Tag Archives: Vogue 7448

On the Vogue Front

The next stage of fitting…

Sleevage. Fitting.

So, I slapped some sleeves onto my bodice-muslin of the Zoe coat, Vogue 7448, to see what they did to the floopyness around the front armscye. And also where the shoulders actually sit and things like that. Oh, and I added facings and the collar.

I think I should just suck it up and do the square shoulder adjustment.

I also think I’ve decided the front floopyness really boils down to my SBA being insufficiently agressive. If I stuff a fist in the side in front of my breast, it fills out the space quite nicely and the wrinkles disappear. (Incidentally, I took this photo wearing my padded bra, which does bring my bust measurement up to a proper size 12—34″. And it’s still floopy.

The only other thing (which doesn’t show in these photos) is how much the low armscye makes the arms bind when I put my hands on my hips. I’ve been trying to talk myself out of fixing it, but I just don’t think I can. Even the front floopyness doesn’t annoy me as much as that binding at the arms. I promise I’ll only raise it a centimetre or so. I’m sure I’ll still be able to get most of my sweaters underneath.

And the wearable muslin…

Vogue 7448 Sweater

Despite the fact that the fit is so-so and the internal finishing is abysmal, I really wanted to get something usable out of this. So, I grabbed some cream rib-knit that just happens to match the cream sweatshirt knit, cut a 3″ wide band (doubled), and added it to the bottom and made cuffs for the sleeves.

Buttons

Although I often really like cropped jackets, something about the position of the band has me not entirely convinced that it’s terribly flattering (maybe I’m just feeling muffin-top-conscious due to winter slothfulness and the depressing length of time since I’ve done a pretty, glamorous basement photo shoot. Oh, well. At least the jeans look good.)

I do quite like it hanging open, which is unusual for a double-breasted garment. The way the front hangs open reminds me faintly of those floppy-front cardigans.

Facing and under-collar

The buttons are cream, leather-covered buttons from one of my old-button thrift store hauls. The leather is pretty dinged up and dingy, but the colour was nice and I was willing to go with it for this particular garment. I decided to bind the inside of the facing and the undercollar with some nice patterned bias binding, which would be a lovely touch if the rest of the seam-finishing wasn’t so godawful. (er, nonexistent.) (Erm, buttonholes in rib knit. Bad idea, basically. Some kind of stabilizer would’ve been a VERY good idea. I thought of it just after I started the first one.)

I’m glad I made the full collar, though. This is the first time I’ve tackled one of those collars with inner corners, and it was a bit brain-breaky and nerve-wracking. I had to actually read the instructions. Definitely worth practicing.

So I guess this is one of those “time will tell” garments. I’ll probably wear it a bit, because I do need sweaters, badly. I may fall thoroughly in love with it… who knows.

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The perils of tissue fitting

And other good ideas

Tissue-fitting

Baby steps continue on Vogue, 7448, henceforth to be known as the Zoe Coat. I am *this* close to convincing myself that I can splurge on some really nice wool and thinsulate to make an uber-winter version as my prezzie from Santa, although if I have to order anything online the time-frame is getting iffy. We’ll see.

So, I decided to try and tissue-fit my altered pattern pieces on my theoretically-me-shaped duct-tape double.

Now, I do not wish to completely malign duct-tape doubles. I suspect when done really well, and stuffed with a lot of attention to detail, and treated with appropriate respect thereafter, they can probably be pretty useful. Mine is a bit lacking. Another layer of duct-tape to stabilize would probably have not gone amiss. I should’ve been a little more careful in the stuffing, especially of the shoulder region. The fact that my kids think it’s the cat’s miaou and have had oodles more fun with it than I ever have doesn’t help, either. But it is still generally me-shaped.

So. I pinned my pattern pieces, noting centre front and centre back locations, and tried them on the double.  As you can see above (please ignore the awful background) the main issue seemed to be that the waist (which is supposed to be slightly raised—from past experience this is about 1/2″ above the natural waist) still appeared to be a couple of inches too low. There was also a lot of room in the bust (or rather, a lot more room in the bust than at the waist), so I added another tuck to shorten and did a modest Small Bust Adjustment. This is actually my first formal SBA with a dart, although I’ve smoothed down princess-seams in the bust area plenty. I tend to wear a bra with wovens, and my bras are all psychotically padded, so I’ve mostly been able to get away with the bust as drafted.

For good measure (considering all the height I’d taken out at this point), I shortened the bust dart by a centimetre or so.

Muslin---Stage 1

And moved on to muslin (stage 1). Apologies for the fuzzy photos, I am far too lazy to re-take them. This is what happens when you let your fingers or arm come between the camera and your photo-spot when setting up the self-timer. 😛

Several things became instantly obvious.

Firstly, I had taken out too much length. Obviously my duct-tape is not quite so double. (I suspect she’s compressed in length from being left standing from time to time.) I actually pretty much like where the bottom of the pieces is, but of course there needs to be a seam-allowance below that. /sigh. When I tried it on I thought the back was too short (remember I took 1 cm off the bottom of the back as part of my swayback adjustment), but actually as worn it hangs straight, so that’s a win.

There’s a lot of gaping in the back, at the neck and in the sway-back area.Fairly easy to fix by tweaking the back seam. I’m wondering if the neck-gaping is exacerbated by the need for a square-shoulder adjustment, though. I had hoped that since the pattern is designed for shoulder-pads, I wouldn’t need one, but it would probably have helped.

The front waist seems about right, and shoulder and side-seams fall in pretty good places. The point of the bust dart is high, but I think not problematically so. The big issue in the front is that folding in the front armscye. Those of you who are fit-gurus, please comment! My Singer Sewing Reference Library volume “The Perfect Fit” suggests two fixes for this, a minor one which is basically the same as a sloping-shoulder adjustment on the front bodice piece only(which is pretty much the opposite of what I need), and a major one where you take a dart out of the pattern at the armscye and then kind of smush it flat so there’s no dart there on your final piece. This seems annoyingly imprecise, but would probably work. Of course, these armscye issues are also affected by the sleeve, so I’ll be setting in sleeves before I make a final decision. I find it particularly interesting that the “fold” doesn’t point to the bust, but rather beside it

EDIT: Just a random bit of life I can’t resist putting in. Yesterday our area was in the grip of a fierce chinook windstorm. The wind was breathtaking, but even more amazing was the temperature—even with all that wind, it was WARM (comparatively) outside. Being good Canadians, we promptly kicked the kids out of the house to enjoy the weather.

This morning we turned on the Weather Network and learned that our area had received hurricane-force winds yesterday and that people had been urged to stay inside and away from windows.

Oopsie.

Well, at least they were away from windows…

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Baby Steps

Vogue 7448

The other day I stole a few minutes to sort through Vogue 7884 and extracted the bodice front, back, and sleeve pieces. This is not as easy at it sounds, as there are separate, and confusing, interfacing and and lining pieces. I had to actually read the writing on each piece!

As is this my first take on a Vogue pattern, I had some thinking to do.

It’s a size 12 pattern, which is pretty much my standard size, aside from that whole waist issue. Which shouldn’t be a problem in a coat, really.

The back length Vogue lists for the size 12 is 16 1/4 inches. My back length is an even 15″, so that’s the first issue. The coat is drafted to have a “slightly raised waist”, which is a look I love, but I still want the waist to be raised on ME. So I figured I would need to take out at least an inch in height. The question was, where? Typically I’ll take height out through the armscye, as I like a high armscye anyway, but I thought losing a whole inch in that region on a coat might be a bit much.

Armscye comparison (back) (remember the white pieces have no seam allowances)

For comparison, I dug out my tweaked Fitted Jacket block, from Built by Wendy: Jackets & Coats, the base pattern for my wonderful run of little jackets last spring: the cowl-shoulder jacket, the cropped jean-jacket, and the springy coat. Interestingly, while there is indeed a full inch difference in the armscye length (height?) on the back piece, there was considerably less difference on the front.

Front comparison

For a compromise, I decided to remove 1.5 cm through the armscye, and 1 cm at the lengthen/shorten bodice here line. We’ll see how that works out. I also did my usual swayback alteration (1 cm above waist, to be matched by 1 cm below when I get to the bottom pieces), and lengthened the sleeves by 2.5 cm. (It’s my blog and I’ll hop randomly between measuring systems if I want to)

Erm, all these alterations were done as part of the tracing process. Hacking and tucking a vintage pattern (even 70s vintage) horrifies me at a visceral level.

There is a substantial bust dart. It terrifies me.

I am torn between trying to muslin the bodice out of some cream sweatshirt knit I have on hand in the hopes that I’ll be able to wear the result as a sweater, or using some of the awful 80s sweatshirt knit from my aunt and turning that into underlining for the final version (should it work.) I like the idea of a semi-tailored jacket topper made out of a stable knit, but I’m a little worried this outerwear pattern will have too much ease built in for that. On the other hand, Tyo and Syo both adore the godawful 80s knit, and far be it from me to deny my children the opportunity to repeat the fashion disasters of my youth.

I’m also torn on what to aim for for the final project. Me being me, I am powerfully drawn to view A, the crazy long length (which the pattern envelope assures me has a finished length of 57″!), although probably beltless as in view E because me and cinching don’t get along so well. Though it might require a back vent, as the skirt doesn’t seem overly full. However, I only have one or two pieces of coating fabric in stash that would be long enough, and neither are particularly wintry—I feel like a shorter length would be appropriate for a spring-weight jacket. Speaking of which, winter has arrived here, although we’re still a bit scant in the snow department. Last weekend temperatures dipped below -20C and the windchill hit -30C, which to me is legitimate winter weather. It’s warmed up a bit since, but my psyche has officially been switched to Winter Mode. Which means my desire to make a light, springy jacket I won’t be able to wear for months is limited right now. And if I’m going to try to outdo my Great Winter Coat of last year (which is great, but not quite as warm as I’d really like) it will require a significant investment of materials and thought that I don’t really have the resources for right now.

It’s enough to make a girl want to just go sew quick projects for her kids.

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La Mode Syo

The cool kid.

Syo would like you to know that she’s far, far, too cool to be posing in her new jeans for her mom.

They are a little big. Not really satisfyingly skinny.

Syo’s mother would like you to know that Syo is going to have to deal, I am so totally done with making clothes that are outgrown a month later.

Now that that’s out of the way, a few final details:

Rear view. Oh, that's the shrug I made here

The pockets look good. I like my feature pocket.

Studs

The waistband is flabby as I didn’t bother to interface (and it’s cut on the cross, i.e. stretchy). However, there are now studs. I bought plain “Bachelor buttons” rather than jeans buttons this time, because I didn’t really feel like spending $8 for 8 buttons when I could buy four bachelor buttons for less than two. The bachelor buttons may be slightly wimpier than the (already flimsy) Dritz jeans buttons, but not too much. Someday when the perfect conjunction of money and motivation coincides, I will order some proper ones off the internets. Until then, my children will suffer. Syo wanted a snap anyway, but didn’t mention this until after the buttonhole was cut.

Fuzzy pockets

She really likes the fuzzy pocket-lining fabric. I’m thinking I should make a future pair lined in something similar… extra warm and extra cozy all in one.

Ruching

That gathered look has been achieved.

Got pug?

There are, however, few things cuter than a pug. Even a stuffed pug.

Also, I got the most awesome package in the mail today.

New pattern!

Yes, it’s that awesome 70s coat pattern Zoe made up last year and then recently decided to give away. I feel totally honoured and squee-tastic that she picked me (not to mention a little apprehensive. What if I stuff it up?). I am so excited. I’ve never made a Vogue pattern before. Bet you can’t guess which view I want to make. 😉

So I guess I know what my next project is. Aside from the pair of ruched jeans I’ve already cut out for Tyo, anyway.

 

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