Category Archives: Sewing

Finishing Ellen

Ellen Pants, with button and belt-loops

I pretty much finished the Businesswoman Pants back in October, shortly before I embarked on the coat for Tyo. And I was pretty happy, but after a day of wearing them two things were obvious. First, the little metal pants-hook and bar I had sewed were not in any way, shape, or form sturdy enough to keep these pants up (in fact, by the end of the day the metal bar was a twisted remnant of its former self). Second, the lack of belt-loops was driving me nuts, because they kept sliding down (increasing the strain on the hook and bar). I don’t know if this is a side-effect of the dropped waist or the slippery lining or just the generally rectangular shape of my hips, but it was still annoying.

Anyway, it was clear that the pants needed a button and belt-loops. And today,

Rear, with belt-loops

while I waited for my laptop to defrag and otherwise soothe its booboos (it’s been cranky lately), I decided to tackle these minor finishes. So I made a button hole (successfully, by machine!!!! … on the third try. Fortunately this wool is highly forgiving of needle-holes), and cut, interfaced, ironed, and topstitched (as subtly as possible) the belt loops. I didn’t want to topstitch the belt-loops in place, either, so that took a bit more thinking. You can do this without too much trouble, I think, if you apply the belt-loops while you’re constructing the waistband, but once it’s done it takes a bit more finagling.

I ended up sewing the bottom ends, folding them up and over to the inside of the waistband, and hand-stitching there. Me and my hand-stitching, I know. Also, figuring out how to distribute your belt loops when none of your seams line up is a pain in the ass.

Fancy button

I was going to attach one of my usual jeans buttons, but (perhaps fortunately) I couldn’t find the little doohickey for hammering them on, so I went through my buttons and found this black plastic shank button with a rather battered “jewel,” that arrived in a small and generally unremarkable baggie of buttons from the thrift store a few weeks back. I’m not convinced that the plastic shank will be tough enough either, but it’s not as if it’s an overly precious button. But it’s cute, and where else am I going to use a rather tacky plastic-gemstone unique button? It will get scratched up and hidden by belts, but it’s already rather battered, so whatever :).

I’m not convinced that I totally love these pants—my hips definitely benefit from the pocket and yoke detail on jeans—but they’re warm (which sounds really good right now) and will definitely come in handy when, y’know, I don’t want to look like a total schlub.

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Knit Tops: the Raglan Experiment

First of all, before I forget, thanks everyone who said they liked the new theme! I finally found one I can customize the way I like, and I get a header! yay!. Though I’m still getting used to the new colour scheme. I’ve been in such a “red and black” mode lately, the blue and cream feels odd.

Lekala raglan tee pattern illustration

So this past weekend, in between madly sewing jeans and bullying Tyo into posing for pictures in her coat, I spent some time sniffing around the Lekala website. In particular, I discovered their “knittings” section. There are some pretty groovy patterns there. Importantly, they have a link to a sample PDF of the patterns (conveniently tiled for home printing, albeit for an A4 size paper. I wonder if I could find A4 paper here if I looked?). EVEN more importantly, that PDF pattern is in a small adult size, for someone with an 84cm bust and 92 cm hips. Which happens to be about as close to my actual measurements as any non-custom pattern ever is (we’ll ignore the 64cm waist, AKA 25″ waist. Haven’t had one of those since I was 14.)

Anyhoo, I cheerfully went along downloading every pattern that caught my fancy, and decided in a fit of mad bravery to sew up my single remaining remnant of white cotton knit into this pattern (#5672, about halfway down the page). Don’t you love their foxy artist illustrations? I especially like that a lot of them are plus-sized (though not this one, obviously)

This is the line-drawing:

Lekala raglan top 5672 line drawing

Lekala raglan top 5672 line drawing

which shows what it is a little more plainly: a simple raglan-sleeved top with a gathered drawstring placket in the front.

I’ve been wanting to try a raglan-sleeved basic tee for awhile. Well, basically since this one appeared on Burdastyle. Obviously there’s some differences (no underbust seam here), but the basic shape’s the same, both have bust gathers, and this one is free!

I printed the pieces out and compared them to my much-laboured-over Lydia pattern. Almost a perfect match, aside from some subtle differences in the waist curve—the sizing was spot on, as was the sleeve length. The bodice of the Lekala top was quite short, as you can see in the pattern illustration, so I extended it by a good 10cm; as I no longer have the firmness of tummy the model does, I try to avoid that sliver of low-belly nowadays. I also added my usual extension to the arm as well.

Lekala raglan tee, V. 1, front

And I got sewing. Since the knit I had on hand was white and a bit sheer, I tried out Sherry’s double-layer, folded hem, enclosed seam technique. This worked really well, though I wasn’t quite clever enough to get the sleeve seam enclosed between the two bodice layers. Next time. Only downside—it’s awkward to take in after construction. Which is why Sherry made a muslin. I didn’t bother, despite remembering clearly that the white Lydia I made from this same fabric needed to be taken in, as the fabric has little to no recovery. So the bodice wound up a bit looser and bulkier than I might have liked… but still wearable. It also looses length significantly as it stretches in width; I should’ve added more length to the sleeves.

I had the most trouble with the neckline. I was quite worried about it stretching out of

Lekala raglan-sleeve tee, slightly better shot of the body

shape (see above about the recovery of this fabric). Initially I went to bind it with a a strip of self fabric cut on the lengthwise grain (as I’ve done with all my Lydias; the technique is the same as Sherry uses in her tank-top post, minus the serged edge and precision). However, I remembered (as I was sewing it on) that this fabric has no lengthwise stretch. The resulting binding looked great and didn’t sag, but when worn it pulled the neckline very high, making the whole shirt very tight through the armpits, but most importantly not providing that lovely almost-off-the-shoulder sweep of skin. So I cut it all off, went back, and sewed 1/4 clear elastic along the wrongside, and then just folded this under and topstitched. I started out the topstitching with a double needle, but one of the needles snapped within the first four inches of topstitching (first time using that needle, too… #$$%#%$@#@$), so I did two rows of single stretch straight stitching. Grrr. Well, it looks all right from a distance, anyway. In hindsight I could’ve been a little more aggressive snugging up the clear elastic; it flares out a bit more than necessary especially right at the sleeve seams.

The pattern called for a drawstring placket to make the gathers at the bust. I had no idea how to do this, the

Lekala raglan-sleeve T

instructions were less than edifying (I’ve never applied a surface placket like this before), and I didn’t have anything  I thought I’d want to make drawstrings out of anyway, so I used the same method I did on my blue tank top and sewed a stretched elastic on the inside. I could’ve made it a bit longer, but on the whole the detail worked.

I definitely want to repeat this in a nicer fabric (this isn’t an awful knit, it’s reasonably stable to cut and sew, but the lack of recovery, lack of vertical stretch, and boring colour irritate me). And maybe stick a big floppy collar like the Manequim Cowl on top.

I wish all the nice knits at Fabricland weren’t so frickin’ expensive. I know, I know, buy online… /sigh.

Here ends part 2 of my Lekala odyssey. I’m pretty sure there will be more in the future…

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My sewing library…

My first sewing text.

I’ve mentioned before I’m a self-taught sewist. For a long time I figured that anything I couldn’t sort out on my own, I’d ask my mom. This worked well when I lived in my home town, but started to become problematic when I moved out of province. Especially about a year ago, when I was starting to entertain notions of learning how to sew well. One thing I did was do some quick internet surveys of recommended texts on sewing. The idea of actually studying sewing had never occurred to me before, but since I’m a researcher by trade it really was a natural progression. And then, one day around last Christmas, I stumbled on a copy of the “Reader’s Digest Complete Guide to Sewing” at the thrift store.

This was on the short list of recommended texts. I snaffled it up, read through voraciously, and went on to make my daughters some coats. Then I discovered the world of sewing blogs, and the forums on PR, and Burdastyle.com, and, well, I was off.

Well, a few weeks ago, a number of volumes of the Singer Sewing Reference Library showed up at my local Value Village. And I resisted. Probably most of the information was already in my Complete Guide. Probably it was all super-dated, anyway.

And then Cidell went and reviewed one of the volumes. Interestingly, Carolyn also listed the series among her favourite sewing books, but none of the volumes she has are ones that were available to me. And there’s a whole one on tailoring, apparently. D’oh!

My new sewing reference library!

Anyway, yesterday I was feeling a little foolishly flush, and they were still there and, well, they’re only three bucks each, and it’s five for the price of four, and… well, I came home with five of the set.

I did not buy the home dec volumes. Sorry. Maybe I will be more interested in home-dec sewing when I a) don’t live in a bleak rental house decorated in a scintillating palate of cream, ivory, and ecru. And b) can afford to decorate with the kinds of sumptuous fabrics my imagination demands. In the meantime, home-dec sewing = meh (which hasn’t stopped me from sewing my own curtains, or curtains and bed-drapes for my kids, but I’m not going to spend money learning to do it.)

So… Cidell talked about the Activewear volume already. Sewing Essentials seems to cover the basics, which I think I mostly have down when push comes to shove but hey, pictures are always great. Sewing Specialty Fabrics has to be good to have on hand, and covers everything from silk to bouclé to gabardine to lace to fur (fun or otherwise). The Perfect Fit is considerably more detailed than the five or so pages on fit in the Complete Guide, and has a small bit on swayback alteration, although it’s in the pants section, which isn’t was usually gives me the most trouble. I was a bit concerned over Sewing for Style (which style? 80s?), but it’s got a large chunk on tailoring, so I decided to go for it (but see above about the actual tailoring volume). I’d still like to get a real tailoring book at some point, but every little bit helps.

And, there was about 2 yards (just shy of 2m) of this lovely wool tweed. Isn’t that a great heathery-grey-mauve colour? At least half the nice fabric I’ve ever found at Value Village has been lovely wools. I hypothesize that people buy them and then are too intimidated/lazy to actually make the coat, and they end up in the thrift store alongside the godawful polyester and that “what was I thinking?” print. I wish there was enough to make this my Lady Grey Fabric, but even if I used something else for the facings, collar, and belt, I think not. Maybe a nice little blazer instead.

Me and my fantasy blazers. /sigh.

Syo's Pillows

In other news, Syo has been working hard on her hand sewing. She has now learnt to cut her own thread, thread her own needle, and even carefully marks out her stitches on the fabric beforehand. She has been putting these skills to good use creating an assortment of little pillows for the toys of the house.

Her knots, however, leave a little to be desired, as you can see.

We also (sigh) bought Tyo a “play coat” at the thrift store. It’s big, poofy, ugly, water- and wind-resistant, and most importantly easy to move in. Well, easier. There’s always going to be a certain amount of restriction when you look like a marshmallow. Ah, well. At least this way the Princess coat won’t be coming home soaked with muddy slush when the chinooks hit.

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Winter sucks

Or, The trouble with photographing black jeans indoors.

Jalie Jeans, v. 4

Most of the following pictures are lightened. Severely lightened. The jeans in reality are a dusty black , although the ones I made last summer, of the same material, have faded, not unexpectedly, to a dark grey.

First up, I have apparently gotten fat. Well, rather, when I first went to try them on (before attaching the waistband), I could get

Jalie jeans, v. 4: front

them on but couldn’t get the fly closed. Keeping in mind that I have made this pattern in this size three previous times, including once in this *exact* fabric. WTF? I went and narrowed the seam allowances just at the hips—letting it out about .5 cm (they are only 1cm seam allowances, after all) for an added 2cm around the hips. Phew, now I can close the fly. Also keeping in mind that the first pair in this fabric mysteriously grew about 2cm around after I washed them the first time and I had to take them in. So I’m kinda hoping these ones do that and then I can at least restore the seam allowances to where they should be. But jeez.

Pockets and belt-loops

Otherwise, there’s not too much to say. I was quite happy with the wash-away stabilizer on the pockets. My topstitching is not nearly as porn-worthy as Peter’s. The fly topstitching sucks. The nice thing about using the same thread top and bottom is that you can do the pocket embroidery from the wrong side, and so draw your design right on the pockets. I free-handed this particular one, and had a bit too much fun with the smocking stitch, which is the only decorative stitch my machine does that I actually like.

I decided to go a bit wild with the belt-loops. They’re

Belt-loop closeup

extra wide, with extra fancy stitching. Hopefully this will mean they’re extra sturdy, too, especially the three at the back (I’m really liking a triple-loop at the back, although maybe not as much for these wide ones. Oh, well).

The leg length is okay but I could probably still lengthen it a little. If these were flares, they’d be driving me nuts with their shortness, and I’d still kinda like that “slouchy around the ankle” look. Something to think about for next time. Or maybe next time I should do real skinnies… I could even stretch myself and attempt an exposed zip in the lower leg. Wouldn’t that be fun?

In other news, we re-watched the Teen Wolf movies last night (gotta share the eighties with the next generation, after all) and I was struck by how tight all the girls’ jeans are. About as tight as mine, really… without the benefit of lycra content. It makes me wince just looking at them. Although if I’d been a teen in the eighties, I’m sure I’d have been wearing them that tight. And wondering how to get rid of the big flapping wings and the hips. And why the waistbands were so flipping tight.

… anyway. One more pair of pants for the rotation, check :).

Now, do I have the energy to put gussets in Tyo’s coat…

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The Russian Princess Coat

The Russian Princess Coat

Girl in a red coat

Full Disclosure Edition

Seems to me like a Russian Princess coat, anyway. Or Madeline, as celkalee said.

Walking

The coat was finished, and not a moment too soon (actually a little late), as winter arrived on Monday with about six inches of snow (and another six on Tuesday, and again Wednesday and Thursday. Friday and today have been snow-light; more is forecast for tomorrow). Also, of course, providing the perfect backdrop for this coat. Snow and spruce trees for the win.

Even after four coats, I still haven’t really got that “facing/hem” thing figured out. I know there’s a way to make it happen really neatly (I’ve read two or three different sets of instructions on it, even), but somehow my pieces never quite line up and I end up fudging and hand-stitching to make it work. Ah, well. If some future couturier in distant decades dissects this coat, they’ll find plenty of other construction quirks to puzzle over (like, oh, how I padstitched the collar after sewing it… yeah, yeah.

Vent being pulled wonky by ining

The only bit I’m really not happy with (other than the sleeves still being uncomfortably tight) is the rear vent. I used the Cupcake Goddess’s instructions and while the basic principal is sound, I can’t figure out how to do it without creating and offset in the lining so you have a seam allowance (or making the cut-out side shorter). This, added to the difference in the length of the lining vs. the length of the back, meant that my vent-extensions lined up really poorly, and while they lie flat when worn, the lining is a bit short and makes the coat hike up if anything goes off of plum. Also the whole thing requires a degree of precision I find difficult to achieve at the best of times, much less when wrestling five pounds of wool coat around my sewing machine.

The rear view

All in all the pattern went together fairly well. My only serious objection with it is the narroweness of the sleeves. I added 2cm in sleeve width after the second muslin, but they are still really snug—it makes an attractively slim line, but not a comfortable coat, and it’s pretty impossible for Tyo to put a sweater under it at the moment. Thanks everyone for their suggestions on this problem, by the way… I’ll probably be tackling it in the next week or so. Or, y’know, tomorrow if I’m a good mom.

Next up: jeans and a stab at Lekala patterns!

Click to go to slideshow!

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Back to the Future, Jalie Style

Despite my inclination to plunge headlong into another coat—my long-neglected Lady Grey, say (I bought hair canvas! I bought hair canvas!)—I need to do some practical sewing. My favourite pair of Jalie jeans has developed some issues (mostly due to my own shoddy construction decisions… the sort of thing, it appears, I have to learn for myself, because no amount of good advice seems to get through my thick skull), rendering them currently unwearable, though a bit of mending should get them back in the rotation. Am I the only one who’d rather  make a whole new pair of pants than sew a belt-loop back on? Well, that and the pockets (which I made out of cotton from an old duvet I’d retired because of all the holes it was developing… stupid, stupid) are full of holes, which is causing stress in the pocket topstitching, which has broken some of the topstitching threads… so yeah, they are in some trouble. Not to the point of being unwearable (at least once I get the belt loop sewn back on… this is why you attach them with zigzag bars, not just straight stitch). For those of you who weren’t around back in the summer when I began my Great Jeans Odyssey, my pattern of choice is the infamous Jalie 2908, altered based on becca a’s instructions into a low-rise, straight-legged jean and tweaked for maximal skinniness.

Embryonic jeans

Anyway, yesterday I laid out my remaining length of black stretch denim. Apparently I had enough left for two pairs of pants, instead of just the one I’d thought. 3 pairs of pants from 4m of fabric, not bad. If, y’know, I needed three pairs of black jeans… but anyway. I cut merrily away, even remembering to undo my disastrous alteration of last summer.

Pocket closeup

I made some construction breakthroughs. I “fused” washaway stabilizer to the wrong sides of the pockets so they wouldn’t stretch out when I did the embroidery on them. I’m really happy about this… not only does it keep the pocket stable, when you fold the sides under and press them, it melts just enough to really grip the edges in place, so they don’t pop up! And unlike the interfacing I’ve used before, they’ll wash away so that when I finally wear my pants the pockets can stretch with the rest of them! And it didn’t even stick to the iron, which was my main fear.

I remembered to sew the yoke pieces on in the back before the centre seam. I did my topstitching in a regular red thread, using my triple-stitch (the straight stretch stitch) like I did in Tyo’s jeans. It looks great! So much more relaxing than wrestling with the topstitching thread, and I can use the same thread for constructing the seams, plus it slows the machine right down, which is good for topstitching (my Janome does not like to go slow, normally)

And then… I realized… I had sewn the yoke pieces on the wrong sides. The narrow ends were in the CB, the wide ends at the sides.

I had to pick out… two rows of stretch topstitching, the regular stitching, AND my triple-zig-zag seam finish. Yes, I was being all fancy and finishing my seams for once!

This kinda set me back.

then, having recovered from that, I went merrily on my way starting the fly construction…

And forgot that I need to attach the front pockets, first, since I’ve drafted pocket extensions that run into the fly. This makes for a nice, smooth finish on the front of the jeans and helps stabilize the fly… but only works if I actually remember to do it *before* I sew up the CF. So now I’m on the fence whether to rip that (probably only the basting where the fly opening will be, and a single bit of topstitching, need to come out) or just cut off the pocket extensions. Grrr.

This is why we follow instructions, /sigh.

Tyo’s coat continues to elude photography, mostly because with the grey weather we’ve been having, by the time she gets home from school the light’s already going. Hopefully we can get some good ones on the weekend. The sleeves are a real problem, though. With a sweater underneath, she can’t even bend her arms enough to button the thing closed. I’m going to have to open it up and pull out a layer or two in there. *headdesk*

On the up-side, it was -20 this morning and my coat performed adequately, at least for walking the kids to the bus stop. I was getting a mite cold by the time I got home, but nothing that long-johns and a proper hat (I just had my sweater hood up, silly me) wouldn’t’ve fixed. So I think it will be adequate, at least. The next test, of course, will have to be wind chill.

I still want a winter coat that’s both stylish and -50C-worthy. I have a feeling it’s going to take a) a less fitted style, b) a lot of research into materials, and c)more money. Not that this one was cheap, by the way.

In other news, I splurged and took my long-ailing serger in to get serviced (finally… it’s been about two years). The guy at the sewing-machine place confirmed my thought that the problem is the timing, and hopefully nothing else is wrong with it. It still runs fine… the loops just don’t form.

So in a couple of weeks I may have a serger again! Yay!

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Frustration…

A finished coat... missing only one ten-year-old girl

… is a finished garment and no good photos to show it off. Nature has graced us with the perfect backdrop for the coat (six or eight inches of snow in the last two days), but by the time the buttons were on this evening the light was gone, so pictures will have to wait until tomorrow at the earliest. However, since I’m dying to show off just a little bit, here’s some flat shots and details, not that most of my details are worth ogling ;).

I’ll do a full write up with the last of my construction woes when I get some decent pictures… by which time I’m sure you’ll be as sick of this thing as I am (if you aren’t already 😉 )

And now the big question: will she actually be able to wear it “for everyday” or will this become the dreaded fancy coat? It’s supposed to be -21C here tomorrow (about five below zero F… somehow that sounds warmer 😉 ), which will be a big test for my winter coat, as well.

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A sneaky peak

at the progress from the weekend.

Coat, left; lining, right

The sleeves are attached (and still dangerously narrow 😦 ); the lining and facing is sewn (this is the first time I’ve done a lining with a facing at the back of the neck. It was not particularly difficult. I drafted fold-over cuffs for the end of the sleeve… we’ll see how those go on; I used the same idea as the ones for Syo’s coat.

I did some thing to the roll of the collar that I will describe as pad-stitching’s bastard cousin, which did succeed in giving it some shape (at least so far), and only shows a little.

Tyo picked out some silver metal buttons. They’re lovely, although silver buttons really wasn’t what I was envisioning for this coat. She likes them, though.

Label!

But most importantly, I remembered to sew the label to the neck facing already, so I don’t have to hand-stitch it on at the end! 🙂

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It seemed like a good idea at the time, or, an assortment of idiosyncratic construction decisions

 

Catchstitched interlining

I guess I really am a sucker for hand-sewing. If only because I catch much less flack from the family if I’m hand-sewing in the living-room with the rest of them all evening, instead of lurking in the kitchen with my sewing machine.

 

Warning: what follows is not a description of how one SHOULD make a coat. I am not particularly convinced that all (any) of the construction details I am about to report actually improve the resulting coat in any way, and several of them may have serious unforeseen drawbacks. I accept this. 😉

Friday I got the rest of the coat—lining and interlining—cut out. Hooray! I could not find any more of my space suit interlining at the fabric store, so I had to settle for some (much cheaper) non-foil-backed stuff. I had just enough left from making my coat to cut the two back pieces from the foil-backed stuff, which I figure should be fine since the fronts are double-breasted anyway.

I trimmed the seam-allowances from the interlining. Then, for reasons I am no longer totally clear on, I decided

Underlining

that rather than floating free between shell and lining, it should be sandwiched between shell and interlining. I promptly proceeded to catchstitch the back pieces in place, so they wouldn’t shift despite not being caught in the seams.

Then I said “bugger that,” and skipped the catch-stitching step for the front and side-front pieces. My occasional inability to keep the interlining out of the seams should hold them in place, not like they have anywhere to go.

This fabric is a dream to sew with. It’s squishy, easy to ease, and you can catch stitches on the underside beautifully without worry of them showing on the right side of the fabric. Mmm. I also love my flannel underlining.

1cm seam-allowances may be awesome on jeans, but they’re tricky on a coat. Allowing for turn of cloth, once you go to press the seam open, there’s very little allowance at all. I proceeded to stitch all the seam-allowances open after pressing (hence the marathon of hand-stitching and why my fingers are still sore.)

BUT, LOOK!!!

Tyo refused to brush her hair for the photos, hence her headless state. Also she was making faces.

OMG, is that a coat?

She has POCKETS!

Well, almost.

Yay, smooth back!

For interest’s sake, I re-took Tyo’s measurements (rather than relying on my last set from oh, back in the summer) and compared them to the m-sewing sizing charts. The results may highlight some of the fitting issues we had.

Hips: 81 cm. Her hips are a size 12.

Waist: 58. Her waist is a size 8.

Bust: 63 cm. Her chest is, ah, a size 6.

The coat I made is about a size 11, for measurements bust: 73cm, waist: 63cm, hip: 79cm.  I still think the coat is cut a bit snug for my liking (I added significantly more than 2cm to the ease in the hips), but the disproportion between shoulders and hips is all Tyo.  If Sewaholic Patterns ever puts out a children’s line, Tyo can be their first customer.

Next: assemble sleeves, sew lining, decide whether to add another layer of interlining (this time where the interlining *actually* belongs) as the non-foil stuff is kinda thin, and try to avoid doing any more hand-stitching until at least tonight.

PS. This post would’ve been up Saturday morning, but my camera cable evaporated sometime Friday evening. Despite a thorough house-clean Saturday (my Dad was in town and came to dinner), it has not resurfaced. However, fortunately for me, the card reader decided to read the camera memory stick today—Sony uses an odd format and 90% of the time the computer doesn’t recognize it… but once in a while it does. So, you get a post! Yay for random computer cooperation!


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Poppies

Red and black, two of my favourite colours. Speaking of which, the buttonholes have been bound.

Buttonholes on the coat. Poking the "organza" squares through.

Then, I tack them down (after judicious ironing) in the back.

Buttonhole frames tacked open

Gertie suggests using silk organza that matches your fashion fabric. I have no organza (as far as I know), and I’ve never sewed with silk in my life. I also didn’t have anything light and crisp in red. So I used this off-white (chiffon? I really suck at the names for these floaty fabrics, as I tend to avoid them like the plague. But I salvaged a crapload of this stuff after a wedding last summer. It’s gone to make the sheer JJ, and the rest will someday become a tiered petticoat.) I suspect silk organza would be a lot stronger, and maybe a more firm weave?

Don't they look nice from the front?

You can see a tiny bit of the chiffon from the front. I made extra sure when sewing on the strips that none of this showed through.

The basted strips in position

As you can see, my strips are kinda massive. (They’re also interfaced, and I added an extra layer of white interfacing to the inside of the front mostly so I could see my markings better.) I am debating whether to trim them down or leave them that way—if anyone has strong opinions I’d love to hear them.

And stitched in place by hand.

Don’t they look lovely? I will leave them basted for now (at least until we go buy buttons). Now all I have to do is get the facings to line up. Oh, and did you notice my lovely iron-mark on the front of the fabric? *headdesk* Mostly I remember not to do this. Mostly.

Anyway, back to the poppies. Are we all marking Remembrance Day today? I am lucky enough not to have any family members involved with wars of any kinds (even my grandfathers sat out WWII). I’m also not organized enough to get to any of the various ceremonies they have around. So consider this my little moment of silence.

 

In Flanders Fields

By: Lieutenant Colonel John McCrae, MD (1872-1918), Canadian Army

In Flanders Fields the poppies blow
Between the crosses row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie,
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

Lest we forget.

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