More fun, although considerably more time-intensive than Style 2304, was Simplicity 1149. This is probably in the running for cutest little pattern ever. I was a little concerned about the width vs. length ratio, and obviously that kind of horizontal skirt poof isn’t going to happen without intense crinolining of a type I’m not keen to subject my nieces to, but I’m hopeful the sheer cuteness will make up for it.
Damn, this is cute.
My older niece, Fyon (who is five), loves having dresses that match mine (well, loves it more than my kids do, anyway), so I thought I would use up the rest of my navy seersucker from the Cambie on a dress for her. I looked through my patterns for something close in style to the Cambie, but the closest I could find was actually the dress I made her last year, and I didn’t want to re-use a pattern where there are so many other
crazy fun ones to try. So, Simplicity 1149. And I thought this navy cotton (cotton poly?) with the little white flowers would be the perfect complementary fabric. It originally came from my Grandmother’s stash, and Tyo had sorta earmarked it to make boxers out of, but hopefully she’s forgiven me for putting it to a more immediate use. I used it for the sash, the lining of the little jacket, and, most importantly, the ruffle ornament.
There are two kinds of “ruffle” on this dress, both of which were pleated using the ruffler that came with my Pfaff, attached to my singer Featherweight. I have three ruffler feet now, but one only works with the army machine (which is put away and not really reliable) and the other works with the quick-snap foot on my modern machine, and has driven my absolutely fucking nuts in the past.* I set it to pleat (gathering every five stitches, rather than with every stitch) although really there are plenty of places where it screwed that up. It looks fine, though—half the battle with ruffles is not to sweat the small stuff, in my opinion.
Anyway, for the skirt ruffle, I ripped on-grain strips, stitched them all together, and finished the edges with the rolled hemmer. For the edging, I pressed the strips in half lengthwise and basted down the open edge—I find if you don’t baste it closed, the ruffler tries to ruffle just the top layer and Bad Things Happen.
Syo was eerily enthused when she came home after a quick mom-free vacation and discovered this little thing lying around the house. The first thing she had to do was try it on. (I’ll remind you that Syo just turned nine, while the pattern alleges itself to be a “size 5″.) It’s absolutely not the sort of thing she would be willing to wear in public—but some latent toddler in her just couldn’t resist trying it on to twirl around the house. It’s SNUG—she has to exhale a bit to get the waist button closed (These fifties pattern that assume that children have waists. Pfft.) But it’s still on her.
The skirt is obviously very short on my nine-year-old. Fortunately Fyon is a little narrower than Syo, and significantly shorter, so I’m thinking the fit should be great.
I finished the skirt hem with the last of my 2″ horsehair braid (actually, I was about 2″ short, and had to patch in a little section of hem with bits of 1″ horsehair braid. It is Not Pretty, but it’s all covered by fabric now and doesn’t seem to show. And combined with the double-tiered lining I added (made of stiff cotton-poly blend broadcloth) it really had a surprising amount of loft.
We are so cute
Yes Yes We are.
Oh, wait. What. You’re still reading? Sorry, I kind of succumbed to The Cute there for a minute. Insidious stuff, that. Sorry for the grainy photos—this was the best light we could find in the five minutes we had before I went off to work that morning, and the camera did not like it.
Here, have a quick closeup of the back buttons (buttonholes made using my Greist buttonholer, ). I guess I shoulda taken a photo without the sash tied, too. /sigh.
but sooooo cute…