course, is picking my size.

So, scanning through her sizing chart, I settled on XS. I know, smokin’ the crack. But the bust and hip measurements were both right. Shoulder and waist measurements are in the small-to-medium range (typical for me).

Built By Wendy Fitted Jacket pattern pieces

What I SHOULD have done was take out my handy-dandy tape measure and follow Madeleine Hunt’s advice (made extra-easy by the fact that the Wendy patterns don’t have seam-allowances.) It would have revealed to me that the 33″ bust and 26″ waist on the pattern chart is the actual size of the pattern pieces. As in, without wearing ease.

So, yeah, the pattern’s a mite small. I will throw up the initial muslin shots for your amusement. The top of the front is the only place where it closes. The rest varies from a wee bit too small to way too small (like 3″ too small at the waist).

Jacket bodice muslin, front view

The upper bust actually looks about right. Below there it gets… well, snug.

Muslin---side view

On the up side, the length of the armscye and the level of the waist (areas I often have to modify) feel about right. I’m a bit torn on the shoulders—I have a feeling they should be about 1.5cm wider, so that the seam falls about where the end of the seam-allowance is. I like where the princess seam falls, though.

Muslin---back view

The back fits fairly well, even with minimal swayback wrinkling (this won’t be an issue in my coat, but I imagine if I get this fitted I’ll want to use the pattern for other things, too. You may have noticed I have a thing for princess seams? The side-seam does tug to the back a little bit, although not much. I didn’t clip the seam-allowances at the underarm, which is contributing to the diagonal wrinkling on the side panels, as is my tugging on the front.

I now have two options, of course—start again with, say, a size S, or just grade up the pattern as traced. Since I’m happy with the lengths in this one, I’m tempted to just grade up–adding a slice of width to the CF and CB pieces could easily give me most of the width I need, both around and at the shoulders, and reducing the taper of the princess seams below the bust (equivalent of narrowing the dart there) can give me the rest. Also pulling out the big tissue sheets to trace is annoying.

So next step—sleeves. The sleeves as drafted are really slim, one piece with a symmetrical sleeve cap. I’d prefer an asymmetrical cap (I’m borderline on needing a forward shoulder adjustment) and a two piece. I’m torn on the slimness—I like the look and have pretty scrawny arms, but this is going to be a lined jacket, too. And yes, I have compared them to the sleeve I used for my winter coat (which is pretty darn slim) and it’s about 2″ narrower around.

… time to get measuring. 😉

In Me-Made March news,

I wore my fluttery cowl again, but it spent most of the day buried under the Kimono Lady Grey (boo hoo). It’s warm enough that I don’t really have an excuse for the wool pants, except that I wanted to make sure they got an airing this month.

 

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