Tag Archives: Y1111

Sweet Finale

Y1111

OK, I promise this is the last on this little dress. Once again, pattern Y1111 from Young Image Magazine, from their first issue, Summer 2011.

Snug. (and that’s the zipper side! 🙂 )

I made the size 128, as per Syo’s chest measurement, however I did lose a small amount of width due to taking slightly larger seam-allowances on the skirt gores. I don’t imagine it was more than one or two centimetres around the whole dress, though, so the dress is very close fitting to begin with. We can just barely get it zipped up around Syo.

Unfortunately, my old camera didn’t want to focus on anything more than a foot away.

Which, of course, she thinks is absolutely perfect.

Side view

I also lengthened the skirt by about 4 cm. It now comes to just below her knees. If I had been actually trying to fit it to her, a small swayback adjustment would’ve been in order. Or, y’know, a bit more ease for that bottom.

Front

Hmm

The hem.

Ok, I am now officially completely out of things to say about this dress. Definitely time for a dress for me.

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Twee Whee Wheedle Wheet

Twee.

This is a sweet little dress.

A very, very sweet little dress. Too saccharine to have any business anywhere near either of my children, frankly (although Syo will probably bat her eyelashes at you to confuse the issue.)

Once again, this is Young Image Magazine pattern Y1111, from their inaugural issue. My first installation of wittering on the dress is here.

Looking at the photos and the line drawing, one has the impression of a rather complicated dress, but there are actually only four pattern pieces: front bodice, back bodice, skirt panel (gore, if you prefer), and front overlay. And a few instructions for making the ruffle and ties for the shoulders and the drawstring, not that I actually paid attention to them. I will confess, once I had figured out basic things like how many of the skirt pieces needed to be cut out (five pairs, by the way) and where to put the zipper, I didn’t look back at the instructions. I did improvise a fifth piece, for the skirt lining, but in hindsight I could’ve just used the front overlay piece and fudged a normal hem curve. I realized this right after I finished laboriously tracing the skirt panel five times to get a five-gore width. (Then I realized I only needed a two-and-a-half-gore-width if I cut it on the fold. *headdesk*)

As with Burda, you do need to add seam allowances to the patterns. I know some brave seamstresses who just eyeball these, or use little gizmos like the seam-measurers; I am not so brave, and add them on the tissue.

Bodice chevrons (back view)

Being the brilliant thing that I am, I decided I was going to try and do chevron stripes on the bodice. Not being completely idiotic, I decided I would underline the bias bodice pieces with some  leftover cotton (lawn? batiste?) cut on grain. This was a good idea since by the time I had the chevroned seams (mostly) matched and stitched the bias pieces, they weren’t exactly the same size and shape they started out as. Seersucker’s kinda shifty at the best of times, and my relationship with precision is, well, hit and miss.

I realized after stitching up the skirt panels, that I’d had my needle set in the left-most position, so each of those many seam allowances (it’s essentially a 10-gore skirt) was just a smidge wider than it should’ve been. Oops. So I did have to shave a smidgeon off the bodice. I cut the size 128, as I was told my husband’s little cousin is a “skinny 8” and that was the size which corresponded with Syo’s bust measurement. Of course, Syo is on the shrimpy side for her age, too, but mostly that’s in height—she’s fairly sturdy and has my broad shoulders. Here’s hoping it fits. If not—I’m sure there’s a niece somewhere it’ll fit. I also added about 4 cm to the length, just at the hem of the skirt.

Can you spot the zipper? (PS the bodice seam is actually matched. I gave up on the chevrons, however. Also the difference in angle/grain between the skirt overlay and the gores at the side seem preclude stripe-matching on the skirt)

The pattern calls for a side-zip, so I pulled out one of my vintage invisible zippers, since I am officially “off” regular zippers after attempting one in the blue tunic. This was my first time installing a metal invisible zipper, and it was interesting. I remembered to stabilize the fabric with a little strip of fusible interfacing before stitching the zipper in, and I’m very glad I did because I think it would’ve driven me nuts. As it is, there’s a bit of poof around it, but not too bad. Anyway. I use Sherry’s method and install it with a regular zipper foot. In some ways this was easier with a metal zip—it’s easier to see the teeth, and they feel a bit sturdier so I was less paranoid about wrecking it. On the other hand, I was terrified I was going to needle down on one of the teeth and have sharp flying metal flying at my eye. It took me a couple of passes to  get the feel for how far back to rotate the teeth, and I did nearly sew my fingers a couple of times, but in the end it worked really well, and I even managed to figure out the trick of sewing the lining on by machine this time.

There’s the zipper! 🙂

The combination of a drawstring and a side zip is, um, not intuitive. Basically, I ended up with the drawstring in two parts, both stitched to the zipper tape (if I’d been a little more together they would’ve been attached before I put in the zipper, but anyway)—a short one which goes from the side to the CF opening, and a long one which goes from the side, around the back, to the other CF. Hopefully this’ll work out—it’s mostly decorative anyway.

Front notch with drawstring.

The pattern (OK, the photos from the magazine, again, didn’t look at the instructions) has you leave a gap in the stitching at the CF notch for the drawstrings to emerge.  This is easy, but there’s no real good way to finish the edges, and I’m kind of convinced that after a few wearings there’s going to be threads poking out like crazy, barring some hand-stitching. I considered putting a tiny little buttonhole in the front on either side of the notch, but when the chips came down I took the easy route. An eyelet would be cool, too, if you made a punk-y version of the dress. Which would be really fun, actually. Wouldn’t it be awesome made out of old metal-band T-shirts, with exposed construction and some scraps of black lace and studs?

… ANYWAY.

I did the topstitching around the drawstring casing last. It was a little nerve-wracking making sure that I didn’t stitch down the drawstring itself, but it wasn’t as bad as I feared. I did hold the fabric very taut, since I was stitching three layers at that point, the top one of which was on the bias, and I was terrified the fabric was going to move and ripple. It did a bit, but not too much, at least on the outside (the inside, as you can see in the zipper shot above, isn’t lovely, but it’s done so I’m not going to sweat it.

I was going to wait until I could try and shove Syo into the dress to get some modeled shots before posting, but a) mysteriously she didn’t want to get up extra-early for a photo-shoot in the snow (yes, snow) before breakfast and b) I’m not 100% convinced it’s actually going to fit her. Although given that she likes everything skin-tight these days, that might be right up her alley.

Coming soon: more bodice fun!

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Children, magazines

My husband’s aunt (who is only a few years older than him) just invited us down for her daughter’s birthday (her daughter, my husband’s cousin, is Syo’s age.) Since they live quite a bit closer than the rest of the family, and we are always saying we’ll come down and then failing to, I was excited. I know she sews a little bit (sock monkeys have been mentioned), so I asked if a home-made gift would be welcome.

On being assured that it was, and getting a rough (very rough) estimate of the daughter’s size, I pulled out my two summer Young Image magazines and began leafing through.

After a fair bit of angsting, I decided on this pattern, from the original (2011) summer issue. Which is not only really cute, but has ties (adjustable) and a drawstring through the top (adjustable) and a raised “waist” so her actual body dimensions won’t matter so much.

Young Image Sundress

Fabric selection was actually easy-peasy. I found this seersucker in the clearance at Fabricland ages and ages ago, and picked up 3m (I think it was $1.50/m) with the express intention of making dresses for little girls. Unfortunately it didn’t seem quite right for *my* little girls, and I hadn’t gotten around to making something for my little nieces with it. But it seemed perfect for this gift project. (Yes, for those of you paying attention, this is the same fabric as I suggested for my Fantasy Pyjamas. Don’t worry, there’s plenty left…)

Sparkle seersucker

Anyway, the other night I managed to trace of the pattern, and yesterday, as I muzzily clawed my way back towards “normal” functioning, I finished cutting out the fabric and started assembling. I didn’t get ridiculously far, but I did manage to construct front and back skirt panels, some shoulder-ties, and some ruffle trim for the front overlay.

Skirt front

That’s an overlay on the front skirt, by the way; the pattern pieces for the skirt itself are identical front and back. I didn’t realize that until I actually started tracing out the pattern. It makes the construction much simpler.

Next confession: after figuring out how many times the skirt-pattern-piece had to be cut out (five pairs, for 10 panels, as it turned out) I haven’t even glanced at the instructions.

The Dread Ruffler

I did, however, do battle once again with my rolled-hem foot to finish the edge of the overlay and the edges of the ruffling strip. It was almost disappointingly well-behaved after the bias silky polyester. Not having much in the way of seams to go over certainly helped…

Feeling cocky at my triumph, I decided to tackle using the ruffler foot to gather my finished strip. And not just any ruffler foot, no, the ruffler for the Domestic Special*, far and away the most terrifying of my sewing machines. Actually, the machine works perfectly well, I just keep trying to use the more exotic attachments it came with, with decidedly mixed results. Which really isn’t the machine’s fault. The main thing with the ruffler is to remember to lower the presser foot before you start stitching. You can’t actually tell the difference, visually, because the foot is so bulky and the fabric feeds through it rather than under it, so it’s easy to forget, and disaster will ensue.

I normally reserve ruffler feet for things where I need vast quantities of ruffling of indeterminate gather ratio. This length was decidedly intermediate, although the consistent, fixed gather-ratio is nice for a trim. I wouldn’t say that in this case it was any great time-saver, since I had to make several samples to figure out what my gather-ratio was and which setting was increasing vs. decreasing it. But, it was fun anyway, and the needle did not shimmy out of position, nor did it strike the edge of the throat plate and shatter, which is what typically happens when I use the ruffler on my Janome. Of course, sewing the ruffled strip down was a whole ‘nother continent of annoying, but that’s certainly not the ruffler’s fault (after all, it’s perfectly possible to ruffle and stitch-down in one pass, if I had the guts to attempt it.)

Bias-cut bodice and chalk pencil

For the bodice, I tried cutting out on the diagonal to make chevroned stripes (the lining and underlining are on the straight grain). We’ll see how that turns out. The stripe-matching on the skirt sections is pretty much a dog’s breakfast, but I was much more meticulous about the bodice. I hope.

Also, Fabricland’s current 50% off sale on notions persuaded me to pick up this nifty, if rather expensive, Dritz chalk-pencil gadget. I’m always looking for something that will make marks efficiently and accurately. So far it seems pretty decent—not as accurate as the wash-away marker, but a little easier to lay down in large segments (like when tracing a pattern piece). A lot will depend on my ability to keep from losing it, or shattering the chalk refills.

All right. Now, much as I’d like to go down and sort out the rest of this little dress, my house needs to be rescued from three days of illness-related neglect. Ouch!

*Mostly because the Domestic and Janome are the two machines set up right now and and I hate using the ruffler on my Janome—something about the lighter weight of the modern machine just lends itself to vibrating the needle loose or jamming and breaking a needle.

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