While I didn’t accomplish a lot on my summer vacation this year (other than the Jutlands), I did end up tackling a bunch of quick projects, several of which had been sitting for months or years.
The oldest is this Sewaholic Patterns Dunbar sports bra. I had cut it out pre Christmas… at least two and possibly three Christmases ago. It was meant to be a present for Syo, but I somehow got completely befuddled with all the pieces and it just seemed way too complicated.
This is too bad because when I finally did sew it up it only took about an hour. And it’s using some really nice fabrics—a wicking activewear, some proper power mesh for lining, with a lighter mesh for the sheer part.
The construction was complicated compared to the other sports bras I’ve made, which is not actually complicated in the grand scheme of things. The lining seams and the outer seams don’t line up because the outer layer has the side panels. This is actually nice because you don’t have as much bulk at the seam lines, but it confused the heck out of me (especially picking up the pieces years after cutting out.) I skipped the optional pockets for foam inserts, which made my befuddled brain happy but made me a little disappointed in myself since I had cut the pieces and everything.
The only other tricky bit was figuring out whether the top and bottom edges had seam allowance (they do), which I trimmed off from the top because I wanted to use fold-over elastic.
The soft mesh I used for the sheer part is a bit flimsy, maybe, but the look is perfect. So I’m pretty happy overall. And it’s one less thing sitting in a box! Bonus: in the same shoebox I found our handwritten family recipe book that has been missing for two years. WTF?
Last fall I had cut out a pair of Eléonore pants from a black denim-print ponte. I had issues with the topstitching and wound up stuffing them in a bag in frustration. Well, I finally put on my big girl pants and took another stab at it. I had to abandon the actual topstitching thread and use a triple straight stitch with regular thread instead. The only problem is that none of my machines will do a long stitch on this setting, which annoys me. But at least it’s done, and you have to look pretty close to notice the difference.
I have been doing all my topstitching lately on an old (80s) Elna a friend gave me. It doesn’t blink at topstitching thread (except with this stretchy fabric) but more importantly it’s got this weird air-bubble foot pedal that gives amazing control—the best I’ve had in a non-computerized machine—and an adjustable speed that goes from painfully slow (perfect for topstitching) to so fast you have to adjust the tension because the thread is getting pulled so quickly (perfect for topstitching with a triple stitch, which seems painfully slow otherwise)
They don’t stay up terribly well; I should probably put belt-loops on.
After getting those out of the way, I stumbled upon a remnant of black lingerie knit (nylon tricot) I picked up shortly before the store closed down. I’ve been meaning to make a black slip for a while—basically since I made this one, um, four years ago.
I’ve had this vintage Basic Knits pattern in my drawer of “patterns I’d like to make” for, well, quite a while. And, of course, I went with the version that’s almost identical to the Kwik Sew 717 I made before. Actually because I was lazy and didn’t want to have to trace and cut out two separate cup pieces for the princess seam version.
I cut the 36 bust grading to the 38 in the hips, and I took the bust in a tiny bit at the side seams. I could’ve gone another size larger in the hips. I’m not sure how I turned into a pear shape but apparently I have. I think I like the bust shape in the Kwik Sew pattern a little better, but this one will be perfectly functional, and I’ve needed a basic black slip for a long time. Oh, and I shortened the skirt by about 6″, because as drafted it would’ve been well below my knee.
That may have been a bit excessive, as it’s pretty short, but it’s easier to wear a short slip under a long dress than the reverse. Anyway, I’m pretty sure it’ll be a good addition to the wardrobe come slip season… which is getting distressingly close here.
Anyway, so looking around for something else, I spied this fabric, which I bought my girls for Christmas presents last year. (This is what happens, teenagers, when you make the mistake of showing interest in your mom’s hobbies.)
After a bit of digging I decided Kwik Sew 2893 seemed like a good place to start. While it’s styled like a baseball tee, it’s roomier than 
It’s a kids pattern but the XL is a size 12-14, which is about the same chest measurement as Tyo, and I figured if it didn’t fit Syo it would fit Tyo, and if Tyo didn’t like it it would work for Fyon, who is a very skinny eleven now. This is the convenient part of having multiple girls in the family, even if they don’t stairstep quite as neatly as they used to.
I wanted a slightly cropped length, partly just to use less fabric in this tester version, so I made it the length of the Extra Small size. This is still significantly longer than the sweater at the top of the post, and as it turned out, while it makes a short sweater, it’s not what I would call cropped.
At the last moment I decided to include the pocket, also in a size XS, because it’s nice for teenagers to have somewhere to stuff their phones. This was pretty simple, although more stabilization might’ve been nice. I did knit interfacing strips along the opening parts.
None of the grey ribbings I have in stash were a perfect match, but this one was the best. I could also try black at some point, that might be fun.
Anyway. While I was sewing it up I was convinced I was making a sweater for Fyon, but Syo tried it on and it fits her. It also fits Tyo but the length is awkward—longer than cropped but not as long as she’d like a normal length sweater. On the other hand she didn’t take it off and went on to sleep in it, so I guess it’s not that bad.
And it’s one tiny piece less taking up space in my stash.
After the Great Linen Pants Debacle, I needed a palate cleanser. And, as it just so happens, after looking for it all summer my copy of 
The pattern is dead simple, although I complicate it slightly by adding a back seam, for fit and fabric frugality. And I add a much wider flare to the skirt, because the skirt as drafted is too narrow for proper walking, which adaptation I actually haven’t put on the pattern—I draft it out on my fabric every time. I should really change my pattern. Someday.
I was very careful about centering the large motif on the front. Less so about where the parts of the motif would fall—maybe not the most flattering arrangement over the bust. On the other hand the design was a bit of a border print so I was running my pattern pieces on the cross-grain, so any wiggling up or down would’ve required piecing or shortening.
I’m pretty happy with how my bindings at arm and neck worked out. I was a good girl and did lots of testing. It’s the same triple-fold binding I almost always use, with the inclusion of 1/4″ clear elastic for stability because my non-elasticated tests tended to go wavy when stretched. I did not test my hem and it is not nearly as nice. Should’ve used steam-a-seam.
I’m kinda bored with this modestly scooped neckline after my four other versions of this dress, so I really should’ve changed it up. A square would’ve been nice, or maybe a V in the back. Anyway, so I added some decorative buttons. A lace-up détail would’ve been nice, too, but would have required more forethought and planning than I had put into it.
Other than that, there’s not much to say. It’s quite long. It’ll get worn.
And it’s my last bit of vacation sewing.
Did I mention lately that I don’t need any clothes? I really really don’t. My husband, on the other hand, is in dire straits. Since he hasn’t needed a professional wardrobe for years now, and he hates shopping and is super picky, everything in his closet is ancient, worn out, and often ill-fitting.
And guys, he’s hard to sew for. Lord knows I’ve tried over the years, and sometimes I’ve succeeded (most often with loose overshirts.)
But did I mention he’s picky? Nothing gets a “oh, that’s perfect!” Everything gets criticism that at best is constructive but at worst is just demoralizing. He’s fussy about fit, fussy about fabric, fussy about style.
Anyway, he needed some cool pants for the summer. He won’t wear shorts (see the part about picky) and while he couldn’t quite articulate it, I was pretty sure some casual linen pants would fill the slot.
I was initially thinking very plain and simple, as much of a fit test as anything else. Then I made the mistake of telling him what I was making.
I had picked the 
The first mistake was letting him see the pattern. Not that he didn’t love the details (the ones I was going to skip, you recall). He just wanted even more. Zip off legs! Accordion pleat in the back!
But I really don’t need more clothes, and he does. So I took a deep breath, and “compromised” by doing the added details as per the pattern, but not doing stupid zip off legs that he’ll never actually unzip because he only ever does that while wading in water fishing and if he takes his black linen pants fishing I’ll kill him. I don’t think he considers this a compromise.
Anyway, I don’t actually mind the process of constructing cargo pockets and the other reinforcements were very simple. (And frankly as cargo pockets go, the ones in this pattern are pretty Lite(TM). Just a couple of pleats. Not really 3D at all. I was actually a wee bit disappointed.) I did the pleats a wee bit too deep so the pockets are a bit small for their flaps. This turned out to be the least of my worries, however.
When I traced out the pattern, I added length. My husband isn’t that tall, but he does tend to be long-legged and too- short jeans are a common issue.
Let’s just say they would not have been an issue as is. There seemed to be about 6″ of extra length on each leg, and I only added about 2″. I wound up making a 1″ tuck above the cargo pocket (topstitched down) and adding a seam to take out about 5″ more between knee and hem. Edit: and it turns out that was a little too much now that he’s actually sitting down in them. FML.
Because when worn “high” (aka as they should be) they’re way short even on me. But when we tested the length he had them slung low. Argh!!!
I also discovered when I went to sew them up (AFTER the cargo pockets were all in place, of course) that I must’ve screwed up my tracing, because my front and back inseams are about an inch off. WTF? Side seams match fine. Anyway, in the end I eased the extra length in. This will probably cause problems at some point, but linen eases pretty nicely.
I wanted an elasticised waistband to accommodate his wildly fluctuating waist, and after some thought decided to go with the old buttonhole elastic. Maybe overkill in this situation, but the oversized pants would’ve been beyond wearable without it. Hopefully the convenience of the adjustability will outweigh the weirdness of the finish to him. What I didn’t do (which I would have in more fitted pants) was add some height to the back rise. I assumed the over-sized-ness would compensate. I was wrong. So they’re a little low for his taste back there.
I probably overdid it on the sizing up. Next version, I will size down, add height to back waist, and reduce the length a couple of inches.
First, and most obvious, were the shop projects. Having a monthly budget of “free” fabric and deadlines changes what you chose to sew.
Having my pick of any big 4 (or later McVoguerick, after they turfed Simplicity) pattern meant I tended to choose from those rather than an indie pattern (which I’d have to buy myself) or a vintage pattern in my collection (which was discouraged since people will be inspired and probably want to know where they can get that pattern, and if it’s out of print they’ll get bummed out.) I also tended to go with new ones every time. Not a lot of TNT makes, nor of things already in my disgustingly massive pattern collection.
Second, instead of using fabric from stash, every project came from the store. This means you get to try shiny new fabrics, and use things I wouldn’t be able to afford otherwise, but it also meant the stash just got bigger and bigger. It’s not like you stop buying stuff! (Although Fabricland staff prices aren’t anything to write home about, you’re there for ALL THE SALES and you’re right there when stuff gets marked down at the end of a season. There is still plenty of temptation to buy.) If you wanted to make something right away, you tried to figure out how to do it as a project, because everything else went on the back burner.
Third is a bit more subtle. Projects that would boost your skills and try out new products were encouraged. Projects that get people excited were, too. Which, as you probably can guess, means it was fun to make a lot of dresses. Sometimes stupid, crazy, fancy dresses. With a strict two week deadline (and keep in mind I was working two jobs for most of this span, so limited sewing time at home) it was hard to tackle really involved projects like coats, or to muslin things. But a quick, fun dress? Perfect!
Next is its effect on what I wear. Shortly after I started working at Fabricland, the simple good marketing of wearing things I had made became obvious—but not just anything. The jeans and tees that had dominated a lot of my sewing while I was in grad school, trying to disappear into the background, don’t make anyone ask “Did you make that?” The dresses did. Those same ones I was conveniently making for impractical but fun projects. And I’ve always been one for binges of overdressing, so a perfect storm was created. I was making crazy dresses. I was wearing crazy dresses. I had a REASON to wear crazy dresses. This week, without that reason, I haven’t quite reverted to form, but it’s felt different. My day job doesn’t have much of a dress code and doesn’t directly interface with the public, so that drive is missing. On the other hand, there are several of us who enjoy playing with our wardrobes, so I don’t think the dresses are suddenly going to languish. But I may not make quite as many of them.
But the biggest thing I’m missing already is the interaction. These people were my sewcialists. The staff (and some customers!) were always talking about what we were making. Everyone had their specialties, from self-drafted unique pieces to quilts to intricate hanstitched felt creations. We learnt a lot from each other—but most importantly we had a lot of fun.
There are the things I don’t miss, as well. Crabby customers. Corporate policy decisions that seem designed to create crabby customers. Constant, brutal price hikes (many items more than doubled their price in the five years I worked there). Interpersonal drama. Stone-aged (ok, pre-computer-era) inventory and ordering processes. Sometimes this stuff seemed overwhelming in the moment. Yet as soon as it was taken away, I find myself focusing on the good. The fun, the people, the shared love of making.
Then there’s the identity.
Fortunately, teaching sewing seems to be an option for keeping that feeling alive. More of the classes have been going through, and I’m really enjoying teaching. I have a fairly full lineup of classes ready for the fall, and ideas about others in the future. Beyond that–well, we’ll have to see.
In the meantime, I’m re-learning what it feels like to sew at my own pace, pick my projects based on stash, and taking a few deep breaths. I’ll be ok without work projects and deadlines. But I definitely want to maintain the relationships, even while I figure out who I am, sewing after Fabricland.
Tanit-Isis Sews 